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List Of Pre-Raphaelite Paintings
This is a list of paintings produced by members of the Pre-Raphaelite Brotherhood and other artists associated with the Pre-Raphaelite style. The term "Pre-Raphaelite" is used here in a loose and inclusive fashion. PRB members James Collinson *''The Renunciation of St. Elizabeth of Hungary'' (1850) *''Answering the Emigrant's Letter'' (1850) *''A Son of the Soil'' (1856) *''Home Again'' (1856) *''To Let'', also known as ''The Landlady'' (1856) *''For Sale'', also known as ''At the Bazaar'' (1857) *'' The Sisters'' (c. 1860) *''Too Hot'' (1863) *'' The Holy Family'' (1878) William Holman Hunt *''Self-portrait at the Age of 14'' (1841), Ashmolean Museum, Oxford *''Love at First Sight'' (1846) *''F. G. Stephens'' (1847), Tate Britain, London *''Christ and the Two Marys'' aka ''The Risen Christ with the Two Marys in the Garden of Joseph of Aramathea'' (1847 and 1897), Art Gallery of South Australia, Adelaide *''The Escape of Madeline and Porphyro during the drunkenness attendi ...
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Edward Burne-Jones - The Beguiling Of Merlin
Edward is an English given name. It is derived from the Anglo-Saxon name ''Ēadweard'', composed of the elements '' ēad'' "wealth, fortune; prosperous" and '' weard'' "guardian, protector”. History The name Edward was very popular in Anglo-Saxon England, but the rule of the Norman and Plantagenet dynasties had effectively ended its use amongst the upper classes. The popularity of the name was revived when Henry III named his firstborn son, the future Edward I, as part of his efforts to promote a cult around Edward the Confessor, for whom Henry had a deep admiration. Variant forms The name has been adopted in the Iberian peninsula since the 15th century, due to Edward, King of Portugal, whose mother was English. The Spanish/Portuguese forms of the name are Eduardo and Duarte. Other variant forms include French Édouard, Italian Edoardo and Odoardo, German, Dutch, Czech and Romanian Eduard and Scandinavian Edvard. Short forms include Ed, Eddy, Eddie, Ted, Teddy and Ned. Peop ...
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Edward Robert Hughes
Edward Robert Hughes (5 November 1851 – 23 April 1914) was a British painter, who primarily worked in watercolours, but also produced a number of oil paintings. He was influenced by his uncle and artist, Arthur Hughes who was associated with the Pre-Raphaelite Brotherhood, and worked closely with one of the Brotherhood's founders, William Holman Hunt. Work Having settled on his career choice, Edward Robert Hughes attended Heatherley's in London to prepare himself for the chance of entering the Royal Academy Schools. Hughes became a student at the Royal Academy School in 1868. While Pre-Raphaelitism played an influential part in shaping Hughes work, Aestheticism is also seen in his paintings. E. R. Hughes is best known for his fantastical watercolours such as Midsummer Eve and Night with her Train of Stars yet initially he built a career as a portrait painter to the upper classes.In addition to being an artist himself, E.R.Hughes was also a studio assistant to the e ...
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The Lady Of Shalott (William Holman Hunt)
''The Lady of Shalott'' is an oil painting by William Holman Hunt, made -1905, and depicting a scene from Tennyson's 1833 poem, "The Lady of Shalott". The painting is held by the Wadsworth Atheneum, in Hartford, Connecticut. A smaller version is held by the Manchester Art Gallery. Background In Tennyson's poem, the Lady of Shalott is confined to a tower on an island near Camelot, cursed not to leave the tower or look out of its windows. She weaves a tapestry, viewing the outside world only through reflections in a mirror behind her. The painting depicts the pivotal scene in the third part of the poem: the Lady spies "bold Sir Launcelot" in her mirror. The sight of the handsome knight and the sound of him singing draws her away from her loom to the window, yarn still clinging around her knees, bringing down the curse upon her as "the mirror crack'd from side to side". She leaves the tower to take a boat across the river, but meets her death before she reaches Camelot. D ...
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The Shadow Of Death
''The Shadow of Death'' is a religious painting by William Holman Hunt, on which he worked from 1870 to 1873, during his second trip to the Holy Land. It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood. The shadow of his outstretched arms falls on a wooden spar on which carpentry tools hang, creating a "shadow of death" prefiguring the crucifixion. His mother Mary is depicted from behind, gazing up at the shadow, having been looking into a box in which she has kept the gifts given by the Magi. Background and interpretation In 1850 Hunt's colleague John Everett Millais had already portrayed Jesus as a budding carpenter, helping his father as a young boy. Millais' painting, ''Christ in the House of his Parents'', had been viciously attacked by critics because of the alleged squalour of the workshop. Hunt repeats many features of Millais's painting, but emphasises Jesus' physical health and muscularity. ...
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Newcastle Upon Tyne
Newcastle upon Tyne ( RP: , ), or simply Newcastle, is a city and metropolitan borough in Tyne and Wear, England. The city is located on the River Tyne's northern bank and forms the largest part of the Tyneside built-up area. Newcastle is also the most populous city of North East England. Newcastle developed around a Roman settlement called Pons Aelius and the settlement later took the name of a castle built in 1080 by William the Conqueror's eldest son, Robert Curthose. Historically, the city’s economy was dependent on its port and in particular, its status as one of the world's largest ship building and repair centres. Today, the city's economy is diverse with major economic output in science, finance, retail, education, tourism, and nightlife. Newcastle is one of the UK Core Cities, as well as part of the Eurocities network. Famous landmarks in Newcastle include the Tyne Bridge; the Swing Bridge; Newcastle Castle; St Thomas’ Church; Grainger Town including G ...
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Laing Art Gallery
The Laing Art Gallery in Newcastle upon Tyne, England, is located on New Bridge Street West. The gallery was designed in the Baroque style with Art Nouveau elements by architects Cackett & Burns Dick and is now a Grade II listed building. It was opened in 1904 and is now managed by Tyne & Wear Archives & Museums and sponsored by the Department for Culture, Media and Sport. In front of the gallery is the Blue Carpet. The building, which was financed by a gift from a local wine merchant, Alexander Laing, is Grade II listed. The gallery collection contains paintings, watercolours and decorative historical objects, including Newcastle silver. In the early 1880s, Newcastle was a major glass producer in the world and enamelled glasses by William Beilby are on view along with ceramics (including Maling pottery), and diverse contemporary works by emerging UK artists. It has a programme of regularly rotating exhibitions and has free entry. The gallery's collection of paintings incl ...
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Lady Lever Art Gallery
The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral and one of the National Museums Liverpool. The museum is a significant surviving example of late Victorian and Edwardian taste. It houses major collections of fine and decorative art that are an expression of Lord Leverhulme's personal taste and collecting interests. The collection is strong in British 19th-century painting and sculpture, spilling over to include late 18th-century and early 20th works. There are important collections of English furniture, Wedgwood, especially jasperware, and Chinese ceramics, and smaller groups of other types of objects, such as Ancient Greek vases and Roman sculpture. The majority of objects were part of the original donation, but the collection has continued to expand at a modest rate. The museum displ ...
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The Scapegoat (painting)
''The Scapegoat'' (1854–1856) is a painting by William Holman Hunt which depicts the "scapegoat" described in the Book of Leviticus. On the Day of Atonement, a goat would have its horns wrapped with a red cloth – representing the sins of the community – and be driven off. Hunt started painting on the shore of the Dead Sea, and continued it in his studio in London. The work exists in two versions, a small version in brighter colours with a dark-haired goat and a rainbow, in Manchester Art Gallery, and a larger version in more muted tones with a light-haired goat in the Lady Lever Art Gallery in Port Sunlight. Both were created over the same period, with the smaller Manchester version being described as "preliminary" to the larger Lady Lever version, which was the one exhibited. History In the Royal Academy exhibition catalogue Hunt wrote that "the scene was painted at Sodom, on the margin of the salt-encrusted shallows of the Dead Sea. The mountains beyond are those of ...
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Birmingham Museum & Art Gallery
Birmingham Museum and Art Gallery (BM&AG) is a museum and art gallery in Birmingham, England. It has a collection of international importance covering fine art, ceramics, metalwork, jewellery, natural history, archaeology, ethnography, local history and industrial history. The museum/gallery is run by Birmingham Museums Trust, the largest independent museums trust in the United Kingdom, which also runs eight other museums around the city. Entrance to the Museum and Art Gallery is free, but some major exhibitions in the Gas Hall incur an entrance fee. History In 1829, the Birmingham Society of Artists created a ''private'' exhibition building in New Street, Birmingham while the historical precedent for public education around that time produced the Factory Act 1833, the first instance of Government funding for education. The Museums Act 1845 " mpoweredboroughs with a population of 10,000 or more to raise a 1/2d for the establishment of museums." In 1864, the first ''public ...
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The Finding Of The Saviour In The Temple
''The Finding of the Saviour in the Temple'' (1854–1860) is a painting by William Holman Hunt intended as an ethnographically accurate version of the subject traditionally known as " Christ Among the Doctors", an illustration of the child Jesus debating the interpretation of the scripture with learned rabbis. The passage illustrated is from the Gospel of Luke, 2:41, which states: Every year his parents went to Jerusalem for the Feast of the Passover. When he was twelve years old, they went up to the Feast, according to the custom. After the Feast was over, while his parents were returning home, the boy Jesus stayed behind in Jerusalem, but they were unaware of it. Thinking he was in their company, they traveled on for a day. Then they began looking for him among their relatives and friends. When they did not find him, they went back to Jerusalem to look for him. After three days they found him in the temple courts, sitting among the teachers, listening to them and asking them qu ...
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Keble College
Keble College () is one of the constituent colleges of the University of Oxford in England. Its main buildings are on Parks Road, opposite the University Museum and the University Parks. The college is bordered to the north by Keble Road, to the south by Museum Road, and to the west by Blackhall Road. Keble was established in 1870, having been built as a monument to John Keble, who had been a leading member of the Oxford Movement which sought to stress the Catholic nature of the Church of England. Consequently, the college's original teaching focus was primarily theological, although the college now offers a broad range of subjects, reflecting the diversity of degrees offered across the wider university. In the period after the Second World War, the trends were towards scientific courses (proximity to the university science area east of the University Museum influenced this). As originally constituted, it was for men only and the fellows were mostly bachelors resident in the co ...
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