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Les Diamants De La Couronne
''Les diamants de la couronne'' (''The Crown Diamonds'') is an ''opéra comique'' by the French composer Daniel Auber, first performed by the Opéra-Comique at the second Salle Favart in Paris on 6 March 1841. The libretto (in three acts) is by Auber's regular collaborator, Eugène Scribe with the help of Jules-Henri Vernoy de Saint-Georges. Performance history The opera was performed at the Opéra-Comique 379 times up to 1889, under the title ''Les diamants de la reine'', and was revived in Marseilles on 20 March 1896. Outside France it was first performed in Brussels on 25 November 1841, New Orleans on 31 March 1842, Munich on 15 July 1842 (in a German translation by V. A. Swoboda), Prague on 13 August 1842 (in German), Hamburg on 29 October 1842 (in German), Riga in 1843 (in German), Amsterdam in 1843 (in French), Berlin at the Hofoper on 11 February 1843 (in German), Copenhagen on 17 February 1843 (in a Danish translation by T. H. Reynoldson), New York City on 14 July 1843 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Asenjo Barbieri
Francisco Asenjo Barbieri (3 August 1823 – 19 February 1894) was a well-known composer of the popular Spanish opera form, ''zarzuela.'' His works include: '' El barberillo de Lavapiés'', '' Jugar con fuego'', ''Pan y toros'', ''Don Quijote'', '' Los diamantes de la corona'', and ''El Diablo en el poder''. Career He was born and died in Madrid, appropriately, since the themes and characters of his operas are often distinctly Spanish and Madrilenian. Among the characters featured by Barbieri are bullfighters, ''manolos'' and ''manolas'', and even (in ''Pan y toros'') the famous Spanish painter, Francisco Goya. The character of much of Barbieri’s work is farcical, utilizing mistaken identity and other devices to entertain the audience. His themes deal largely with the ins and outs of love, and the relations between the upper and lower classes in nineteenth-century Spain, but there is also a distinct political character to much of his work. The ''zarzuelas'' '' El barberillo de L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toussaint-Eugène-Ernest Mocker
Toussaint-Eugène-Ernest Mocker (16 July 1811 – 3 October 1895) was a French opera singer and stage director. In his 30-year career as a principal singer at the Théâtre Impérial de l'Opéra-Comique he created numerous roles in the company's world premieres and from 1860 served as a stage director there. In his later years he was a singing teacher at the Conservatoire de Paris. Roles created Roles created by Mocker at the Opéra-Comique include: *Lelio in Montfort's ''Polichinelle'' (1839) *Albert in Clapisson's ''La symphonie, ou Maître Albert'' (1839) *Comte d'Elvas in Adam's ''La reine d'un jour'' (1839) *Charles VI in Auber's ''Zanetta'' (1840) *Don Sébastien d'Aveyro in Auber's ''Les diamants de la couronne'' (1841) *Tracolin in Adams's ''Le toréador'' (1849) *Danilowitch in Meyerbeer's ''L'étoile du nord'' (1854) *Chevalier de Boisrobert in Halévy's ''Valentine d'Aubigny ''Valentine d'Aubigny'' is an opéra comique in three acts composed by Fromental Halév ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph-Antoine-Charles Couderc
Joseph-Antoine-Charles Couderc (10 March 1810 – 16 April 1875) was a French operatic tenor (and later baritone) prominent on the stages of the Opéra Comique in Paris where he created numerous roles. Life and career Couderc was born in Toulouse where his father had a grocery shop. He was working in his father's business when Louis Benoît Alphonse Révial (1810-1871) a tenor from Toulouse already studying at the Conservatoire de Paris convinced him to study singing and facilitated his entry to the conservatory in 1830. After studying singing there under Louis Nourrit, Couderc made his debut as Rodolphe in Boieldieu's ''Le petit chaperon de rouge'' at the Opéra-Comique in 1834. He created several roles with the company between 1834 and 1841 and was greatly admired for his acting ability. He sang in Belgium from 1842 until 1850 when he returned to the Opéra-Comique where he remained for the rest of his career singing leading tenor and later baritone roles.Duckett, William (ed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Thillon
Sophie Anne Hunt, known by the name of Anna Thillon (Calcutta or London, 1812 or 1813 or 22 June 1817 or circa 1819; Torquay, 5 May 1903), was an operatic singing sensation in the United States, based in San Francisco, California and then New York, New York. She performed in the former city's first professional season. Her parents were Elisa(beth) and Joseph Hunt. Mrs. Hunt came from a noble family, thanks to which, for her daughter, all the doors of aristocratic houses were opened. Mr. Hunt was a rich merchant, possibly also from a noble family, as The Musical World of 1840 states that Sophie Ann Hunt belonged to one of the aristocratic families of England. But by the 14th birthday of the future singer, mr. Hunt went bankrupt. This was the reason for mrs. Hunt, taking her daughters with her, to leave for France. Sophie Ann Hunt had much of her training in France where she studied with Marco Bordogni, Giovanni Tadolini and Claude Thomas Thillon, conductor of the Havre Philharm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WorldCat
WorldCat is a union catalog that itemizes the collections of tens of thousands of institutions (mostly libraries), in many countries, that are current or past members of the OCLC global cooperative. It is operated by OCLC, Inc. Many of the OCLC member libraries collectively maintain WorldCat's database, the world's largest bibliographic database. The database includes other information sources in addition to member library collections. OCLC makes WorldCat itself available free to libraries, but the catalog is the foundation for other subscription OCLC services (such as resource sharing and collection management). WorldCat is used by librarians for cataloging and research and by the general public. , WorldCat contained over 540 million bibliographic records in 483 languages, representing over 3 billion physical and digital library assets, and the WorldCat persons dataset (Data mining, mined from WorldCat) included over 100 million people. History OCLC OCLC, Inc., doing bus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
