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The Lady Of Shalott (William Holman Hunt)
''The Lady of Shalott'' is an oil painting by William Holman Hunt, made -1905, and depicting a scene from Tennyson's 1833 poem, "The Lady of Shalott". The painting is held by the Wadsworth Atheneum, in Hartford, Connecticut. A smaller version is held by the Manchester Art Gallery. Background In Tennyson's poem, the Lady of Shalott is confined to a tower on an island near Camelot, cursed not to leave the tower or look out of its windows. She weaves a tapestry, viewing the outside world only through reflections in a mirror behind her. The painting depicts the pivotal scene in the third part of the poem: the Lady spies "bold Sir Launcelot" in her mirror. The sight of the handsome knight and the sound of him singing draws her away from her loom to the window, yarn still clinging around her knees, bringing down the curse upon her as "the mirror crack'd from side to side". She leaves the tower to take a boat across the river, but meets her death before she reaches Camelot. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lady Of Shalott By William Holman Hunt, C
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hesperides
In Greek mythology, the Hesperides (; , ) are the nymphs of evening and golden light of sunsets, who were the "Daughters of the Evening" or "Nymphs of the West". They were also called the Atlantides () from their reputed father, the Titan Atlas.Diodorus Siculus. ''Library4.27.2' Etymology The name means ''originating from Hesperos'' (evening). ''Hesperos'', or ''Vesper'' in Latin, is the origin of the name Hesperus, the evening star (i.e. the planet Venus) as well as having a shared root with the English word "west". Mythology The nymphs of the evening Ordinarily, the Hesperides number three, like the other Greek triads (the Three Graces and the Three Fates). "Since the Hesperides themselves are mere symbols of the gifts the apples embody, they cannot be actors in a human drama. Their abstract, interchangeable names are a symptom of their impersonality", classicist Evelyn Byrd Harrison has observed. They are sometimes portrayed as the evening daughters of Night ( Nyx) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mulready
William Mulready (1 April 1786 – 7 July 1863) was an Irish genre painter living in London. He is best known for his romanticising depictions of rural scenes, and for creating Mulready stationery letter sheets, issued at the same time as the Penny Black postage stamp. Life and family William Mulready was born in Ennis, County Clare. Early in his life, in 1792, the family moved to London, where he was able to get an education and was taught painting well enough so that he was accepted at the Royal Academy School at the age of fourteen. In 1802, he married Elizabeth Varley (1784–1864), a landscape painter. She came from a family of established artists; her brothers included John Varley, friend of William Blake, Cornelius Varley, and William Fleetwood Varley. Their three children, Paul Augustus (1805–1864), William (1805–1878), and Michael (1807–1889) also became artists. His relationship with his wife however deteriorated gradually over the years, which is detailed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Callcott Horsley
John Callcott Horsley RA (29 January 1817 – 18 October 1903) was an English academic painter of genre and historical scenes, illustrator, and designer of the first Christmas card. He was a member of the artist's colony in Cranbrook. Childhood and education Horsley was born in London, the son of William Horsley, the musician, and grand-nephew of Sir Augustus Callcott. His sister Mary Elizabeth Horsley wed the famous British engineer Isambard Kingdom Brunel in 1836. Horsley was mentored by William Mulready and Augustus Wall Callcot who sent him at age thirteen to study at Dr Henry Sass's academy where he met D.G Rossetti, J. Millais and W.P. Frith; in his biography Horsley recalls Dr Sass as being vain and untalented.The Cranbrook Colony: Fresh Perspectives, Wolverhampton Art Gallery, 2010 Following preparatory school Horsley studied painting at the Royal Academy schools where he met Thomas Webster. In 1836 he exhibited ''The Pride of the Village'' (Vernon Gallery) at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Creswick
Thomas Creswick (5 February 181128 December 1869) was a British landscapist and illustrator, and one of the best-known members of the Birmingham School of landscapists. Biography Creswick was born in Sheffield (at the time it was within Derbyshire). He was the son of Thomas Creswick and Mary Epworth and educated at Hazelwood, near Birmingham. At Birmingham he first began to paint. His earliest appearance as an exhibitor was in 1827, at the Society of British Artists The Royal Society of British Artists (RBA) is a British art body established in 1823 as the Society of British Artists, as an alternative to the Royal Academy. History The RBA commenced with twenty-seven members, and took until 1876 to reach fif ... in London; in the ensuing year he sent to the Royal Academy the two pictures named ''Llyn Gwynant, Morning'', and ''Carnarvon Castle''. About the same time he settled in London; and in 1836 he took a house in Bayswater. He soon attracted some attention as a la ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting ''Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement. Rossetti's art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats and William Blake. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence, ''The House of Life''. Poetry and image are closely entwined in Rossetti's work. He frequently wrote sonnets to accompany his pictures, spanning from '' The Girlhood of Mary Virgin'' (1849) and ''Astarte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Moxon
Edward Moxon (12 December 1801 – 3 June 1858) was a British poet and publisher, significant in Victorian literature. Biography Moxon was born at Wakefield in Yorkshire, where his father Michael worked in the wool trade. In 1817 he left for London, joining Longman in 1821. In 1826, encouraged by his friend Charles Lamb, he published a volume of verse, entitled ''The Prospect, and other Poems'', which was received favourably. In 1830 Moxon started his own publishing firm in New Bond Street, aided by a £500 loan from Samuel Rogers. The first volume he produced was Charles Lamb's ''Album Verses''. Moxon also published an illustrated edition of Rogers's ''Italy'' in 1830, £10,000 being spent upon the illustrations. Moving to 44 Dover Street, Piccadilly in 1833, Moxon married Emma Isola, the orphan adopted by Charles and Mary Lamb, in the same year. William Wordsworth entrusted him with the publication of his works from 1835 onwards, and in 1839 he issued the first complete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poems (Tennyson, 1842)
''Poems'', by Alfred Tennyson, was a two-volume 1842 collection in which new poems and reworked older ones were printed in separate volumes. It includes some of Tennyson's finest and best-loved poems, such as ''Mariana'', ''The Lady of Shalott'', ''The Palace of Art'', '' The Lotos Eaters'', ''Ulysses'', '' Locksley Hall'', ''The Two Voices'', ''Sir Galahad'', and ''Break, Break, Break''. It helped to establish his reputation as one of the greatest poets of his time. Contents Volume 1 * Claribel * Lilian * Isabel * Mariana * To —— * Madeline * Song—The Owl * Second Song—To the Same * Recollections of the Arabian Nights * Ode to Memory * Song * Adeline * A Character * The Poet * The Poet's Mind * The Dying Swan * A Dirge * Love and Death * The Ballad of Oriana * Circumstance * The Merman * The Mermaid * Sonnet to J. M. K. * The Lady of Shalott * Mariana in the South * Eleanore * The Miller's Daughter * Fatima * Œnone * The Sisters * To —— * The Palace of Art * La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Thompson (engraver)
John Thompson (25 May 1785 – 20 February 1866) was a British wood-engraver. He is best known for his contribution to William Yarrell's 1843 ''History of British Birds''. He was described as the most distinguished wood-engraver of his time. Thompson also engraved the design for the 1839 penny postage envelope, on a brass plate; and the design for the iconic figure of Britannia which appeared on British banknotes. Life and work Thompson was born in Manchester to a London merchant, Richard Thompson. He trained under the wood-engraver Allen Robert Branston, and then collaborated with the artist John Thurston. He engraved around 900 of Thurston's designs from 1814 onwards including illustrations for Butler's ''Hudibras'' in 1918. He is described as Branston's "most celebrated pupil". He illustrated many books, becoming in the words of Freeman Marius O'Donoghue in the Dictionary of National Biography "the most distinguished wood-engraver of his time", and "perhaps the ablest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wood Engraving
Wood engraving is a printmaking technique, in which an artist works an image or ''matrix'' of images into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the ''valleys'', the removed areas. As a result, wood engravings deteriorate less quickly than copper-plate engravings, and have a distinctive white-on-black character. Thomas Bewick developed the wood engraving technique in Great Britain at the end of the 18th century. His work differed from earlier woodcuts in two key ways. First, rather than using woodcarving tools such as knives, Bewick used an engraver's burin (graver). With this, he could create thin delicate lines, often creating large dark areas in the composition. Second, wood engraving traditionally use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The Spheres
The ''musica universalis'' (literally universal music), also called music of the spheres or harmony of the spheres, is a philosophical concept that regards proportions in the movements of celestial bodies – the Sun, Moon, and planets – as a form of music. The theory, originating in ancient Greece, was a tenet of Pythagoreanism, and was later developed by 16th-century astronomer Johannes Kepler. Kepler did not believe this "music" to be audible, but felt that it could nevertheless be heard by the soul. The idea continued to appeal to scholars until the end of the Renaissance, influencing many schools of thought, including humanism. History The concept of the "music of the spheres" incorporates the metaphysical principle that mathematical relationships express qualities or "tones" of energy which manifest in numbers, visual angles, shapes and sounds – all connected within a pattern of proportion. Pythagoras first identified that the pitch of a musical note is in inverse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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