List Of Hymns For Pentecost
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List Of Hymns For Pentecost
Hymns for Pentecost are hymns dedicated to the Christian feast of Pentecost, or Whitsun. Along with Christmas and Easter, it is a high holiday, dedicated to the Holy Spirit, or Holy Ghost. Hymns have been written from the 9th century to contemporary. History First hymns were sung in Latin, and in plainchant. An early hymn was Veni Creator Spiritus (Come, Creator Spirit), attributed to Rabanus Maurus who lived in the 9th century. It was used in the liturgy not only for Pentecost, but also for vespers between Ascension Day and Pentecost, and for occasions such as ordination and profession. Many later hymns in different languages are based on it. An early sequence for Pentecost was Veni Sancte Spiritus (Come, Holy Spirit). With the Reformation, hymns were often written in the native language. Martin Luther wrote several hymns dedicated to Pentecost specifically, based on earlier models. His first published hymn was "Komm, Gott Schöpfer, Heiliger Geist", a paraphrase of Veni Cr ...
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Veni Creator Spiritus-1
Veni may refer to: *Veni Creator Spiritus, a hymn normally sung in Gregorian Chant and is considered the "most famous of hymns" *Veni Domine, Swedish Christian progressive doom metal band, founded 1987 *Veni Sancte Spiritus (sometimes called the "Golden Sequence"), a sequence prescribed for the Roman Catholic Mass of Pentecost * Veni, veni, Emmanuel, a Latin hymn for Advent based on the O Antiphons * Veni, Veni, Emmanuel (1992), a concerto for percussion and orchestra by James MacMillan based on the preceding hymn *Veni, vidi, vici, a remark reportedly made by Julius Caesar, translated as "I came, I saw, I conquered" *Veni Vidi Vicious ''Veni Vidi Vicious'' is the second studio album by Swedish rock band the Hives. The album was released on 10 April 2000 through Burning Heart and Epitaph. It was later re-released on 30 April 2002 through Sire and Gearhead. The Japanese releas ..., the title of a garage rock album by Swedish band The Hives * Veni Markovski (born 1968), Bulga ...
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List Of Hymns By Martin Luther
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith. Luther wrote songs for occasions of the liturgical year ( Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of psalms, and other songs. Whenever Luther went out from pre-existing texts, here listed as "text source" (bible, Latin and German hymns), he widely expanded, transformed and personally interpreted them. Luther worked on the tunes, sometimes modifying older tunes, in collaboration with Johann Walter. Hymns were published in the ''Achtliederbuch'', in Walter's choral hymnal ''Eyn geystlich Gesangk Buchleyn ' ("A spiritual song booklet"), sometimes called First Wittenberg Hymnal and ' (Choir hymnal), was the first German hymnal for choir, published in Wittenberg in 1524 by Johann Walter ...
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The English Hymnal
''The English Hymnal'' is a hymn book which was published in 1906 for the Church of England by Oxford University Press. It was edited by the clergyman and writer Percy Dearmer and the composer and music historian Ralph Vaughan Williams, and was a significant publication in the history of Anglican church music. Methodology The preface to the hymnal describes itself as "a collection of the best hymns in the English language." Much of the contents was used for the first time at St Mary's, Primrose Hill, in north London, and the hymnbook could be considered a musical companion to ''The Parson's Handbook'', Dearmer's 1899 manifesto on English church ceremonial, vestments and furnishings. The high quality of the music is due largely to the work of Vaughan Williams as musical editor. The standard of the arrangements and original compositions made it a landmark in English hymnody and one of the most influential hymnals of the 20th century. The hymnal included the first printing of sev ...
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Bianco Da Siena
Bianco di Santi alias Bianco da Siena or Bianco da Lanciolina (Anciolina, 1350 circa - Venice, 1399) was an Italian mystic poet and an imitator of Jacopone da Todi. He wrote several religiously-inspired poems ( lauda) that were popular in the Middle Ages. First a wool carder, he eventually became a member of the poor Jesuates, founded by Giovanni Colombini. Biography According to Feo Belcari, Bianco da Siena was native of Lanciolina di Valdarno (at present Anciolina, in the province of Arezzo), but he worked as a wool carder at Siena. His date of birth is uncertain, but probably took place around 1350, since Belcari defines him as very young in 1367, when he entered the Jesuates. This company was founded towards 1360 by Colombini and his friend Francesco Vincenti: they proposed a life of poverty and penitence. In May 1367, Bianco da Siena entered the company and left Siena with them to ask the approval of Pope Urban V. The Jesuates were received with benevolence at Viterbo, wh ...
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Come Down, O Love Divine
"Come Down, O Love Divine" is a Christian hymn usually sung for the festival of Pentecost. It makes reference to the descent of the Holy Spirit as an invocation to God to come to into the soul of the believer. It is a popular piece of Anglican church music and is commonly sung to the tune "Down Ampney" by Ralph Vaughan Williams. History The text of "Come down, O Love divine" originated as an Italian poem, "Discendi amor santo" by the medieval mystic poet Bianco da Siena (1350-1399). The poem appeared in the 1851 collection ''Laudi Spirituali del Bianco da Siena'' of Telesforo Bini, and in 1861, the Anglo-Irish clergyman and writer Richard Frederick Littledale translated it into English. The first publication of the English version was in Littledale's 1867 hymn-book, ''The People's Hymnal''. For the hymn's publication in ''The English Hymnal'' of 1906, the hymnal's editor Ralph Vaughan Williams composed a tune, "Down Ampney", which he named after the Gloucestershire village of ...
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Roman Missal
The Roman Missal ( la, Missale Romanum) is the title of several missals used in the celebration of the Roman Rite. Along with other liturgical books of the Roman Rite, the Roman Missal contains the texts and rubrics for the celebration of the most common liturgy and Mass of the Catholic Church. History Before the Council of Trent (1570) Before the high Middle Ages, several books were used at Mass: a Sacramentary with the prayers, one or more books for the Scriptural readings, and one or more books for the antiphons and other chants. Gradually, manuscripts came into being that incorporated parts of more than one of these books, leading finally to versions that were complete in themselves. Such a book was referred to as a ''Missale Plenum'' ( en, "Full Missal"). In 1223 Saint Francis of Assisi instructed his friars to adopt the form that was in use at the Papal Court (''Rule'', chapter 3). They adapted this missal further to the needs of their largely itinerant apostolate. Pope ...
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Stephen Langton
Stephen Langton (c. 1150 – 9 July 1228) was an English Cardinal of the Roman Catholic Church and Archbishop of Canterbury between 1207 and his death in 1228. The dispute between King John of England and Pope Innocent III over his election was a major factor in the crisis which produced Magna Carta in 1215. Cardinal Langton is also credited with having divided the Bible into the standard modern arrangement of chapters used today. Early life and career His father was Henry Langton, a landowner in Langton by Wragby, Lincolnshire. Stephen Langton may have been born in a moated farmhouse in the village, and was probably educated in his local cathedral school. He could also have been born at Friday Street, Surrey, according to local legend. Stephen studied at the University of Paris and lectured there on theology until 1206, when Pope Innocent III, with whom he had formed a friendship in Paris, called him to Rome and made him cardinal-priest of San Crisogono, Rome.
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Gotteslob (1975)
The 1975 edition of ''Gotteslob'' (''God's Praise'') was the first combined prayerbook and hymnbook authorised by the bishops of all German-speaking Roman Catholics in Germany and Austria. It contains texts and songs for liturgy, communal prayer and private prayer, divided into a section which is common for all, and an appendix for the local songs in a diocese. Forerunners for a common hymnal were the hymnal '' Cantate!'', published by Heinrich Bone in 1847 and used by multiple diocese of German-speaking countries, and '' Kirchenlied'', a 1938 hymnal that included songs by Protestant hymnwriters. Maria Luise Thurmair was a member of the commission preparing the edition, and also contributed several songs to the book. Her "Den Herren will ich loben", based on the Magnificat and many other liturgical hymns appeared there first. Friedrich Dörr was a member of the commission who contributed mostly his translations of Latin hymns, such as "Komm, Heilger Geist, der Leben schafft", f ...
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Gotteslob
''Gotteslob'' ("Praise of God") is the title of the hymnbook authorized by the Catholic dioceses in Germany, Austria, South Tyrol, Luxembourg and Liège, Belgium. First published in Advent 2013, it is the current official hymnal for German-speaking Catholics, succeeding the first common German hymnal, the 1975 edition of the same name. Each diocese published a book containing a common section and a regional section. The first editions amounted to around 4 million copies. History ''Gotteslob'' was developed as a sequel of the first common German hymnal, ''Gotteslob'' of 1975. It was developed over a period of 10 years by around 100 experts, who studied the use of hymns, conducting surveys and running tests in selected congregations. ''Gotteslob'' was published by Catholic dioceses in Germany, Austria, South Tyrol, and is also used by German-speaking parishes in Luxembourg and the Diocese of Liège, Belgium. It was introduced from Advent 2013, beginning on 1 December. It is ...
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Breathe On Me, Breath Of God
"Breathe on Me, Breath of God" is an English Christian hymn. It was written by Edwin Hatch, a Church of England vicar and the Professor of Classics at the University of Trinity College in Canada. It was first published privately in 1878 and publicly published in 1886. History Edwin Hatch spent his childhood in a non-conformist background before being ordained into the Church of England. In 1876 he wrote "Breathe on Me, Breath of God" and published it privately in a pamphlet entitled "Between Doubt and Prayer". giving it the Latin title of "Spiritus Dei" (Spirit of God). The hymn was later published into the public sphere in 1886 in Henry Allon's "''The Congregational Psalmist Hymnal''". It was republished posthumously by Hatch's widow in 1890 in "''Towards Fields of Light: Sacred Poems''". The handbook to the ''Psalter Hymnal'', where "Breath on Me, Breath of God" was later published, referred to the oft quoted statement about Hatch's faith being "as simple and unaffected as ...
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Book Of Common Prayer (1662)
The 1662 ''Book of Common Prayer'' is an authorised liturgical book of the Church of England and other Anglican bodies around the world. In continuous print and regular use for over 360 years, the 1662 prayer book is the basis for numerous other editions of the ''Book of Common Prayer'' and other liturgical texts. Noted for both its devotional and literary quality, the 1662 prayer book has influenced the English language, with its devotional use alongside the King James Version of the Bible contributing to an increase in literacy from the 16th to the 20th century. As a Christian liturgy, the 1662 prayer book has had a profound impact on Christian spirituality and ritual. Its contents have inspired or been adapted by many Christian movements spanning multiple traditions both within and outside the Anglican Communion, including Anglo-Catholicism, Methodism, Western Rite Orthodoxy, and Unitarianism. Due to its dated language and lack of specific offices for modern life, the 1662 ...
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