''The Scapegoat'' (1854–1856) is a painting by
William Holman Hunt
William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. ...
which depicts the "
scapegoat
In the Bible, a scapegoat is one of a pair of kid goats that is released into the wilderness, taking with it all sins and impurities, while the other is sacrificed. The concept first appears in the Book of Leviticus, in which a goat is designate ...
" described in the
Book of Leviticus
The book of Leviticus (, from grc, Λευιτικόν, ; he, וַיִּקְרָא, , "And He called") is the third book of the Torah (the Pentateuch) and of the Old Testament, also known as the Third Book of Moses. Scholars generally agree ...
. On the
Day of Atonement
Yom Kippur (; he, יוֹם כִּפּוּר, , , ) is the holiest day in Judaism and Samaritanism. It occurs annually on the 10th of Tishrei, the first month of the Hebrew calendar. Primarily centered on atonement and repentance, the day's ...
, a goat would have its horns wrapped with a red cloth – representing the sins of the community – and be driven off.
Hunt started painting on the shore of the
Dead Sea
The Dead Sea ( he, יַם הַמֶּלַח, ''Yam hamMelaḥ''; ar, اَلْبَحْرُ الْمَيْتُ, ''Āl-Baḥrū l-Maytū''), also known by other names, is a salt lake bordered by Jordan to the east and Israel and the West Bank ...
, and continued it in his studio in London. The work exists in two versions, a small version in brighter colours with a dark-haired goat and a rainbow, in
Manchester Art Gallery
Manchester Art Gallery, formerly Manchester City Art Gallery, is a publicly owned art museum on Mosley Street in Manchester city centre. The main gallery premises were built for a learned society in 1823 and today its collection occupies three c ...
, and a larger version in more muted tones with a light-haired goat in the
Lady Lever Art Gallery
The Lady Lever Art Gallery is a museum founded and built by the industrialist and philanthropist William Lever, 1st Viscount Leverhulme and opened in 1922. The Lady Lever Art Gallery is set in the garden village of Port Sunlight, on the Wirral ...
in
Port Sunlight
Port Sunlight is a model village and suburb in the Metropolitan Borough of Wirral, Merseyside. It is located between Lower Bebington and New Ferry, on the Wirral Peninsula. Port Sunlight was built by Lever Brothers to accommodate workers in it ...
. Both were created over the same period, with the smaller Manchester version being described as "preliminary" to the larger Lady Lever version, which was the one exhibited.
History
In the
Royal Academy
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its pur ...
exhibition catalogue Hunt wrote that "the scene was painted at
Sodom, on the margin of the salt-encrusted shallows of the
Dead Sea
The Dead Sea ( he, יַם הַמֶּלַח, ''Yam hamMelaḥ''; ar, اَلْبَحْرُ الْمَيْتُ, ''Āl-Baḥrū l-Maytū''), also known by other names, is a salt lake bordered by Jordan to the east and Israel and the West Bank ...
. The mountains beyond are those of
Edom
Edom (; Edomite: ; he, אֱדוֹם , lit.: "red"; Akkadian: , ; Ancient Egyptian: ) was an ancient kingdom in Transjordan, located between Moab to the northeast, the Arabah to the west, and the Arabian Desert to the south and east.N ...
."
[Bronkhurst, Judith, ''Wiliam Holman Hunt, A Catalogue Raisonné'', vol. 1, p.180.] He painted most of the work on location in 1854, but completed the work in London in the following year, adding some touches in 1856 before its exhibition at the academy.
The painting was the only major work completed by Hunt during his first trip to the Holy Land, to which he had travelled after a crisis of religious faith. Hunt intended to experience the actual locations of the Biblical narratives as a means to confront the relationship between faith and truth. While in
Jerusalem
Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. i ...
, Hunt had met
Henry Wentworth Monk
Henry Wentworth Monk (April 6, 1827 – August 24, 1896) was a Canadian Christian Zionist, mystic, Messianist, and millenarian. Some have credited him with predicting the formation of the United Nations and both World Wars, although these cl ...
, a
millenarian
Millenarianism or millenarism (from Latin , "containing a thousand") is the belief by a religious, social, or political group or movement in a coming fundamental transformation of society, after which "all things will be changed". Millenariani ...
prophet who had distinctive theories about the meaning of the scapegoat and the proximity of the
Last Judgement
The Last Judgment, Final Judgment, Day of Reckoning, Day of Judgment, Judgment Day, Doomsday, Day of Resurrection or The Day of the Lord (; ar, یوم القيامة, translit=Yawm al-Qiyāmah or ar, یوم الدین, translit=Yawm ad-Dīn, ...
. Monk was particularly preoccupied with
Christian Zionism
Christian Zionism is a belief among some Christians that the return of the Jews to the Holy Land and the establishment of the state of Israel in 1948 were in accordance with Bible prophecy. The term began to be used in the mid-20th century i ...
.
Hunt chose a subject derived from the
Torah
The Torah (; hbo, ''Tōrā'', "Instruction", "Teaching" or "Law") is the compilation of the first five books of the Hebrew Bible, namely the books of Genesis, Exodus, Leviticus, Numbers and Deuteronomy. In that sense, Torah means the s ...
as part of a project to convert Jews to Christianity. He believed that Judaic views of the scapegoat were consistent with the Christian conception of the Messiah as a suffering figure. He wrote to his friend
Millais, "I am sanguine that
he Scapegoatmay be a means of leading any reflecting Jew to see a reference to the Messiah as he was, and not as they understand, a temporal King."
The
Book of Leviticus
The book of Leviticus (, from grc, Λευιτικόν, ; he, וַיִּקְרָא, , "And He called") is the third book of the Torah (the Pentateuch) and of the Old Testament, also known as the Third Book of Moses. Scholars generally agree ...
describes a "scapegoat" which must be ritually expelled from the flocks of the Israelite tribes as part of a sacrificial ritual of cleansing. In line with traditional Christian theology, Hunt believed that the scapegoat was a prototype for the redemptive sacrifice of Jesus, and that the goat represented that aspect of the
Messiah
In Abrahamic religions, a messiah or messias (; ,
; ,
; ) is a saviour or liberator of a group of people. The concepts of ''mashiach'', messianism, and of a Messianic Age originated in Judaism, and in the Hebrew Bible, in which a ''mashiach'' ...
described in
Isaiah
Isaiah ( or ; he, , ''Yəšaʿyāhū'', "God is Salvation"), also known as Isaias, was the 8th-century BC Israelite prophet after whom the Book of Isaiah is named.
Within the text of the Book of Isaiah, Isaiah himself is referred to as "the ...
as a "suffering servant" of God. Hunt had the picture framed with the quotations "Surely he hath borne our Griefs and carried our Sorrows; Yet we did esteem him stricken, smitten of GOD and afflicted." (
Isaiah
Isaiah ( or ; he, , ''Yəšaʿyāhū'', "God is Salvation"), also known as Isaias, was the 8th-century BC Israelite prophet after whom the Book of Isaiah is named.
Within the text of the Book of Isaiah, Isaiah himself is referred to as "the ...
53:4) and "And the Goat shall bear upon him all their iniquities unto a Land not inhabited." (
Leviticus 16:22)
Critical reception
The reaction to the painting was not as Hunt expected. In his autobiography ''Pre-Raphaelitism and the Pre-Raphaelite Brotherhood'', Hunt relates the first reaction to the painting by art dealer
Ernest Gambart
Jean Joseph Ernest Theodore Gambart (12 October 1814 – 12 April 1902) was a Belgian-born English art publisher and dealer who dominated the London art world in the middle of the nineteenth century.
Life and career
Gambart was born in Kortrijk, ...
:
Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti (), was an English poet, illustrator, painter, translator and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhoo ...
, in a letter to
William Allingham
William Allingham (19 March 1824 – 18 November 1889) was an Irish poet, diarist and editor. He wrote several volumes of lyric verse, and his poem "The Faeries" was much anthologised. But he is better known for his posthumously published ''Dia ...
in 1856, called the painting "a grand thing, but not for the public".
Ford Madox Brown
Ford Madox Brown (16 April 1821 – 6 October 1893) was a British painter of moral and historical subjects, notable for his distinctively graphic and often William Hogarth, Hogarthian version of the Pre-Raphaelite style. Arguably, his mos ...
wrote in his diary: "Hunt's ''Scapegoat'' requires to be seen to be believed in. Only then can it be understood how, by the might of genius, out of an old goat, and some saline encrustations, can be made one of the most tragic and impressive works in the annals of art." Ernest Gambart, as related by Hunt, was less enthusiastic, and was later to remark: "I wanted a nice religious picture and he painted me a great goat."
''
The Art Journal
''The Art Journal'' was the most important British 19th-century magazine on art. It was founded in 1839 by Hodgson & Graves, print publishers, 6 Pall Mall, with the title ''Art Union Monthly Journal'' (or ''The Art Union''), the first issue of 7 ...
'' in 1860, at the time of the exhibition of Hunt's later work ''
The Finding of the Saviour in the Temple
''The Finding of the Saviour in the Temple'' (1854–1860) is a painting by William Holman Hunt intended as an ethnographically accurate version of the subject traditionally known as " Christ Among the Doctors", an illustration of the child Jesus ...
'', was to characterise the painting as "having disappointed even his warmest admirers".
At the time of the exhibition of ''The Scapegoat'' itself, in 1856, ''The Art Journal'' questioned Hunt's eye for colour in the painting, casting doubt that the mountains of
Edom
Edom (; Edomite: ; he, אֱדוֹם , lit.: "red"; Akkadian: , ; Ancient Egyptian: ) was an ancient kingdom in Transjordan, located between Moab to the northeast, the Arabah to the west, and the Arabian Desert to the south and east.N ...
, seen in the background, really were in actual appearance as painted – which Matthew Dennison, writing in ''
The Spectator
''The Spectator'' is a weekly British magazine on politics, culture, and current affairs. It was first published in July 1828, making it the oldest surviving weekly magazine in the world.
It is owned by Frederick Barclay, who also owns ''The ...
'' in 2008 described the Manchester version as "Day-Glo striations of lilac, crimson and egg-yolk yellow". Dennison suggests the possibility that Hunt was painting the scene from memory, when he was finishing the painting in London after he had returned from his trip to the Dead Sea, and mis-remembered it.
Evolutionary biologist
W. D. Hamilton
William Donald Hamilton (1 August 1936 – 7 March 2000) was a British evolutionary biologist, recognised as one of the most significant evolutionary theorists of the 20th century.
Hamilton became known for his theoretical work expounding a ...
, who saw the painting as a boy and was deeply impressed by the "sci-fi book cover" intensity of it, wrote after visiting Israel that "now on the shores of the Dead Sea I knew that I saw exactly the background I had remembered...if anything more exceptional, more other-worldly, than the painting had made them."
[pg259-260, "At The World's Crossroads", ''The Collected Papers of W.D. Hamilton: Narrow Roads of Gene Land, Volume 2, Evolution of Sex'' 2001, ] Hunt's own description of the landscape that he painted is that "never was so extraordinary a scene of beautifully arranged horrible wilderness. It is black, full of asphalte scum and in the hand slimy, and smarting as a sting – No one can stand and say that it is not accursed of God."
Art critic
Peter Fuller
Peter Michael Fuller (31 August 1947 – 28 April 1990) was a British art critic and magazine editor.
Life
Fuller was born in Damascus, Syria, and educated at Epsom College and Peterhouse, Cambridge.Dennis Griffiths ''The Encyclopedia of th ...
, in 1989, described the landscape of the painting as "a terrible image [...] of the world as a god-forsaken wasteland, a heap of broken images where the sun beats".
References
Further reading
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External links
''William Holman Hunt's The Scapegoat: Rite of Forgiveness/Transference of Blame''
{{DEFAULTSORT:Scapegoat
1856 paintings
Collection of Manchester Art Gallery
Collections of the Lady Lever Art Gallery
Goats in art
Paintings by William Holman Hunt
Paintings depicting Hebrew Bible themes
Water in art
Sun in art
Rainbows in art