Leyli And Majnun (opera)
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Leyli And Majnun (opera)
''Leyli and Majnun'' ( az, Leyli və Məcnun) is an opera in four acts by Uzeyir Hajibeyov, to an Azerbaijani libretto written by the composer and his brother Jeyhun Hajibeyov. The opera was first performed in Baku in 1908. Performance history It was written in 1907 and first performed on at the Taghiyev Theatre in Baku, which was then part of the Russian Empire. The opera is considered the First Opera of the Muslim East. The first performance of the opera was led by Huseyn Arablinski and Hajibeyov himself played violin. Uzeyir Hajibeyov and his brother Jeyhun Hajibeyov wrote the libretto for the opera based on Azerbaijani poet Muhammad Fuzuli's poem Layla and Majnun; most parts of the poem remained unchanged. Thus, the opera ''Leyli and Majnun'' became a founder of the unique new genre in musical culture of the world, which synthesizes oriental and European musical forms, resembling a dialogue of two musical cultures of East and West. This opera has been shown more than 2, ...
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Uzeyir Hajibeyov
Uzeyir bey Abdulhuseyn oghlu Hajibeyov ( az, Üzeyir bəy Əbdülhüseyn oğlu Hacıbəyov; russian: Узеир Абдул-Гусейн оглы Гаджибеков, translit=Uzeir Abdul-Guseyn ogly Gadzhibekov; September 18, 1885November 23, 1948), known as Uzeyir Hajibeyov ( az, Üzeyir Hacıbəyov, links=no, Arabic script: , ) was an Azerbaijani composer, conductor, publicist, playwright, and social figure. He is recognized as the father of Azerbaijani composed classical music and opera. Uzeyir Hajibeyov composed the music of the national anthem of Azerbaijan Democratic Republic (which was re-adopted after Azerbaijan regained its independence from the Soviet Union in 1991). He also composed the anthem used by Azerbaijan during the Soviet period. He was the first composer of an opera in the Islamic world. He composed that first oriental opera Leyli and Majnun in 1908 and since then Azerbaijani people have been honored him for bringing to life the written masterpiece of the wo ...
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First "Majnun" Of "Leyli And Majnun" Opera - G
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Operas By Uzeyir Hajibeyov
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Huseyngulu Sarabski
Huseyngulu Sarabski ( az, Hüseynqulu Sarabski), born Hüseynqulu Malik oğlu Rzayev (20 March 1879 – 16 February 1945), was an Azerbaijani opera singer (tenor), composer, playwright, stage actor, theatre director, and musician (tar). Early life Sarabski was born to poor parents in Baku (then part of the Russian Empire, now capital of Azerbaijan) on Nowruz Eve. At a young age, he was sent to a mullah to study the Koran. Unable to overcome the language barrier and having received severe beatings from the mullah, Huseyngulu managed to convince his parents to let him quit. In 1891, at the age 12, he watched a theatrical performance for the first time. It was staged by amateur actors and called ''Khan Sarabi'' adapted from Mirza Fatali Akhundov's play ''Sarguzasht-i vazir-i Khan-i Lankaran''. Young Huseyngulu enjoyed the performance and later chose the pseudonym Sarabski reflecting on his first encounter with theatre. As a teenager, he enrolled in Russian night courses for the poor f ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Abdurrahim Bey Hagverdiyev
Abdurrahim bey Asad bey oglu Hagverdiyev ( az, Əbdürrəhim bəy Haqverdiyev) (17 May 1870 – 11 December 1933) was an Azerbaijani playwright, writer and cultural figure, stage director, politician, public figure, one of the five first Azeri Deputats of First Duma of Russian Empire, Deputat of Georgian Parliament, Creator of the Theatrical Writers Society in Azerbaijan, one of the collaborators of the magazine ''Molla Nasraddin'', and Ambassador of Azerbaijan in the Republic of North Caucasus and Armenia. Early life Abdurrahim bey Asad bey oglu Hagverdiyev was born in the village of Aghbulaq near the Shusha suburb (then part of the Russian Empire, currently in the Nagorno-Karabakh region of Azerbaijan) to court reporter Asad bey Hagverdiyev and his wife Tukasban. His brother-in-law (his sister's husband) was a nobleman, Mamobey Mamayev. He had no children but adopted his sister's daughter, Fatma Xanum Malik-Abbas, as confirmed by the court of Azerbaijan). After losing his fat ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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