List Of Troubadours And Trobairitz
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List Of Troubadours And Trobairitz
This is a list of troubadours and trobairitz, men and women who are known to have written lyric verse in the Old Occitan language. They are listed alphabetically by first name. Those whose first name is uncertain or unknown are listed by nickname or title, ignoring any initial definite article (i.e., ''lo'', ''la''). All entries are given in Old Occitan (where known) and a standardized spelling (where possible). Thus, e.g., William IX of Aquitaine is listed under ''Guilhem'', the Occitan form of William. A *Ademar de Peiteus * Ademar de Rocaficha * Ademar Jordan * Ademar lo Negre *Aimeric de Belenoi *Aimeric de Peguilhan *Aimeric de Sarlat * Alaisina *Alamanda de Castelnau * Alberjat *Albert Malaspina * Albert de Saint Bonet *Albertet Cailla *Albertet de Sestaro * Albric *Aldric del Vilar *Alegret *Alexandre *Almucs de Castelnau *Amanieu de la Broqueira *Amanieu de Sescars *Amoros dau Luc * Anfos, reis d'Aragon *Arnaut Bernart de Tarascon *Arnaut de Brantalo *Arnaut Catalan * ...
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Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ...
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Albertet Cailla
Albertet Cailla was an Albigeois jongleur and troubadour. According to his ''vida'' he was "of slight worth" but beloved by his neighbours and the local women. His ''vida'' says that he composed one good ''canso'' and several ''sirventes'', but only one ''partimen'' survives. It was said he never left the Albigeois. There is a ''tenso'' on the merits of old and young women which is ascribed to Albertet in at least two chansonnier A chansonnier ( ca, cançoner, oc, cançonièr, Galician and pt, cancioneiro, it, canzoniere or ''canzoniéro'', es, cancionero) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings o ...s, manuscripts ''I'' and ''K''. Notes Sources *''The Vidas of the Troubadours''. Margarita Egan, trans. New York: Garland, 1984. . *Shepard, William P"A Provençal "Debat" on Youth and Age in Women."''Modern Philology'', Vol. 29, No. 2. (Nov., 1931), pp. 149–161. {{authority control French ...
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Arnaut Catalan
Arnaut Catalan ( fl. 1219–1253) was a troubadour active in the Languedoc, Catalonia Catalonia (; ca, Catalunya ; Aranese Occitan: ''Catalonha'' ; es, Cataluña ) is an autonomous community of Spain, designated as a ''nationality'' by its Statute of Autonomy. Most of the territory (except the Val d'Aran) lies on the north ..., and Castile (historical region), Castile. He left behind five ''Canso (song), cansos'', three ''tensos'', and one religious song. Arnaut's origins are disputed. Most Catalan people, Catalan scholars, such as Milà and Fontanals, believe him to be a Catalan, hence his nickname. Others, such as Chabaneau, assign him to a prominent family from Toulouse named "Catalan". If the latter is correct he is probably the same as the Dominican Order, Dominican Inquisitor who persecuted Cathars with such force that he was almost killed by a mob in Albi in 1234. The troubadour was probably in Lombardy at the House of Este, Este court in Caleone between 1221 an ...
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Arnaut De Brantalo
Arnaut ( ota, ارناود) is a Turkish ethnonym used to denote Albanians. ''Arvanid'' (), ''Arnavud'' (), plural: ''Arnavudlar'' (): modern Turkish: ''Arnavut'', plural: ''Arnavutlar''; are ethnonyms used mainly by Ottoman and contemporary Turks for Albanians with ''Arnavutça'' being called the Albanian language.. Etymology The original Greek ethnonym Άλβανίτης (approx. "Albanítis"), derived from Άλβάνος ("Albános"), became Άρβανίτης "Árvanítis" in Modern Greek. The pronunciation of " β" changed from /b/ in ancient Greek to /v/ in Byzantine Greek. This is reflected in the Turkish term, ''Arnavut'' or ''Arnaut'', by ways of metathesis (-van- to -nav-).Malcolm, Noel. "Kosovo, a short history". London: Macmillan, 1998, p.29 "The name used in all these references is, allowing for linguistic variations, the same: 'Albanenses' or 'Arbanenses' in Latin, 'Albanoi' or 'Arbanitai' in Byzantine Greek. (The last of these, with an internal switching of ...
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Arnaut Bernart De Tarascon
Arnaut ( ota, ارناود) is a Turkish language, Turkish ethnonym used to denote Albanians. ''Arvanid'' (), ''Arnavud'' (), plural: ''Arnavudlar'' (): modern Turkish language, Turkish: ''Arnavut'', plural: ''Arnavutlar''; are ethnonyms used mainly by Ottoman Empire, Ottoman and contemporary Turkish people, Turks for Albanians with ''Arnavutça'' being called the Albanian language.. Etymology The original Greek ethnonym Άλβανίτης (approx. "Albanítis"), derived from Άλβάνος ("Albános"), became Άρβανίτης "Árvanítis" in Modern Greek. The pronunciation of "Beta, β" changed from /b/ in ancient Greek to /v/ in Byzantine Greek. This is reflected in the Turkish term, ''Arnavut'' or ''Arnaut'', by ways of Metathesis (linguistics), metathesis (-van- to -nav-).Malcolm, Noel. "Kosovo, a short history". London: Macmillan, 1998, p.29 "The name used in all these references is, allowing for linguistic variations, the same: 'Albanenses' or 'Arbanenses' in Latin, ' ...
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Alfonso II Of Aragon
Alfonso II (1–25 March 1157Benito Vicente de Cuéllar (1995)«Los "condes-reyes" de Barcelona y la "adquisición" del reino de Aragón por la dinastía bellónida» p. 630-631; in ''Hidalguía''. XLIII (252) pp. 619–632."Alfonso II el Casto, hijo de Petronila y Ramón Berenguer IV, nació en Huesca en 1157;". ''Cfr''. Josefina Mateu Ibars, María Dolores Mateu Ibars (1980)''Colectánea paleográfica de la Corona de Aragon: Siglo IX-XVIII'' Universitat Barcelona, p. 546. , .Antonio Ubieto Arteta (1987)''Historia de Aragón. Creación y desarrollo de la Corona de Aragón'' Zaragoza: Anúbarpp. 177–184§ "El nacimiento y nombre de Alfonso II de Aragón". . – 25 April 1196), called the Chaste or the Troubadour, was the King of Aragon and, as Alfons I, the Count of Barcelona from 1164 until his death. The eldest son of Count Ramon Berenguer IV of Barcelona and Queen Petronilla of Aragon, he was the first King of Aragon who was also Count of Barcelona. He was also Count of Provence ...
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Amoros Dau Luc
Amoros dau Luc was a troubadour who wrote a satirical '' sirventes'', "En Chantarel, sirventes ab motz plas," which urged Henry III of England and his ally, Peter of Brittany Peter may refer to: People * List of people named Peter, a list of people and fictional characters with the given name * Peter (given name) ** Saint Peter (died 60s), apostle of Jesus, leader of the early Christian Church * Peter (surname), a su ..., in their campaign in France in 1230. The ''sirventes'' is probably ironic. It closes with an amorous dedication to a woman. ReferencesBibliografia Elettronica dei Trovatori, v. 2.0 Retrieved 4 October 2011. {{authority control 13th-century French troubadours Year of birth unknown Year of death unknown ...
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Amanieu De Sescars
Amanieu de Sescars or Amanieu des Escàs ( fl. 1278–1295) was a Catalan, possibly Gascon, troubadour of the late 13th century. Famous for his love songs in his own day, his contemporaries gave him the nickname ''dieu d'amor'' (god of love). He wrote two ''ensenhamens'' (didactic poems) and two '' saluts d'amor'' (love letters) that survive. The uncertainty about his origins stems from the fact that his poems refer extensively to Catalan people and places, but a singer of the same name is found signing a Gascon document of 1253. Whether the signatory of 1253 and the troubadour are one and the same is left open to doubt, but it is possible that Amanieu was a Catalan who was either born in or lived in Gascony, which was not uncommon at the time. His earliest datable work is also his shortest, the ''salut'' "A vos, que ieu am deszamatz", which was written 24 August 1278. His first ''ensenhamen'' was the "Ensenhamen del scudier" about a squire (''scudier'') who observes his noble ...
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Amanieu De La Broqueira
Amanieu de la Broqueira was a Gascon troubadour. His name suggests he was from Labroquère, near Saint-Bertrand-de-Comminges. He wrote two ''cansos'' that have been preserved in the 14th-century troubadour chansonnier E (BN f.f. 1749): *''Mentre que·l talans mi cocha'' While the desire is pressing me"( 21,1) *''Quan reverdejon li conderc'' When the countryside turns green again"( 21,2) Along with the works of Guilhem d'Anduza and Guilhem Raimon de Gironella, Amanieu's songs are found only in chansonnier E, which has a high proportion of Gascon, Catalan and Langedocien composers. For reasons unknown, the chansonnier gives Amanieu's name as Ameus. In ''Quan reverdejon li conderc'', Amanieu gives his own name as Amaneus Aureilla, which is perhaps a family name or else indicates that he came from Aureilhan. Towards the end of the song, Amanieu laments that he did not send it by one of his preferred ''jongleurs'', Porta-joia d'Engolmes from the Angoumois and Paire de Bodeles from ...
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Almucs De Castelnau
Almucs de Castelnau or Castelnou (c. 1140 – pre-1184) was a trobairitz (a female troubadour) from a town near Avignon in Provence. Her name is also spelled ''Almuc'', ''Amucs'', ''Almois'', ''Almurs'', or ''Almirs''. Almucs' only surviving work is a poetic exchange with Iseut de Capio, another trobairitz. The song is presented in the chansonniers intermixed with a long ''razo''. It tells how Iseut begged Almucs de Castelnau to pardon Gigo (Gui), lord of Tournon (Tornon) in the Vivarais, Iseut's knight, who had committed "a great fault" against Almucs. Gigo, however, neither repented nor sought forgiveness, and so Almucs responded to Iseut in a ''cobla'' of her own. This exchange has been dated to around 1190. Almucs is also mentioned (''...dompna nal murs...'') in the poem ''Ia de chan'' by fellow trobairitz Castelloza. Identification Almodis de Caseneuve Almucs may be identified with a certain Almodis of Caseneuve, which is not far from Avignon and near Les Chapelins, possibl ...
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Alexandre (troubadour)
Alexandre may refer to: * Alexandre (given name) * Alexandre (surname) * Alexandre (film) See also * Alexander * Xano (other) Xano is the name of: * Xano, a Portuguese hypocoristic of the name " Alexandre (other)" * Idálio Alexandre Ferreira (born 1983), Portuguese footballer known as "Xano", currently playing for Sligo Rovers {{hndis ...
, a Portuguese hypocoristic of the name "Alexandre" {{Disambig ...
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Alegret
Alegret was a Gascony, Gascon troubadour, one of the earliest Lyric poetry, lyric Satire, satirists in the Occitan language, Occitan tongue, and a contemporary of Marcabru (fl. c. 1145).Léglu, 48. One ''sirventes'' and one ''Canso (song), canso'' survive of his poems. Nonetheless, his reputation was high enough that he found his way into the poetry of Bernart de Ventadorn and Raimbaut d'Aurenga.Gaunt and Kay, 279. The work of Alegret is also intertextually and stylistically related to that of Peire d'Alvernhe. Alegret was also one of the first troubadours to employ the feudal metaphor to describe courtly love. He describes his relationship to his ''domna'' (lady) as that of vassalage by calling himself her ''endomenjatz'' (basically, vassal or liegeman).Paterson, 31. Pelligrini saw this passage as imitating Bernart de Ventadorn, considered the master of this metaphor: Marcabru parodied the structure of Alegret's ''Ara pareisson li'aubre sec'' in his own poem ''Bel m'es quan la rana ...
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