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Lessons In Love And Violence
''Lessons in Love and Violence'' is an opera with music by George Benjamin and libretto by Martin Crimp. The opera, which is based on the story of King Edward II and Piers Gaveston, was premiered at the Royal Opera House London on 10 May 2018, conducted by the composer and directed by Katie Mitchell. The opera was a co-production with Dutch National Opera, Hamburg State Opera, Opéra de Lyon, Lyric Opera of Chicago, Gran Teatre del Liceu, Barcelona, and Teatro Real, Madrid."Lessons in Love and Violence" ROH website, accessed 15 May 2018. The opera covers the events set out in 's play '' |
George Benjamin (composer)
Sir George William John Benjamin, CBE (born 31 January 1960) is an English composer of contemporary classical music. He is also a conductor, pianist and teacher. He is well known for operas '' Into the Little Hill'' (2006), '' Written on Skin'' (2009–2012) and '' Lessons in Love and Violence'' (2015–2017)—all with librettos by Martin Crimp. In 2019, critics at ''The Guardian'' ranked ''Written on Skin'' as the second best work of the 21st-century. Biography Benjamin was born in London and attended Westminster School. He began composing from the age of seven, and took piano and composition lessons with Peter Gellhorn until the age of 15, after which Gellhorn arranged for Benjamin to continue his lessons in Paris with Olivier Messiaen, whom he had known for many years. Messiaen was reported to have described Benjamin as his favourite pupil. He then read music at King's College, Cambridge, studying under Alexander Goehr and Robin Holloway. His orchestral piece ''Ringed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Mortimer, 1st Earl Of March
Roger Mortimer, 3rd Baron Mortimer of Wigmore, 1st Earl of March (25 April 1287 – 29 November 1330), was an English nobleman and powerful Marcher Lord who gained many estates in the Welsh Marches and Ireland following his advantageous marriage to the wealthy heiress Joan de Geneville, 2nd Baroness Geneville. Her mother was of the Royal House of Lusignan. In November 1316, he was appointed Lord Lieutenant of Ireland. He was imprisoned in the Tower of London in 1322 for having led the Marcher lords in a revolt against King Edward II in what became known as the Despenser War. He later escaped to France, where he was joined by Edward's queen consort Isabella, where they may have begun an affair. After he and Isabella led a successful invasion and rebellion, Edward was deposed; Mortimer allegedly arranged his murder at Berkeley Castle. For three years, Mortimer was ''de facto'' ruler of England before being himself overthrown by Edward's eldest son, Edward III. Accused of ass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in ''Der fliegende Holländer'', Wotan/Der Wanderer in the ''Ring Cycle'' and Hans Sachs in '' Die Meistersinger von Nürnberg''. Wagner labelled these roles as ''Hoher Bass'' ("high bass")—see fach for more details. The bass-baritone voice is distinguished by two attributes. First, it must be capable of singing comfortably in a baritonal tessitura. Secondly, however, it needs to have the ripely resonant lower range typically associated with the bass voice. For example, the role of Wotan in ''Die Walküre'' covers the range from F2 (the F at the bottom of the bass clef) to F4 (the F above middle C), but only infrequently descends beyond C3 (the C below middle C). Bass-baritones are typically divide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krisztina Szabó
Krisztina Szabó is a Hungarian-Canadian mezzo-soprano opera singer who has performed in a number of operatic roles. A graduate of the University of Western Ontario, Szabó finished her postgraduate studies at the Guildhall School of Music and Drama in London. She was awarded the Emerging Artist grant from the Canada Council. Ms. Szabó was a 1997 winner of the Mozart Competition, held under the auspices of the Canadian Opera Company, and in 1998 she joined the Canadian Opera's Ensemble Studio. It was with the Canadian Opera Ensemble Studio that she sang the title role in Benjamin Britten's ''The Rape of Lucretia ''The Rape of Lucretia'' (Op. 37) is an opera in two acts by Benjamin Britten, written for Kathleen Ferrier, who performed the title role. Ronald Duncan based his English libretto on André Obey's play '. Performance history The opera was fi ...'', with which she made her European debut in Amsterdam. External links *Biography {{DEFAULTSORT:Szabo, Krisztina Ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Hannigan
Barbara Hannigan (born 8 May 1971) is a Canadian soprano and Conducting, conductor, known for her performances of Contemporary classical music, contemporary opera. Education Hannigan's initial musical education came from music teachers in her hometown of Waverley, Nova Scotia, in Halifax. After growing up in Waverley, Hannigan moved to Toronto at the age of 17. She studied music at the University of Toronto, where her teachers included Mary Morrison. She graduated from the University of Toronto with a Bachelor of Music degree in 1993 and a Master of Music degree in 1998. She continued her studies at the Banff Centre for the Arts, the Steans Institute for Young Artists at the Ravinia Festival, and the Centre d'arts Orford, Quebec, Orford. She also studied for one year at the Royal Conservatory of The Hague. Career Hannigan is known for her performances of contemporary music. Her advocacy of contemporary music began in her youth, and she sang her first world premiere at the age ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Stéphane Degout
Stéphane Degout (born 9 June 1975 in Bourg-en-Bresse) is a contemporary French baritone. He grew up in Saint-Jean-de-Niost (Ain) and has been living in Lyon since 1995. Biography Trained at the lycée Saint-Exupéry in Lyon, the Conservatoire national supérieur de musique et de danse de Lyon in the class of Margreet Honig, then within the troupe of the opéra national de Lyon, Degout began his career in the role of Papageno in ''The Magic Flute'', within the framework of the Académie européenne de musique of the Aix-en-Provence Festival in July 1998. He particularly attended the master classes of Régine Crespin, Gundula Janowitz, Graziella Sciutti and Claudio Desderi. He has been following Gary Magby's teaching from 1998. Since then, he has been performing a varied repertoire at the Opéra national de Lyon, the Paris Opera, the Opéra-Comique, the Théâtre des Champs Elysées, the Théâtre Royal de la Monnaie in Brussels, the Opéra national de Montpellier, the Berli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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