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List Of Hindi Films Of 1922
A list of films produced by the Bollywood film industry based in Mumbai in 1922: 1922 in Indian cinema *The first Levy of Entertainment Tax was introduced in Bengal in 1922, followed by its introduction in Bombay in 1923. * Fatma Begum, who got her early training acting in plays, started working in films in 1922. Mother to actresses Zubeida, Sultana and Shehzadi, Fatma went on to become the first woman producer and director when she formed her own production company Fatma Films in 1926. *Dhirendranath Ganguly, who had initially set up Indo-British Film Studio with Nitish Lahiri in 1918, returned to Hyderabad and started the Lotus Film Company there in 1922 up to 1924. He produced six films in 1922, including ''Bimata'' (Stepmother), and acted in ''Sadhu Aur Shaitan''. * Manilal Joshi started his career as a director with his debut film ''Veer Abhimanyu''. The film was produced by Ardeshir Irani and Bhogilal K. M. Dave who had started their banner, Star Film Company Ltd. in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bollywood
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood, is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood". The industry is a part of the larger Indian cinema, which also includes South Cinema and other smaller film industries. In 2017, Indian cinema produced 1,986 feature films, of which the largest number, 364 have been from Hindi. , Hindi cinema represented 43 percent of Indian net box-office revenue; Tamil and Telugu cinema represented 36 percent, and the remaining regional cinema constituted 21 percent. Hindi cinema has overtaken the U.S. film industry to become the largest centre for film production in the world. In 2001 ticket sales, Indian cinema (including Hindi films) reportedly sold an estimated 3.6 billion tickets worldwide, compared to Hollywood's 2.6 billion tickets sold. Earlier Hindi film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sukanya Savitri
Sukanya ( sa, सुकन्या, lit=wonderful virgin, translit=Sukanyā) is a princess In Hindu mythology. She is the daughter of Sharyati, the son of Vaivasvata Manu, and the wife of the sage Chyavana. Legend Marriage According to the narrative found in the Vana Parva of the Mahabharata, Sage Chyavana was so absorbed in practising austerities on the side of a lake that termites built up their mound all over his body and only his eyes were left. Once, Sharyati, along with his army and household, came to visit the place. Sukanya, daughter of King Sharyati, seeing only two bright eyes in what seemed to be an anthill, poked them with a stick. Chyavana felt excessive pain and became furious. He obstructed the excretory functions of the men of Sharyati's army. He was propitiated only after the king gave him his daughter, Sukanya, in marriage. Deduction Once, the Ashvins visited the hermitage of Chyavana. They saw the beautiful Sukanya while she was bathing. They t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maharashtra Film Company
Maharashtra Film Company was an Indian film production company, established by Baburao Painter in Kolhapur. Established in 1918, it was a silent film studio, which was a pioneer in Maharashtra and Marathi cinema, under the patronage of the Shahu Maharaj, the Maharaja of Kolhapur. It released the first significant historical, '' Sairandhari'', released in Pune 7 February 1920. In the coming decade the only other major company was Dada Saheb Phalke's Hindustan Film Company. It made numerous films till the advent of talkies in 1931, but started collapsing after V. Shantaram left in 1929, to form Prabhat Film Company, it finally closed down in 1931. History Vishnupant Damle was trusted lieutenant of Baburao Painter in his Maharashtra film Company, Kolhapur. The company had made a name for itself with its silent films in early 1920s. Baburao Painter made many silent movies till 1930 however after a few more silent films, the Maharashtra Film Company pulled down its shutters with the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baburao Pendharkar
Baburao Pendharkar (22 June 18968 November 1967), was an Indian actor, director, film producer and writer. Personal life Baburao Pendharkar was born on 22 June 1896 in Kolhapur in a Brahmin family. Born to Radhabai and her patron Dr Gopal Pendharkar, Baburao was related to quite a few film personalities in Indian film industry. His younger brother Bhalji Pendharkar was a famous film director, producer and writer. Other famous names in family included half-brother Master Vinayak, Radhabai's son after she married Karnataki, cousin V. Shantaram, son of Kamalabai, Radhabai's younger sister. Baburao married Shree Kumudini and had two sons and daughters each with her. He died on November 8, 1967 in Bombay aged 71. Film career Baburao started his career in the era of silent film A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baburao Painter
Baburao Krishnarao Mestry, popularly known as Baburao Painter (3 June 1890 – 16 January 1954) was an Indian filmmaker and artist. He was a man of many talents with proficiency in painting, sculpture, film production, photography, and mechanical engineering. Early life Baburao was born in a simple family on 3 June 1890 in Kolhapur, Maharashtra. He had only studied till class four or five in a Marathi medium school. His father Krishnarao Mestry was a blacksmith and carpenter by profession, but he also excelled in painting, stone and marble sculpting along with ivory carving. Baburao inherited art from his father and learned the basics of the same from him. He also taught himself to paint and sculpt in academic art school style. In the company of his cousin brother Anandrao, he also became fascinated with oil painting, photography and film making. Stage backdrop artist Noted theatre artist Keshavrao Bhosale, the owner of ''Lalit Kaladarsh Natak Mandali'' (theater troupe), hai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Sandow
Raja Sandow (born P. K. Nagalingam) was an Indian film actor, film director and producer. He began his career as an actor in silent films and later became a prominent actor and director in Tamil and Hindi films of the 1930s. He is considered to be one of the pioneers of early Indian cinema. Biography and career Raja Sandow was born in Pudukottai, Tamil Nadu. He was trained as a gymnast and started his film career as a stunt actor in S.N. Patankar's National Film Company at Bombay. He was given the name "Raja Sandow" because of his physique (after strongman Eugen Sandow). His first lead role was in Patankar's ''Bhaktha Bhodhana'' (1922), for which he was paid Rs. 101 as salary. He became famous by starring in silent films like ''Veer Bhemsen'' (1923), ''The Telephone Girl'' (1926). After acting in a few silent films he also worked as a director in Ranjit Studios for a monthly salary. His first film as director was ''Sneh Jyoti'' (1928). Returning to Tamil Nadu, he directed and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seeta Devi (actress)
Seeta (or Sita) Devi (1912–1983), born Renee Smith, was one of the early stars of silent films in the Indian film industry. Career Himanshu Rai cast Smith, an Anglo-Indian, in '' Prem Sanyas'', the movie which is better known by its English title: ''The Light of Asia''. This was her debut film as Seeta Devi, and it made her a star immediately. Later she acted under the banner of Madan Theatres as well. Three of her most successful films were: ''The Light of Asia'', ''Shiraz'', and ''Prapancha Pash''. All three of these films were made through the collaboration of German film director Franz Osten and Indian actor-producer Himanshu Rai along with Bavarian company Emelka. This unique trilogy were connected to three different religions and based on three different stories of Indian history/mythology: ''The Light of Asia'' was based on the life of Buddha, ''Shiraz'' was based on construction of the Taj Mahal and ''Prapancha Pash'', better known by its English title ''A Throw of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dadasaheb Phalke
Dhundiraj Govind Phalke (Pronunciation: Help:IPA/Marathi, [d̪ʱuɳɖiɾaːd͡ʒ pʰaːɭke]), popularly known as Dadasaheb Phalke () (30 April 1870 – 16 February 1944), was an Indian producer-director-screenwriter, known as "the Father of Indian cinema". His debut film, ''Raja Harishchandra'', was the first Indian movie released in 1913, and is now known as India's first full-length feature film. He made 95 feature-length films and 27 short films in his career, spanning 19 years, until 1937, including his most noted works: ''Mohini Bhasmasur'' (1913), ''Satyavan Savitri'' (1914), ''Lanka Dahan'' (1917), ''Shri Krishna Janma'' (1918) and ''Kaliya Mardan'' (1919). The Dadasaheb Phalke Award, awarded for lifetime contribution to cinema by the Government of India, is named in his honour. Early life and education Dhundiraj Phalke was born on 30 April 1870 at Trimbak, Bombay Presidency into a Marathi language, Marathi-speaking Chitpavan Brahmin family. His father, Govind Sadashiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sisir Kumar Bhaduri
Shishir Kumar Bhaduri or Sisir Kumar Bhaduri (2 October 1889 – 30 June 1959) was an Indian stage actor and theatre founder, who commonly referred to as the pioneer of modern Bengali theatre, where he was an actor, director, playwright and even scenic designer. He was survived by one son named, Asoke Kumar Bhaduri. Dhruba Kumar Bhaduri and Shubha Kumar Bhaduri were two of his grandsons. After Girish Chandra Ghosh, he introduced realism and naturalism to theatre. He was awarded the Padma Bhushan, India's third highest civilian honour by the Government of India in 1959. He refused to take Padma award, saying that if he takes the award, it will send wrong signal that government have helped promoting theatre culture in the country. Born in Mednipore, West Bengal, he studied at Scottish Church College Kolkata, where he started participating in theatre. He was also a professor of Metropolitan College (today's Vidyasagar College). In 1921, he left his job to become full-time stage a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naresh Mitra
Naresh Mitra (18 May 1888 – 1968) was a Bengali actor, director and screenwriter. Career Naresh Mitra was born in 1888 in Agartala, Tripura, British India. He studied law from the University of Calcutta. He started his acting career in 1922 in Minerva Theatre. In 1923, Mitra joined Star Theatre in Kolkata and starred in several plays mostly in the role of anti hero. He worked and acted in number of films of Taj Mahal company, East India Film and Kali Films. Mitra directed ''Devdas'' in silent version produced by Eastern Film Syndicate in 1928. This is the first film adaptation of Devdas, the novel of Sharatchandra Chattopadhyay. He directed few films starring Uttam Kumar such as ''Bou Thakuranir Haat'', ''Annapurnar Mandir''. Mitra was also associated with the Bengali language, Bengali folk Jatra. Direction * Andhare Alo (1922 film), ''Andhare Alo'' * Chandranath * Devdas (1928 film), ''Devdas'' * ''Gora (film), Gora'' * ''Kankal'' * ''Bou Thakuranir Haat ''Bou Thakuran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homi Master
Homi Master (?–1949) was an actor-director of early Indian cinema. His work extended from the silent era to the talkie era and up to his death. He produced his best films for Kohinoor Film Company and he has been referred to as "silent cinema's most successful film-maker". Master acted in the then-controversial film '' Bhakta Vidur'' (1921), ''Kala Naag'' and ''Kulin Kanta''. Some of his important films were ''Bismi Sadi'', ''Manorama'', ''Do Ghadi Ki Mauj'' (1935), ''Samaj Ki Bhool'' (1934) and ''Gul Sanobar'' (1934). He was active from 1921 to 1949 and made over seventy-eight films. His later films in Gujarati and Hindi were termed as B movies. He died in 1949. Early life At the age of thirteen, Master joined a famous Parsi theatre group called Bilwala. He soon became a popular stage actor, with his performance in ''Pakzaad Parveen'' being appreciated. Following a brief stint at the Phalke Film company, he joined Kohinoor Film Company working initially as an actor. He went o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khalil (actor)
Khalil was an Indian cinema actor of silent and talkie films. He achieved stardom with silent films like ''Gul-E-Bakavali'' (1924), ''Kulin Kanta'' (1925), and ''Lanka Ni Laadi'' (1925) which was a major success commercially. His other successes included ''Cinema Queen'' (1925) with Sulochana, ''Draupadi'' (1931), and ''Daily Mail'' (1930). Khalil is referred to as the "macho hero". Khalil worked from 1920 to 1941, making a transition to Talkies in 1931 with ''Draupadi'' directed by B. P. Mishra, and ''Daulat Ka Nasha'' directed by Pesi Karani. Both films were produced by Kohinoor and Imperial Films. He shifted to Calcutta from Bombay in 1934, and immediately "made his mark" with the East India Film Company production ''Quismat Ki Kasauti'' (1934), directed by Pesi Karani. He also wrote lyrics for films like ''Dard-e-Dil'' (1934). Career Silent films Khalil's first film was ''Krishna Sudama'' (1920), a silent film co-produced by Kohinoor Film Company and Imperial Film Company. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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