Letzte Tage – Letzte Nächte
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Letzte Tage – Letzte Nächte
''Letzte Tage – Letzte Nächte'' (''Last Days – Last Nights'' in German language) is the eighth album by Popol Vuh. It was originally released in 1976 on United Artists Records. In 2005 SPV re-released the album with three bonus tracks. Track listing All tracks composed by Florian Fricke except track number 1 composed by Daniel Fichelscher, and tracks 7, 8, and 9 composed by Florian Fricke and Daniel Fichelscher. # "Der Große Krieger" – 3:10 # "Oh, wie nah ist der Weg hinab" – 4:34 # "Oh, wie weit ist der Weg hinauf" – 4:33 # "In Deine Hände" – 3:01 # "Kyrie" – 4:34 # "Haram Dei Raram Dei Haram Dei Ra" – 1:27 # "Dort ist der Weg" – 4:29 # "Letzte Tage – Letzte Nächte" – 4:20 ;2005 bonus tracks "Wanderschaft – Wanderings" – 5:56 "Gib hin" (Session Version) – 2:30 "Haram Dei Ra" (Alternative Version) – 6:32 "Letzte Tage – Letzte Nächte" was later updated as "When Love Is Calling You" on the 1991 album ''For You and Me''. Personnel * ...
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Popol Vuh (German Band)
Popol Vuh were a German musical collective founded by keyboardist Florian Fricke in 1969 together with Frank Fiedler (sound design, fine cut), Holger Trülzsch (percussion), and Bettina Fricke (tablas and production).Popol Vuh Biography, Booklet to CD issue of "Popol Vuh Revisted & Remixed, 1970–1999", SPV recordings, 2011 Other important members during the next two decades included Djong Yun, Renate Knaup, Conny Veit, Daniel Fichelscher, Klaus Wiese, and Robert Eliscu. The band took its name from the Mayan manuscript containing the mythology of highland Guatemala's K'iche' people. Popol Vuh began as an electronic music project, but under Fricke's leadership they soon abandoned synthesizers for organic instrumentation and world music influences. They developed a productive working partnership with director Werner Herzog, contributing scores to films such as ''Aguirre, The Wrath of God'' (1972), ''Nosferatu the Vampyre'' (1979), and ''Fitzcarraldo'' (1982). The group are associ ...
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Daniel Fichelscher
Daniel "Danny" Secundus Fichelscher, (born 3 July 1953 in Berlin), is a German multi-instrumentalist who played a pivotal role in Krautrock band Popol Vuh, was a member of the German group Gila and is currently Amon Düül II's drummer. Fichelscher is the son of jazz pianist and singer Toby Fichelscher. Career Daniel Fichelscher was, for most of their history, Florian Fricke's only stable partner in Popol Vuh. He wasn't a founding member, having joined in 1973 (three years after the group's foundation) for the recording of the album ''Seligpreisung'' and replaced guitarist Conny Veit the following year in 1974. While playing with Popol Vuh, he also occasionally played drums and congas with the Krautrock band Amon Düül II, appearing for example on the albums ''Carnival in Babylon'' (1972), ''Wolf City'' (1972; on which he also sang and played guitar), and ''Vortex'' (1981). Together with Fricke, he also played in Conny Veit's group Gila on their second album, ''Bury My Heart at ...
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1976 Albums
Events January * January 3 – The International Covenant on Economic, Social and Cultural Rights enters into force. * January 5 – The Pol Pot regime proclaims a new constitution for Democratic Kampuchea. * January 11 – The 1976 Philadelphia Flyers–Red Army game results in a 4–1 victory for the National Hockey League's Philadelphia Flyers over HC CSKA Moscow of the Soviet Union. * January 16 – The trial against jailed members of the Red Army Faction (the West German extreme-left militant Baader–Meinhof Group) begins in Stuttgart. * January 18 ** Full diplomatic relations are established between Bangladesh and Pakistan 5 years after the Bangladesh Liberation War. ** The Scottish Labour Party (1976), Scottish Labour Party is formed as a breakaway from the UK-wide party. ** Super Bowl X in American football: The Pittsburgh Steelers defeat the Dallas Cowboys, 21–17, in Miami. * January 21 – First commercial Concorde flight, from London to Bahrain. * January 27 ...
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Popol Vuh (band) Albums
''Popol Vuh'' (also ''Popul Vuh'' or ''Pop Vuj'') is a text recounting the mythology and history of the Kʼicheʼ people of Guatemala, one of the Maya peoples who also inhabit the Mexican states of Chiapas, Campeche, Yucatan and Quintana Roo, as well as areas of Belize, Honduras and El Salvador. The ''Popol Vuh'' is a foundational sacred narrative of the Kʼicheʼ people from long before the Spanish conquest of the Maya. It includes the Mayan creation myth, the exploits of the Hero Twins Hunahpú and Xbalanqué, and a chronicle of the Kʼicheʼ people. The name "Popol Vuh" translates as "Book of the Community" or "Book of Counsel" (literally "Book that pertains to the mat", since a woven mat was used as a royal throne in ancient Kʼicheʼ society and symbolised the unity of the community). It was originally preserved through oral tradition until approximately 1550, when it was recorded in writing. The documentation of the ''Popol Vuh'' is credited to the 18th-century Spanish ...
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Tanpura (instrument)
The tanpura (), also referred to as tambura and tanpuri, is a long-necked plucked string instrument, originating in India, found in various forms in Indian music. It does not play melody, but rather supports and sustains the melody of another instrument or singer by providing a continuous harmonic bourdon or drone. A tanpura is not played in rhythm with the soloist or percussionist: as the precise timing of plucking a cycle of four strings in a continuous loop is a determinant factor in the resultant sound, it is played unchangingly during the complete performance. The repeated cycle of plucking all strings creates the sonic canvas on which the melody of the raga is drawn. The combined sound of all strings–each string a fundamental tone with its own spectrum of overtones–supports and blends with the external tones sung or played by the soloist. Hindustani musicians favour the term ''tanpura'' whereas Carnatic musicians say ''tambura''; ''tanpuri'' is a smaller varian ...
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Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from ''Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. Etymol ...
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Vocals
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Percussion
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Krautrock
Krautrock (also called , German for ) is a broad genre of experimental rock Experimental rock, also called avant-rock, is a subgenre of rock music that pushes the boundaries of common composition and performance technique or which experiments with the basic elements of the genre. Artists aim to liberate and innovate, with ... that developed in West Germany in the late 1960s and early 1970s among artists who blended elements of psychedelic rock, avant-garde music, avant-garde composition, and electronic music, among other eclectic sources. These artists incorporated hypnotic rhythms, extended musical improvisation, improvisation, musique concrète techniques, and early synthesizers, while generally moving away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can (band), Can, Faust (band), Faust, Tangerine Dream, Kraftwerk, Cluster (band), Cluster, Ash Ra Tempel, Pop ...
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Florian Fricke
Florian Fricke (23 February 1944 – 29 December 2001) was a German musician who started his professional career with electronic music using the Moog synthesizer within the krautrock group Popol Vuh. His music and that of the band however soon evolved in a completely different direction, and he almost completely abandoned synthesizers in favor of the acoustic piano. History Born in Lindau am Bodensee, Germany on 23 February 1944, Fricke started playing piano as a child. He studied piano, composition and directing at the Conservatories in Freiburg and Munich. It was in Munich that, at 18, he dedicated himself to new kinds of music like free jazz. He also filmed some short amateur films. (He would later become a movie and music critic for the German magazine '' Der Spiegel'' and the Swiss paper '' Neue Zürcher Zeitung''). It was also in Munich that he met Gerhard Augustin, who for many years would be his producer. In 1967 he met German film director Werner Herzog and the two for ...
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