HOME
*





List Of Marathi Films Of 1941
A list of films produced by the Marathi language film industry based in Maharashtra in the year 1941. 1941 Releases A list of Marathi films released in 1941. References External links *''Gomolo'' {{DEFAULTSORT:Marathi Films Of 1941 Lists of 1941 films by language 1941 Events Below, the events of World War II have the "WWII" prefix. January * January–August – 10,072 men, women and children with mental and physical disabilities are asphyxiated with carbon monoxide in a gas chamber, at Hadamar Eu ... 1941 in Indian cinema ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Maharashtra
Maharashtra (; , abbr. MH or Maha) is a states and union territories of India, state in the western India, western peninsular region of India occupying a substantial portion of the Deccan Plateau. Maharashtra is the List of states and union territories of India by population, second-most populous state in India and the second-most populous country subdivision globally. It was formed on 1 May 1960 by splitting the bilingual Bombay State, which had existed since 1956, into majority Marathi language, Marathi-speaking Maharashtra and Gujarati language, Gujarati-speaking Gujarat. Maharashtra is home to the Marathi people, the predominant ethno-linguistic group, who speak the Marathi language, Marathi language, the official language of the state. The state is divided into 6 Divisions of Maharashtra, divisions and 36 List of districts of Maharashtra, districts, with the state capital being Mumbai, the List of million-plus urban agglomerations in India, most populous urban area in India ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Padosi
''Shejari'' (Marathi: शेजारी) is also known as ''Padosi'' in Hindi version as (पड़ोसी, پڑوسی ''Neighbour''). Padosi is a 1941 Hindi social drama film directed by V. Shantaram. It was produced by Prabhat Film Company and the bilingual film in Marathi and Hindi was the last film Shantaram made for Prabhat before venturing to form his Rajkamal Kalamandir. The film is cited as one of the three social classics Shantaram made at Prabhat. The other two were ''Duniya Na Mane'' (1937) and '' Aadmi'' (1939). The story and dialogue were by Vishram Bedekar in the Marathi version, while the dialogues in the Hindi version were by Pandit Sudarshan, who also wrote the lyrics. The music director was Master Krishnarao. The famous character artist Radhakrishan made his acting debut in the film as a villain. The film starred Mazhar Khan, Gajanan Jagirdar, Anees Khatoon, Radha Kishan, Lajwanti, Sumitra, Gopal and Balak Ram. The story concentrated on the topical issue ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Rajaram Vankudre Shantaram
Shantaram Rajaram Vankudre (18 November 1901 – 30 October 1990), referred to as V. Shantaram or Shantaram Bapu, was an Indian filmmaker, film producer, and actor known for his work in Hindi and Marathi films. He is most known for films such as '' Dr. Kotnis Ki Amar Kahani'' (1946), ''Amar Bhoopali'' (1951), ''Jhanak Jhanak Payal Baaje'' (1955), ''Do Aankhen Barah Haath'' (1957), ''Navrang'' (1959), ''Duniya Na Mane'' (1937), ''Pinjara'' (1972), ''Chani'', ''Iye Marathiche Nagari'' and ''Zunj''. Career V. Shantaram started his film career doing odd jobs in Maharashtra Film Co. owned by Baburao Painter at Kolhapur. He went on to debut as an actor in the silent film ''Surekha Haran'' in 1921. Shantaram, fondly known as ''Annasaheb'', had an illustrious career as a filmmaker for almost seven decades. He was one of the early filmmakers to realize the efficacy of the film medium as an instrument of social change and used it successfully to advocate humanism on one hand and expose ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Keshavrao Date
Keshavrao Date (1889–1971) was an Indian film actor, who worked in both silent and sound movies. He tried to run his own drama company but found it difficult to perform the dual roles of manager and actor. Career His role in the drama ''Andhalyanchi Shala'' ("The Blinds' School", 1933) won him rave reviews, subsequently he became a star, and also joined the Prabhat Film Company. After the advent of talkies, he tried his hand at that medium as well, though live theatre remained his chief love. His acting in the Marathi film ''Kunku'' (1937) set a standard which has rarely been approached since on the silver screen. He followed it with another sterling performance in Prabhat Film Company's ''Shejari'' (1941). Later he performed character roles in films made in Mumbai, where he lived. He also acted in V. Shantaram's '' Dr. Kotnis Ki Amar Kahani'' (1946), ''Jhanak Jhanak Payal Baaje'' (1955), ''Navrang'' (1959) and ''Geet Gaya Patharon Ne'' (1964). Keshavrao directed four f ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Gajanan Jagirdar
Gajanan Jagirdar (2 April 1907 – 13 August 1988) was a veteran Indian film director, screenwriter and actor. He worked in Hindi Cinema, also called Bollywood, as well as Marathi cinema. The period of 1942 to 1947, saw his rise as a film director with Prabhat Films. He was appointed as the first director (then principal) of thFilm and Television Institute of India (FTII)in 1960 which was known as ''Film Institute of India'' then. Jagirdar served as the director of the FTII for just over a year, from 1961 to 1962. He was associated with the Prabhat Film Company three decades before his FTII role, when the campus was the base of the Prabhat. He became a well-known pedagogue applying the acting theories of Stanislavsky to the prevailing local conditions. At the 1962 National Film Awards his film ''Vaijayanta'' was awarded the Second Best Marathi Feature Film. Early life Gajanan Jagirdar was born on 2 April 1907 in Amravati, a city in Amravati district, which was a part of th ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Prabhat Films
Prabhat Film Company (popularly known as Prabhat Films) was an Indian film production company and film studios founded in 1929 by the noted film director V.Shantaram and his friends. It was formed in Kolhapur, Maharashtra, India in 1929, towards the end of silent films' era, by the noted film director V. Shantaram, along with V.G. Damle, Keshav Rao Dhaibar, S. Fatelal and S.V. Kulkarni. The company moved to Pune in 1933, where it established its own studio and produced a total of 45 films in both Marathi and Hindi over 27 years, including are ''Kunku'' (''Duniya Na Mane'' in Hindi), ''Swarajyacha Toran'' also called '' Udaykal'', based on Shivaji's life, ''Dharmatma'' on life of saint Eknath, ''Sant Tukaram'', based on the saint-poet and social reformer, ''Shejari'' also called ''Padosi'', on communal harmony, ''Manoos'' (a.k.a. '' Aadmi'') about alcoholism and ''Amar Jyoti'' about woman's emancipation. While several companies such as, Imperial Film Company, Krishna Cinetone, ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Marathi Language
Marathi (; ''Marāṭhī'', ) is an Indo-Aryan languages, Indo-Aryan language predominantly spoken by Marathi people in the Indian state of Maharashtra. It is the official language of Maharashtra, and additional official language in the state of Goa. It is one of the 22 scheduled languages of India, with 83 million speakers as of 2011. Marathi ranks 11th in the List of languages by number of native speakers, list of languages with most native speakers in the world. Marathi has the List of languages by number of native speakers in India, third largest number of native speakers in India, after Hindi Language, Hindi and Bengali language, Bengali. The language has some of the oldest literature of all modern Indian languages. The major dialects of Marathi are Standard Marathi and the Varhadi dialect. Marathi distinguishes Clusivity, inclusive and exclusive forms of 'we' and possesses a three-way Grammatical gender, gender system, that features the neuter in addition to the masculine ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Hindi Languages
The Central Indo-Aryan languages or Hindi languages are a group of related language varieties Spoken across North India and Central India. These language varieties form the central part of the Indo-Aryan language family, itself a part of the Indo-European language family. They historically form a dialect continuum that descends from the Middle Prakrits. Located in the Hindi Belt, the Central Zone includes the Dehlavi (Delhi) dialect (one of several called 'Khariboli') of the Hindustani language, The lingua franca of Northern India that is the basis of the Modern Standard Hindi and Modern Standard Urdu literary standards. In regards to the Indo-Aryan language family, the coherence of this language group depends on the classification being used; here only Eastern and Western Hindi will be considered. Languages If there can be considered a consensus within the dialectology of Hindi proper, it is that it can be split into two sets of dialects: ''Western'' and ''Eastern Hindi''. ' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Padosi (film)
''Shejari'' (Marathi: शेजारी) is also known as ''Padosi'' in Hindi version as (पड़ोसी, پڑوسی ''Neighbour''). Padosi is a 1941 Hindi social drama film directed by V. Shantaram. It was produced by Prabhat Film Company and the bilingual film in Marathi and Hindi was the last film Shantaram made for Prabhat before venturing to form his Rajkamal Kalamandir. The film is cited as one of the three social classics Shantaram made at Prabhat. The other two were ''Duniya Na Mane'' (1937) and '' Aadmi'' (1939). The story and dialogue were by Vishram Bedekar in the Marathi version, while the dialogues in the Hindi version were by Pandit Sudarshan, who also wrote the lyrics. The music director was Master Krishnarao. The famous character artist Radhakrishan made his acting debut in the film as a villain. The film starred Mazhar Khan, Gajanan Jagirdar, Anees Khatoon, Radha Kishan, Lajwanti, Sumitra, Gopal and Balak Ram. The story concentrated on the topical issue ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Bhalji Pendharkar
Bhalji Pendharkar (3 May 1897 – 26 November 1994) was a film personality in India, and recipient of Dadasaheb Phalke Award, the most prestigious award in the field. Early life and family Born to Radhabai and her husband Dr Gopal Pendharkar in a Brahmin family, Bhalji was related to quite a few film personalities in Indian film industry. A number of his close relations achieved fame in the Indian film industry. They include his elder brother Baburao Pendharkar, half-brother and actor-Director, Master Vinayak Karnataki, and maternal cousin V Shantaram. Personal life Bhalji had two wives. One of whom, Leela Chandragiri, acted and sang in Hindi and Marathi films in 1930s under the name Miss Leela. Leela-bai already had two children when she first met Bhalji. Bhalji adopted both of them, a boy (Jayasingh) and a girl. The girl later married novelist Ranjit Desai and she is better known as Madhavi Desai (died in 2013); she wrote the book 'Naacha Ga Ghumaa'. His second daughter's nam ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Nalini Jaywant
Nalini Jaywant (18 February 1926 – 22 December 2010) was an Indian actress who appeared in Hindi films in the 1940s and 1950s. Background and personal life Jaywant was born in Bombay (now Mumbai) in 1926. She was first cousin of actress Shobhna Samarth, the mother of actresses Nutan and Tanuja. Since 1983, she had been living mostly a reclusive life. Jaywant was married to director Virendra Desai in the 1940s. Later, she married her second husband, actor Prabhu Dayal, with whom she acted in several movies. Career In her teens, Jaywant appeared in Mehboob Khan's '' Bahen'' (1941), a film about a brother's obsessive love for his sister. She performed in a few more movies before filming ''Anokha Pyar'' (1948). In 1950, she garnered fame when she became a top star with her performances opposite Ashok Kumar in ''Samadhi'' and '' Sangram''. ''Samadhi'' was a patriotic drama concerning Subhas Chandra Bose and the Indian National Army. Although the leading movie magazine of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Master Vinayak
Vinayak Damodar Karnataki (19 January 1906 – 19 August 1947) commonly referred to as Master Vinayak was an Indian actor and film director of the 1930s and 1940s. Personal life Master Vinayak was born in Kolhapur, Maharashtra, India. He married Sushila. The couple's children are late actress Nanda and film producer and director, Jayaprakash Karnataki who is married to actress Jayshree T. Master Vinayak was related to many personalities in the Indian film industry. His brother Vasudev Karnataki became a cinematographer while noted film personalities Baburao Pendharkar (1896–1967) and Bhalji Pendharkar (1897–1994) were his half-brothers. He was also a maternal cousin of legendary film director V. Shantaram. Master Vinayak was a good friend of the Mangeshkar family and introduced Lata Mangeshkar to the film industry in his movie ''Pahilee Mangalagaur''. He co-founded ''Huns picture'' in 1936. Amongst his work, he is best remembered for the 1938 Marathi film '' Brahmachari' ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]