List Of Colors By Shade
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List Of Colors By Shade
Colors with shades and tints of that hue Black Black is the darkest shade, and the result of the absence or complete absorption of light. Like white and gray, it is an achromatic color, literally a color without hue. Blue Blue is a color, the perception of which is evoked by light having a spectrum dominated by energy with a wavelength of roughly 440–490 nm. It is considered one of the additive primary colors. Brown Brown colors are dark or muted shades of reds, oranges, and yellows on the RGB and CMYK color schemes. In practice, browns are created by mixing two complementary colors from the RYB color scheme (combining all three primary colors). In theory, such combinations should produce black, but produce brown because most commercially available blue pigments tend to be comparatively weaker; the stronger red and yellow colors prevail, thus creating the following tones. The color brown can also be made if multiple paint colors are added to each other. Cyan Cyan ...
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Wavelength
In physics, the wavelength is the spatial period of a periodic wave—the distance over which the wave's shape repeats. It is the distance between consecutive corresponding points of the same phase on the wave, such as two adjacent crests, troughs, or zero crossings, and is a characteristic of both traveling waves and standing waves, as well as other spatial wave patterns. The inverse of the wavelength is called the spatial frequency. Wavelength is commonly designated by the Greek letter ''lambda'' (λ). The term ''wavelength'' is also sometimes applied to modulated waves, and to the sinusoidal envelopes of modulated waves or waves formed by interference of several sinusoids. Assuming a sinusoidal wave moving at a fixed wave speed, wavelength is inversely proportional to frequency of the wave: waves with higher frequencies have shorter wavelengths, and lower frequencies have longer wavelengths. Wavelength depends on the medium (for example, vacuum, air, or water) that a wav ...
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Index Of Color-related Articles
This is an index of color topic-related articles. * Achromatic color * Additive color * Afterimage * Analogous colors * Bayer filter * Blue–green distinction in language * Chromaticity * Chrominance * Chromolithograph * Chromophobia * Chromotherapy * Color (← Colour, Color (other)) ** Black *** Shades of black ** Blue ***Shades of blue ** Green ***Shades of green ** Red ***Shades of red ** Silver (color) ** White ***Shades of white ** Yellow ***Shades of yellow * Color analysis * Color balance * Color blindness * Color chart * Color code * Color constancy * Color depth * Colorfulness * Color gradient * Color in Chinese culture * Color management * Color mapping * Color model * Color mixing * Color photography * Color picker * Color preferences * Color printing * Color psychology * Color realism * Color recovery * Color rendering index * Color scheme * Color solid * Color space ** CMYK color space ** HSV color space ** HSL color space ** RGB color spaces *** Ado ...
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X11 Color Names
In computing, on the X Window System, X11 color names are represented in a simple text file, which maps certain strings to RGB color values. It was traditionally shipped with every X11 installation, hence the name, and is usually located in ''<X11root>''/lib/X11/rgb.txt. The web colors list is descended from it but differs for certain color names. Color names are not standardized by Xlib or the X11 protocol. The list does not show continuity either in selected color values or in color names, and some color triplets have multiple names. Despite this, graphic designers and others got used to them, making it practically impossible to introduce a different list. In earlier releases of X11 (prior to the introduction of Xcms), server implementors were encouraged to modify the RGB values in the reference color database to account for gamma correction. As of X.Org Release 7.4 rgb.txt is no longer included in the roll up release, and the list is built directly into the server. The opt ...
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Tincture (heraldry)
Tincture is the limited palette of colours and patterns used in heraldry. The need to define, depict, and correctly blazon the various tinctures is one of the most important aspects of heraldic art and design. Development and history The use of tinctures dates back to the formative period of European heraldry in the twelfth and thirteenth centuries. The range of tinctures and the manner of depicting and describing them has evolved over time, as new variations and practices have developed. The basic scheme and rules of applying the heraldic tinctures dates back to the 12th century. The earliest surviving coloured heraldic illustrations, from the mid-thirteenth century, show the standardized usage of two metals, five colours, and two furs. Since that time, the great majority of heraldic art has employed these nine tinctures. Over time, variations on these basic tinctures were developed, particularly with respect to the furs. Authorities differ as to whether these variations shou ...
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Tertiary Color
A tertiary color or intermediate color is a color made by mixing full saturation of one primary color with half saturation of another primary color and none of a third primary color, in a given color space such as RGB color model, RGB, CMYK color model, CMYK (more modern) or RYB color model, RYB (traditional). Tertiary colors have general names, one set of names for the RGB color wheel and a different set for the RYB color wheel. These names are shown below. Another definition of tertiary color is provided by color theorists such as Moses Harris and Josef Albers, who suggest that tertiary colors are created by intermixing pairs of secondary colors: orange-green, green-purple, purple-orange; or by intermixing complementary colors. This approach to tertiary color relates specifically to color in the form of paints, pigments, and dyes. Comparison of RGB and RYB color wheels The RYB color wheel was invented centuries before the 1890s, when it was found by experiment that magenta, ye ...
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Secondary Color
A secondary color is a color made by mixing of two primary colors in a given color space. Additive secondaries Light (RGB) For the human eye, good primary colors of light are red, green, and blue. Combining lights of these colors produces a large range of visible colors. That is, the primary and secondary RGB colors (with secondary colors in boldface) are: Combining RGB colors means adding light (thus the term "additive color"), and the combinations are brighter. When all three primaries are combined in equal amounts, the result is white. The RGB secondary colors produced by the addition of light turn out to be good primary colors for pigments, the mixing of which subtracts light. Subtractive secondaries Pigments, such as inks and paint, display color by absorbing some wavelengths of light and reflecting the remainder. When pigments are combined, they absorb the combination of their colors, and reflect less. Thus, combining pigments results in a darker color. Th ...
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Primary Color
A set (mathematics), set of primary colors or primary colours (see American and British English spelling differences#-our, -or, spelling differences) consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a broad range of colors in, e.g., electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors can be predicted by an appropriate mixing model (e.g., additive mixing, additive, subtractive mixing, subtractive) that reflects the physics of how light interacts with physical media, and ultimately the retina. Primary colors can also be conceptual (not necessarily real), either as additive mathematical elements of a color space or as irreducible phenomenological categories in domains such as psychology and Philosophy of color, philosophy. Color space primaries are precisely defined and empirically rooted in psychop ...
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Pigment
A pigment is a colored material that is completely or nearly insoluble in water. In contrast, dyes are typically soluble, at least at some stage in their use. Generally dyes are often organic compounds whereas pigments are often inorganic compounds. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli. Economic impact In 2006, around 7.4 million tons of inorganic, organic, and special pigments were marketed worldwide. Estimated at around US$14.86 billion in 2018 and will rise at over 4.9% CAGR from 2019 to 2026. The global demand for pigments was roughly US$20.5 billion in 2009. According to an April 2018 report by ''Bloomberg Businessweek'', the estimated value of the pigment industry globally is $30 billion. The value of titanium dioxide – used to enhance the white brightness of many products – was placed at $13.2 billion per year, while the color Ferrari red is valued at $300 million each year. Physical principles ...
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Pantone
Pantone LLC (stylized as PANTONE) is a limited liability company headquartered in Carlstadt, New Jersey. The company is best known for its Pantone Matching System (PMS), a proprietary color space used in a variety of industries, notably graphic design, fashion design, product design, printing and manufacturing and supporting the management of color from design to production, in physical and digital formats, among coated and uncoated materials, cotton, polyester, nylon and plastics. X-Rite, a supplier of color measurement instruments and software, purchased Pantone for US$180 million in October 2007, and was itself acquired by Danaher Corporation in 2012. Overview Pantone began in New Jersey in the 1950s as the commercial printing company of brothers Mervin and Jesse Levine, M & J Levine Advertising. In 1956, its founders, both advertising executives, hired recent Hofstra University graduate Lawrence Herbert as a part-time employee. Herbert used his chemistry knowledge to systema ...
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List Of Crayola Crayon Colors
Since the introduction of Crayola drawing crayons by Binney & Smith in 1903, more than 200 distinctive colors have been produced in a wide variety of assortments. The table below represents all of the colors found in regular Crayola assortments from 1903 to the present. Since the introduction of fluorescent crayons in the 1970s, the standard colors have been complemented by a number of specialty crayon assortments, represented in subsequent tables. Standard colors Specialty crayons Along with the regular packs of crayons, there have been many specialty sets, including Silver Swirls,; re-accessed April 19, 2008 Gem Tones,; re-accessed April 19, 2008 Pearl Brite Crayons,; re-accessed April 19, 2008 Metallic FX Crayons, Magic Scent Crayons,; re-accessed April 19, 2008 Silly Scents, and more. Fluorescent crayons In 1972, Binney & Smith introduced eight Crayola fluorescent crayons, designed to fluoresce under black light. The following year, they were added to the 72-count box ...
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List Of Colors (compact)
The following list shows a compact version of the colors in the list of colors A–F, G–M, and N–Z articles. The list shows the color swatch and its name. Hovering over the color box shows the HSV, RGB, and #hex values for the color in the tool tip. All values and conversions are in the sRGB color space, which is an inappropriate assumption for some entries. List of colors A B C D E F G–H I–K L M ...
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List Of Color Palettes
This article is a list of the color palettes for notable computer graphics, terminals and video game console hardware. Only a sample and the palette's name are given here. More specific articles are linked from the name of each palette, for the test charts, samples, simulated images, and further technical details (including references). In the past, manufacturers have developed many different display systems in a competitive, non-collaborative basis (with a few exceptions, as the VESA consortium), creating many proprietary, non-standard different instances of display hardware. Often, as with early personal and home computers, a given machine employed its unique display subsystem, with its also unique color palette. Also, software developers had made use of the color abilities of distinct display systems in many different ways. The result is that there is no single common standard nomenclature or classification taxonomy which can encompass every computer color palette. In orde ...
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