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List Of Operas And Operettas By Emmanuel Chabrier
This is a List of operas and operettas by the French composer Emmanuel Chabrier Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic music, Romantic composer and pianist. His Bourgeoisie, bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked ... (1841–1894). List References ;Notes ;Sources *Operone page on Chabrier, accessed 31 March 2011 {{DEFAULTSORT:Chabrier, Emmanuel Lists of operas by composer Lists of compositions by composer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Chabrier
Alexis-Emmanuel Chabrier (; 18 January 184113 September 1894) was a French Romantic music, Romantic composer and pianist. His Bourgeoisie, bourgeois family did not approve of a musical career for him, and he studied law in Paris and then worked as a civil servant until the age of thirty-nine while immersing himself in the modernist artistic life of the French capital and composing in his spare time. From 1880 until his final illness he was a full-time composer. Although known primarily for two of his orchestral works, ''España (Chabrier), España'' and ''Joyeuse marche'', Chabrier left a List of operas and operettas by Emmanuel Chabrier, corpus of operas (including ''L'étoile (opera), L'étoile''), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important inno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drame Lyrique
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marguerite-Louise Virginie Ancelot
Marguerite-Louise Virginie Chardon Ancelot (1792–1875) was a French painter, writer and playwright. Ancelot was born to a parliamentary family in Dijon, and was married to playwright Jacques-François Ancelot. From 1824 to 1866 Ancelot hosted a literary salon on Paris's rue de Seine. Her plays were collected in four volumes and published as ''Theâtre complet'' in 1848. She published two memoirs: ''Les Salons de Paris, foyers éteints'' (1858) and ''Un salon de Paris 1824-64'' (1866). Her most important novels include ''Georgine'' (1855), ''Une route sans issue'' (1857), and ''Un nÅ“ud de ruban'' (1858). Exhibitions * ''La Veuve du Roi Ban'' and several portraits, Salon Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room, an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (P ... of 1814 * ''Louis XIV'', at the death bed of Jacque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Richepin
Jean Richepin (; 4 February 1849 – 12 December 1926) was a French poet, novelist and dramatist. Biography Son of an army doctor, Jean Richepin was born 4 February 1849 at Médéa, French Algeria. At school and at the École Normale Supérieure he gave evidence of brilliant, if somewhat undisciplined, powers, for which he found physical vent in different directions—first as a franc-tireur in the Franco-German War, and afterwards as actor, sailor and stevedore—and an intellectual outlet in the writing of poems, plays and novels which vividly reflected his erratic but unmistakable talent. A play, ''L'Étoile'', written by him in collaboration with André Gill (1840–1885), was produced in 1873; but Richepin was virtually unknown until the publication, in 1876, of a volume of verse entitled ''La Chanson des gueux'', when his outspokenness resulted in his being imprisoned and fined for ''outrage aux mœurs''. The same quality characterized his succeeding volumes of verse: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Burani
Paul Burani (born Urbain Roucoux; Paris, 26 March 1845 – Paris, 9 October 1901), was a French author, actor, songwriter and librettist. He had a short career as an actor at the Théâtre de Belleville and in the French provinces, after which he directed a journal, Le Café-Concert. At the commencement of his career as a songwriter he used the name Burani, an anagram of his first name. Works He collaborated on libretti for the following operas: *''Le Droit du seigneur'' (with Maxime Boucheron), music by Léon Vasseur - 1878 *''Le Billet de logement'' (with Boucheron), Vasseur - 1879 * ''La Barbière improvisée'' (with Jules Montini), Joseph O'Kelly - 1882 *''Le Petit Parisien'' (with Boucheron), Vasseur - 1882 *'' François les bas-bleus'' (with Ernest Dubreuil and Eugène Humbert), André Messager - 1883 *''Le Mariage au tambour'' (after Alexandre Dumas), Vasseur - 1886 *''Le roi malgré lui'' (with Emile de Najac), Emmanuel Chabrier - 1887 *''Ninon de Lenclos'' (with B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile De Najac
Comte Émile de Najac (December 1828 – 11 April 1889) was a French librettist. He was a prolific writer during the Second Empire and early part of the Third Republic, supplying plays and opéra comique librettos, many in one act. Biography Émile de Najac was born in Lorient, France, the descendant of naval commander and bonapartist Benoît Georges de Najac. His son Raoul Charles Eugène was also a writer for the stage. Najac died in Paris on 11 April 1889. Works Always writing with a co-author, Najac provided librettos for several opéras comiques and opéras bouffes: ''La Momie de Roscoco'', with Eugène Ortolan, music by Émile Jonas, ( Bouffes-Parisiens, 1857);Lamb, Andrew"Jonas, Emile"''Grove Music Online'', Oxford University Press 2002. Retrieved 27 August 2020 ''Les Noces de Fernande'', with Victorien Sardou, music by Louis Deffès, (Opéra-Comique, 1878); ''La Bonne Aventure'', with Henri Bocage, music by Émile Jonas, (Théâtre de la Renaissance, 1882); ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Roi Malgré Lui
''Le roi malgré lui'' (''King in Spite of Himself'' or ''The reluctant king'') is an opéra-comique in three acts by Emmanuel Chabrier of 1887 with an original libretto by Emile de Najac and Paul Burani. The opera is revived occasionally, but has not yet found a place in repertory. Eric Blom wrote that the tragic fate of the opera was to be written a quarter of a century too soon.Blom, Eric. ''Stepchildren of Music''. G T Foulis & Company Ltd, London, 1923. XVI. The Tragedy of a Comic Opera, p173-179. However, the music has been greatly admired by composers including d'Indy, Ravel and Stravinsky. Composition history Around May 1883 Chabrier wrote to his publishers that for his next stage work he was hoping to create something like Offenbach's successful 'grand fantaisie' ''Le roi Carotte''. According to Victorin de Joncières, Chabrier had confided to him that he was looking for an amusing book to set. Joncières had been sent ''Le roi malgré lui'', an old vaudeville of 1836 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Monnaie
The Royal Theatre of La Monnaie (french: Théâtre Royal de la Monnaie, italic=no, ; nl, Koninklijke Muntschouwburg, italic=no; both translating as the "Royal Theatre of the Mint") is an opera house in central Brussels, Belgium. The National Opera of Belgium, a federal institution, takes the name of this theatre in which it is housed—La Monnaie in French or De Munt in Dutch—referring both to the building as well as the opera company. As Belgium's leading opera house, it is one of the few cultural institutions which receive financial support from the Federal Government of Belgium. Other opera houses in Belgium, such as the Vlaamse Opera and the Opéra Royal de Wallonie, are funded by regional governments. La Monnaie is located on the Place de la Monnaie/Muntplein, not far from the Rue Neuve/Nieuwstraat and the Place de Brouckère/De Brouckèreplein. The current edifice is the third theatre on the site. The facade dates from 1818 with major alterations made in 1856 and 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catulle Mendès
Catulle Mendès (22 May 1841 – 8 February 1909) was a French poet and man of letters. Early life and career Of Portuguese Jewish extraction, Mendès was born in Bordeaux. After childhood and adolescence in Toulouse, he arrived in Paris in 1859 and quickly became one of the protégés of the poet Théophile Gautier. He promptly attained notoriety with the publication in the '' La Revue fantaisiste'' (1861) of his ''Roman d'une nuit'', for which he was condemned to a month's imprisonment and a fine of 500 francs. He was allied with Parnassianism from the beginning of the movement and displayed extraordinary metrical skill in his first volume of poems, ''Philoméla'' (1863). His critics have noted that the elegant verse of his later volumes is distinguished rather by dexterous imitation of different writers than by any marked originality. The versatility and fecundity of Mendès' talent is shown in his critical and dramatic writings, including several libretti, and in his novels a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opérette
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Daniel Heartz, Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own invent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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