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Les Béatitudes
''Les Béatitudes'', (Op. 25), CFF 185, FWV 53,The work was never published with an Opus number. is a French oratorio written by César Franck from 1869 to 1879 and scored for orchestra, chorus, and soloists. The text is a poetic meditation on the eight beatitudes of Jesus, from the Gospel of Matthew, by Joséphine-Blanche Colomb. It was first performed, in reduced form, on 20 February 1879 at a private performance in Franck's home in Paris. The full oratorio was not performed until after Franck's death, on 19 March 1893 in Colonne. The work, at nearly two hours, is among Franck's largest compositions. It is scored for orchestra, choir, and eight soloists (soprano, mezzo-soprano, contralto, 2 tenors, baritone, and 2 basses). The work is divided into eight parts and a prologue: *Prologue *I. ''Bienheureux les pauvres d'esprit'' (Blessed are the poor in spirit) *II. ''Bienheureux ceux qui sont doux'' (Blessed are the meek) *III. ''Bienheureux ceux qui pleurent'' (Blessed are t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions By César Franck
Most of César Franck's works seem to have been published during his lifetime, although only 21 works received a publisher's opus number. The mature published works were catalogued by Wilhelm Mohr in his Franck Werke Verzeichnis (FWV). He divided Franck's compositions into two main groups: instrumental works, M.1-48, and vocal works, M.49-91, arranging them by genre, and by composition date order within each genre. The CFF catalogue (see #External links, § External links) compiled by Joël-Marie Fauquet (published in 1999) details almost every known work by Franck, including many not listed by Mohr. In addition, many dates are listed in Fauquet's catalogue that are incorrect in Mohr's, or missing altogether. Juvenile works Franck wrote a number of juvenile works between 1834-7 to which he assigned an opus number; he later disowned all these early works, except for the Premiere Grande Fantaisie for piano, Op.12 (1836), which he occasionally played in later life. These opus numbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonieorchester Des Bayerischen Rundfunks
The Bavarian Radio Symphony Orchestra (german: Symphonieorchester des Bayerischen Rundfunks, BRSO) is a German radio orchestra. Based in Munich, Germany, it is one of the city's four orchestras. The BRSO is one of two full-size symphony orchestras operated under the auspices of Bayerischer Rundfunk, or Bavarian Broadcasting (BR). Its primary concert venues are the ''Philharmonie'' of the Gasteig Cultural Centre and the ''Herkulessaal'' in the Munich Residenz. History The orchestra was founded in 1949, with members of an earlier radio orchestra in Munich as the core personnel. Eugen Jochum was the orchestra's first chief conductor, from 1949 until 1960. Subsequent chief conductors have included Rafael Kubelík, Sir Colin Davis and Lorin Maazel. The orchestra's most recent chief conductor was Mariss Jansons, from 2003 until his death in 2019. Jansons regularly campaigned for a new concert hall during his tenure. In 2010, Sir Simon Rattle first guest-conducted the BRSO. In January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1879 Oratorios
Events January–March * January 1 – The Specie Resumption Act takes effect. The United States Note is valued the same as gold, for the first time since the American Civil War. * January 11 – The Anglo-Zulu War begins. * January 22 – Anglo-Zulu War – Battle of Isandlwana: A force of 1,200 British soldiers is wiped out by over 20,000 Zulu warriors. * January 23 – Anglo-Zulu War – Battle of Rorke's Drift: Following the previous day's defeat, a smaller British force of 140 successfully repels an attack by 4,000 Zulus. * February 3 – Mosley Street in Newcastle upon Tyne (England) becomes the world's first public highway to be lit by the electric incandescent light bulb invented by Joseph Swan. * February 8 – At a meeting of the Royal Canadian Institute, engineer and inventor Sandford Fleming first proposes the global adoption of standard time. * March 3 – United States Geological Survey is founded. * March 11 – The Ry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorios
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Demuth
Norman Demuth (15 July 1898 – 21 April 1968) was an English composer and musicologist, currently remembered largely for his biographies of French composers. Biography Early life Demuth was born in Croydon, Surrey, at 91 St James' Road. On leaving Repton School in 1915, he volunteered as Rifleman No. 2780 with the 5th London Regiment (London Rifle Brigade) in the City of London on 17 September 1915, falsifying his age by adding one year on enlistment to seek active-service for which he was then under-age. In early March 1916 he was sent to France with a reinforcement draft to the Regiment's 1st Battalion on the Western Front, and was wounded in the leg by shrapnel fragments from the accidental detonation of a Mills Bomb on 28 June 1916 in the frontline village of Hebuterne during the prelude of the Battle of the Somme. He was medically evacuated to England and subsequently discharged from the British Army as medically unfit for further war service in November 1916. In ''Forg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nathalie Stutzmann
Nathalie Stutzmann (née Dupuy; born 6 May 1965) is a French contralto and conductor. Biography Born in Suresnes in France, Stutzmann first studied with her mother, soprano Christiane Stutzmann, then at Nancy Conservatoire and later at the ''École d'Art Lyrique'' of the Paris Opera, focusing on lieder, under Hans Hotter's tutelage. She is noted for her interpretations of French mélodies and German lieder. Stutzmann also plays piano, bassoon and is a chamber musician. Stutzmann debuted as a concert singer at the Salle Pleyel, Paris, 1985, in '' Bach's Magnificat''. Her recital debut was the following year in Nantes. In addition to her concert work, Stutzmann has taught at the Geneva University of Music. She began performing and recording with Inger Södergren in 1994. She took part in the project of Ton Koopman and the Amsterdam Baroque Orchestra & Choir to record Bach's complete vocal works. Separately, Stutzmann developed an interest in conducting, where her mentors include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Berbié
Jane Berbié (born 6 May 1931) is a French mezzo-soprano particularly associated with Mozart and Rossini roles. Life and career Berbié was born Jeanne Bergougne, in Villefranche-de-Lauragais, Haute-Garonne, France, and as a child was entered in various local singing competitions, winning a case of champagne at one in Canet-Plage for her rendition of airs of Escamillo and Basilio. She studied piano and voice at the Music Conservatory in Toulouse. On French television she appeared on 'L'Ecole des vedettes' where she was praised by Elvira Popescu. She made her professional operatic debut at the Capitole de Toulouse in 1954, as Nicklause in ''Les contes d'Hoffmann''. She sang throughout France in the standard mezzo roles of the French repertory, such as Siébel in ''Faust'', Urbain in ''Les Huguenots'', the title role in ''Mignon'' and ''Carmen'', etc. She made her debut at the Paris Opéra in 1959, as Concepción in ''L'Heure espagnole'', and the same year at the Aix-en-Provence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armin Jordan
Armin Jordan (9 April 1932 – 20 September 2006) was a Swiss conductor known for his interpretations of French music, Mozart and Wagner. Armin Jordan was born in Lucerne, Switzerland. "Mr. Jordan was a large man, with a slab of a face and a full mouth, often twisted in a sardonic smile, and his powerful physical presence belied the careful near-understatement of his conducting", noted ''The New York Times'' in his obituary. Jordan was most unusual at a time when conductors flew about the world from one engagement to another. For the most part he stayed close to home in Switzerland and France. After leading a number of Swiss orchestras he became principal conductor of the Orchestre de la Suisse Romande, Geneva, in 1985, a position he held until 1997. Armin Jordan did not conduct in the United States until 1985. He appeared in Seattle and New York City. Seattle scheduled him for Wagner's ''Ring'' in 2000 and 2001, but he had to withdraw after a few performances in 2000 because of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
René Kollo
René Kollo (born 20 November 1937) is a German operatic tenor, especially known for his Wagnerian Heldentenor roles. He also performed a wide variety of operas and operettas, and made several recordings. Biography Born René Kollodzieyski in Berlin, he grew up in Wyk auf Föhr. He attended a photography school in Hamburg, although he had always been interested in music, particularly conducting. He did not begin to perform (as a self-taught drummer) until the mid-50s. He played in jazz clubs and studied acting with Else Bongers in Berlin. To prepare for musical roles, he studied with Elsa Varena, who quickly recognized that he had an unusual gift. He signed his first recording contract at 20 and recorded popular hits. He made his operatic debut in Braunschweig in 1965 in three Stravinsky one-act operas: ''Mavra'', '' Renard'', and ''Oedipus Rex''. He stayed in Braunschweig for two years, singing most of the lyric tenor repertoire. In 1967, he went to the Deutsche Oper am Rhein in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brigitte Fassbaender
Brigitte Fassbaender (; born 3 July 1939), is a German mezzo-soprano opera singer and a stage director. From 1999 to 2012 she was intendant (managing director) of the Tyrolean State Theatre in Innsbruck, Austria. She holds the title Kammersängerin from the Bavarian State Opera in Munich and the Vienna Staatsoper. Career Fassbaender was born in Berlin, the daughter of screen actress Sabine Peters and baritone Willi Domgraf-Fassbaender. The family settled in Nuremberg after World War II. She spent her early career in Munich. Fassbaender studied singing with her father, at the Nuremberg Conservatory. She joined the Bavarian State Opera in 1961, where her first leading role was Nicklausse in ''The Tales of Hoffmann''. Fassbaender appeared as Octavian, the title role of ''Der Rosenkavalier'' by Richard Strauss, in Munich in 1967, the role that launched her international career. In 1971, she performed at Royal Opera, London and made her Metropolitan Opera debut in 1974. Fassbaender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jessye Norman
Jessye Mae Norman (September 15, 1945 – September 30, 2019) was an American opera singer and recitalist. She was able to perform dramatic soprano roles, but refused to be limited to that voice type. A commanding presence on operatic, concert and recital stages, Norman was associated with roles including Beethoven's Leonore, Wagner's Sieglinde and Kundry, Cassandre and Didon by Berlioz and Bartók's Judith. ''The New York Times'' music critic Edward Rothstein described her voice as a "grand mansion of sound", and wrote that "it has enormous dimensions, reaching backward and upward. It opens onto unexpected vistas. It contains sunlit rooms, narrow passageways, cavernous halls." Norman trained at Howard University, the Peabody Institute, and the University of Michigan. Her career began in Europe, where she won the ARD International Music Competition in Munich in 1968, which led to a contract with the Deutsche Oper Berlin. Her operatic début came as Elisabeth in Wagner's ''Ta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
