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List Of Mongolian Musical Instruments
Instruments of western origin, such as piano and trumpet, are excluded. History After the 6th century BC it is known that people of Mongolian ethnicity played stringed instruments. The most ancient instrument is probably the tsuur, which is shown in cave wall paintings dated to the 4th or 3rd millennium BC. Other instruments were adopted or modified from instruments in use from neighboring countries, or from conquered countries (for example the Hun/Xioungnu empire 200 BC - 600 and the Mongolian empire between the 12th and 18th century founded by Genghis Khaan). Before the democratic revolution in 1911 several instruments had been restricted to noblemen or for use in monastery ceremonies. The yatga especially wasn't allowed to commoners if the number of strings exceeded eight; only at court could the eleven or twelve stringed yatga be played. In contrast most of the Mongolic ethnicities adopted four instruments for folk music and other oral performances: the Tovshuur, huuchir, mori ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuur
The tsuur (Mongolian), choor (Kyrgyz) or chuur (Tuvan) is an end-blown flute of varying lengths that is common among Inner Asian pastoralists. It is similar to the sybyzgy (Kazakh) and kurai (Bashkir). In western Mongolia it is mainly used by the Altai Uriankhai people, although other ethnic groups like the Kazakhs and the Tuvans are known to play them or have played them. There are only three holes to the finger. The blowing technique utilizes the teeth, tongue, and lips in the same way as Ney in Classical Persian music. The Tsuur is usually immersed in water before playing in order to seal any leaks in the wood. The melodies that are played on the Tsuur are usually imitations of the sound of water, animal cries, and birdsongs as heard by shepherds whilst on the steppes or the mountain slopes of the Altai. One of the melodies, “The flow of the River Eev” as was said before is the river where the sound of khöömii was mythically supposed to have originated. The Uriangkhai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biyelgee
Biyelgee (Mongolian Cyrillic: Биелгээ) or Bii (Mongolian Cyrillic: Бий), is a unique form of dance, originated from the nomadic way of life. Almost all regions populated by different ethnic groups of Mongolia have their specific forms of Biyelgee. Especially the Western Mongols ( Oirats) is famous for its Biyelgee dance. Origin Biyelgee dances embody and originate from the nomadic way of life and are performed while half sitting or cross-legged. Hand, shoulder and leg movements express aspects of Mongol herders everyday lifestyle such as milking the cow, cooking, hunting, household labor, customs and traditions, etc. as well as spiritual characteristics tied to different ethnic groups. Originally, Mongolian dance developed very early is evidenced by a reference in The Secret History of the Mongols were wont to rejoice, dancing and feasting ... they danced until there was dust up to their knees ... Musical instruments In Biyelgee, music plays an important part in the cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Long Song
The long song ( mn, , ''Urtyn duu'') is one of the central elements of the traditional music of Mongolia. This genre is called "Long song" not only because the songs are long, but also because each syllable of text is extended for a long duration. A four-minute song may only consist of ten words. Certain long songs such as ''Uvgin shuvuu khoyor'', also known as ''Jargaltain delger'' (lit. 'Old man and the Bird') has a length of up to 3 hours if to sing in full length with complete 32 stanzas. Lyrical themes vary depending on context; they can be philosophical, religious, romantic, or celebratory, and often use horses as a symbol or theme repeated throughout the song. Eastern Mongols typically use a Morin khuur (horse-head fiddle) as accompaniment, sometimes with a type of indigenous flute, called ''limbe''. Oirat groups of the Western Mongols traditionally sing long songs unaccompanied or accompanied with the Igil. Mongolian folk long song embraces a comprehensive nature of all ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Damar (drum)
Damar may refer to: Places * Damar Island, Maluku Province, Indonesia ** Mount Wurlali, also known as Mount Damar, a stratovolcano on the island * Amaro, Friuli (Friulian: Damâr), a commune in Italy * Damar, Quezon City, Philippines, a barangay * Damar, Murgul, Turkey, a mining village in Artvin Province ** Damar mine * Damar, Lice, a neighbourhood in the Lice District of Diyarbakır Province, Turkey * Damar, Kansas, United States, a city * Dhamar, Yemen (romanized: Ḏamār), a city People * Amar Singh Damar (born 1925), Indian politician * Germaine Damar (born 1929), Luxembourger actress and dancer * Muhammed Damar (born 2004), German footballer * Damar Forbes (born 1990), Jamaican long jumper * Damar Hamlin (born 1998), American football player Arts and entertainment * Damar (''Star Trek''), a fictional character in ''Star Trek: Deep Space Nine'' * Damar, a fictional land in fantasy novels by Robin McKinley * "Damar", a 2020 single by Mustafa Sandal - see Mustafa San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Limbe (instrument)
Limbe or Limbé may refer to: Places * Limbe, Cameroon, a seaside city in the South West Region of Cameroon * Limbé Arrondissement, an arrondissement in the Nord department of Haiti ** Limbé, Nord, a commune in the Limbé Arrondissement * Rivière du Limbè, a river in Haiti * Limbe, Malawi, a town Schools * Government High School (GHS) Limbe, Cameroon * Government Bilingual High School Limbe, Cameroon Other uses * Limbe (instrument), a type of flute in traditional Mongolian music - see List of Mongolian musical instruments Instruments of western origin, such as piano and trumpet, are excluded. History After the 6th century BC it is known that people of Mongolian ethnicity played stringed instruments. The most ancient instrument is probably the tsuur, which is show ... See also * Limb (other) {{disambiguation, geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ever Buree
The ever buree (Mongolian: эвэр бүрээ) is a Mongolian musical instrument, part of the clarinet family. Despite the fact that its name translates to "horn - trumpet", it has the timbre of a basset horn (an F alto clarinet with a range down to low C). In terms of construction, it is an almost cylindrical tube made of black ebony, curved in a circular manner to allow the bell of the instrument to slip underneath the player's right arm. A mouthpiece (usually a saxophone mouthpiece) with a single reed is attached at the upper end of the tube. The keywork is made of brass and shares similarities with the German Oehler system, since it has rolls to slide from one key to the next. Like all clarinets, it has a speaker key, which facilitates the production of the upper harmonics, elevating the tone by a 12th. The ever buree was invented in the 1970s, and frequently appears as part of the standard Mongolian orchestra, which typically has nine members. External linksMusic meshes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuur
The tsuur (Mongolian), choor (Kyrgyz) or chuur (Tuvan) is an end-blown flute of varying lengths that is common among Inner Asian pastoralists. It is similar to the sybyzgy (Kazakh) and kurai (Bashkir). In western Mongolia it is mainly used by the Altai Uriankhai people, although other ethnic groups like the Kazakhs and the Tuvans are known to play them or have played them. There are only three holes to the finger. The blowing technique utilizes the teeth, tongue, and lips in the same way as Ney in Classical Persian music. The Tsuur is usually immersed in water before playing in order to seal any leaks in the wood. The melodies that are played on the Tsuur are usually imitations of the sound of water, animal cries, and birdsongs as heard by shepherds whilst on the steppes or the mountain slopes of the Altai. One of the melodies, “The flow of the River Eev” as was said before is the river where the sound of khöömii was mythically supposed to have originated. The Uriangkhai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
