Les Barbares
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Les Barbares
''Les barbares'' is a 1901 tragédie lyrique in 3 acts by Camille Saint-Saëns to a libretto by Victorien Sardou and Pierre-Barthélemy Gheusi.Sabina Teller Ratner ''Camille Saint-Saëns, 1835-1921: A Thematic Catalogue of His Complete Works'' 0198163207 2002 The opera was originally intended for the Roman theatre of Orange, in Provence, but instead premiered at the Paris Opéra Palais Garnier in October 1901. Roles *Floria - chief vestal virgin (soprano) *Marcomir - leader of the Barbarians (tenor) *Le Récitant (bass) *Scaurus (bass) *Le Veilleur (tenor) *Hildibrath (baritone) *Livie (contralto) *Germains, légionnaires, romains, habitants d'Orange, vestales, femmes, enfants gallo-romains. Recordings *''Les Barbares'' : Catherine Hunold (Floria), Julia Gertseva (Livie), Edgaras Montvidas (Marcomir), Jean Teitgen (Le Récitant / Scaurus), Shawn Mathey (Le Veilleur), Philippe Rouillon (Hildibrath / Le Grand Sacrificateur), Tigran Guiragosyan (Premier Habitant), Laurent Pouliaude ...
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Camille Saint-Saëns
Charles-Camille Saint-Saëns (; 9 October 183516 December 1921) was a French composer, organist, conductor and pianist of the Romantic music, Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Piano Concerto No. 2 (Saint-Saëns), Second Piano Concerto (1868), the Cello Concerto No. 1 (Saint-Saëns), First Cello Concerto (1872), ''Danse macabre (Saint-Saëns), Danse macabre'' (1874), the opera ''Samson and Delilah (opera), Samson and Delilah'' (1877), the Violin Concerto No. 3 (Saint-Saëns), Third Violin Concerto (1880), the Symphony No. 3 (Saint-Saëns), Third ("Organ") Symphony (1886) and ''The Carnival of the Animals'' (1886). Saint-Saëns was a musical prodigy; he made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, Paris, La Madeleine, the official church of the Second French Empire, Fren ...
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Pierre Petit (photographer)
:''Pierre Petit is not to be confused with (Jean) Pierre Yves-Petit (1886–1969), another French photographer who usually operated under the name Yvon''. Pierre Lanith Petit (15 August 1832 – 16 February 1909) was a French photographer. He is sometimes credited as Pierre Lamy Petit. Work Petit learned photography in Paris in the workshop of André-Adolphe-Eugène Disdéri (1819–1889) (together with 76 other employees). In 1858, he opened his own workshop in Paris with Antoine René Trinquart, later to be called ''La Photographie des Deux Mondes''. This proved to be very successful and workshops were opened in Baden-Baden and Marseille (in partnership with Emile Cazalis). In his lifetime he made thousands of photographs. In 1908 he handed over the business to his son. Some highlights in Petit's career: * He was the official photographer of the ''International Exposition of 1867''. * He went to New York City several times to report on the construction of the Statue ...
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Victorien Sardou
Victorien Sardou ( , ; 5 September 18318 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as ''La Tosca'' (1887) on which Giacomo Puccini's opera ''Tosca'' (1900) is based, and ''Fédora'' (1882) and '' Madame Sans-Gêne'' (1893) that provided the subjects for the lyrical dramas '' Fedora'' (1898) and '' Madame Sans-Gêne'' (1915) by Umberto Giordano. His play ''Gismonda'', from 1894, was also adapted into an opera of the same name by Henry Février. Early years Victorien Sardou was born at 16 rue Beautreillis (), Paris on 5 September 1831. The Sardous were settled at Le Cannet, a village near Cannes, where they owned an estate, planted with olive trees. A night's frost killed all the trees and the family was ruined. Victorien's father, Antoine Léandre Sardou, came to Paris in search of employment. He was in su ...
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Palais Garnier
The Palais Garnier (, Garnier Palace), also known as Opéra Garnier (, Garnier Opera), is a 1,979-seatBeauvert 1996, p. 102. opera house at the Place de l'Opéra in the 9th arrondissement of Paris, France. It was built for the Paris Opera from 1861 to 1875 at the behest of Emperor Napoleon III. Initially referred to as ''le nouvel Opéra de Paris'' (the new Paris Opera), it soon became known as the Palais Garnier, "in acknowledgment of its extraordinary opulence" and the architect Charles Garnier's plans and designs, which are representative of the Napoleon III style. It was the primary theatre of the Paris Opera and its associated Paris Opera Ballet until 1989, when a new opera house, the Opéra Bastille, opened at the Place de la Bastille. The company now uses the Palais Garnier mainly for ballet. The theatre has been a ''monument historique'' of France since 1923. The Palais Garnier has been called "probably the most famous opera house in the world, a symbol of Paris like No ...
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Laurent Campellone
Laurent Campellone (born January 23, 1972) is a French Conductor (music), conductor. Known around the world for his expertise in the French opera of the Romantic era music, Romantic era, he is often compared to Michel Plasson. Critics consider him today as "one of the best defenders in the world" of this repertoire. He is currently the General Manager of the Tours Opera, Opéra de Tours. Biography Studies Campellone first studied violin, tuba, percussion and singing. While completing his Philosophy studies, he trained as a conductor at the Conservatoire Frédéric Chopin in Paris. In 2001, he was awarded, by unanimous vote, the First Prize at the 8th edition of the EU Young Conductors international Competition, in Spoleto, Italy. Guest conductor Campellone has conducted over 300 different orchestra and lyric works in prestigious opera houses and with renowned orchestras, amongst which the Bolshoi Theatre, Bolshoi of Moscow, where he made his debut in 2012 with a new prod ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas By Camille Saint-Saëns
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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