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Leonard Stein (musicologist)
Leonard David Stein (December 1, 1916 – June 24, 2004) was a musicologist, pianist, conductor, university teacher, and influential in promoting contemporary music on the American West Coast. He was for years Arnold Schoenberg's assistant, music director of the Schoenberg Institute at USC, and among the foremost authorities on Schoenberg's music. He was also an influential teacher in the lives of many younger composers, such as the influential minimalist La Monte Young. Life Stein studied piano under the Busoni disciple Richard Buhlig at Los Angeles City College, and composition and theory under Schoenberg at University of Southern California (1935–36) and University of California, Los Angeles (UCLA) (BA: 1939, MM: 1941, MA: 1942).(July 01, 2004).Leonard Stein, Pianist and Music Scholar, 87, ''USC News'' (archive from October 26, 2011; accessed June 24, 2019). Stein was an assistant to Schoenberg at UCLA from 1939 until Schoenberg's retirement in 1942. Thereafter until Schoe ...
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The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Richard Buhlig
Richard Moritz Buhlig (December 21, 1880 – January 30, 1952) was an American pianist. Buhlig was born in Chicago to a German immigrant father from Saxony, the baker Moritz Buhlig, and his wife Louise. He received early lessons from August Hyllested, Wilhelm Middelschulte and Margaret Cameron, who had studied with the legendary Teodor Leszetycki. In 1897, 16-year-old Buhlig moved to Vienna to study with Teodor Leszetycki himself. Upon completing his studies in 1900, he gave his first public concert in 1901 in Berlin, and toured extensively in Europe until late 1906. He lived in Berlin until May 1916, where he tutored pupils privately, among others Grete Sultan and Grete Trakl, the sister of the Austrian poet Georg Trakl. In 1907 Buhlig made his first mature American debut, with the Philadelphia Orchestra in New York City. In 1918 Buhlig joined the staff of the Juilliard School (then called "Institute of Musical Art") in New York as a piano teacher: he gave recitals of Beeth ...
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University Of California, San Diego
The University of California, San Diego (UC San Diego or colloquially, UCSD) is a public university, public Land-grant university, land-grant research university in San Diego, California. Established in 1960 near the pre-existing Scripps Institution of Oceanography, UC San Diego is the southernmost of the ten campuses of the University of California, and offers over 200 undergraduate and graduate degree programs, enrolling 33,096 undergraduate and 9,872 graduate students. The university occupies near the coast of the Pacific Ocean, with the main campus resting on approximately . UC San Diego is ranked among the best universities in the world by major college and university rankings. UC San Diego consists of twelve undergraduate, graduate and professional schools as well as seven undergraduate residential colleges. It received over 140,000 applications for undergraduate admissions in Fall 2021, making it the second most applied-to university in the United States. UC San Diego H ...
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Pomona College
Pomona College ( ) is a private liberal arts college in Claremont, California. It was established in 1887 by a group of Congregationalists who wanted to recreate a "college of the New England type" in Southern California. In 1925, it became the founding member of the Claremont Colleges consortium of adjacent, affiliated institutions. Pomona is a four-year undergraduate institution that approximately students. It offers 48 majors in liberal arts disciplines and roughly 650 courses, as well as access to more than 2,000 additional courses at the other Claremont Colleges. Its campus is in a residential community east of downtown Los Angeles, near the foothills of the San Gabriel Mountains. Pomona has the lowest acceptance rate of any U.S. liberal arts college and is considered the most prestigious liberal arts college in the American West and one of the most prestigious in the country. It has a $ endowment , making it the seventh-wealthiest college or university in the ...
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Occidental College
Occidental College (informally Oxy) is a private liberal arts college in Los Angeles, California. Founded in 1887 as a coeducational college by clergy and members of the Presbyterian Church, it became non-sectarian in 1910. It is one of the oldest liberal arts colleges on the West Coast of the United States. Occidental's current campus is located in Eagle Rock, Los Angeles, and was designed by architect Myron Hunt. Due to its proximity to Hollywood and its architecture, the campus is frequently used as a filming location for film and television productions. Occidental is a founding member of the Southern California Intercollegiate Athletic Conference and its 20 varsity sports teams compete in NCAA Division III. The college's curriculum emphasizes diversity, global literacy, and civic engagement. Notable alumni include a President of the United States (Barack Obama), a Cabinet member, several members of the United States Congress, CEOs of notable companies, 10 Rhodes Scholars, ...
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Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ...
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Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for s ...
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Anton Webern
Anton Friedrich Wilhelm von Webern (3 December 188315 September 1945), better known as Anton Webern (), was an Austrian composer and conductor whose music was among the most radical of its milieu in its sheer concision, even aphorism, and steadfast embrace of then novel atonal and twelve-tone techniques. With his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was at the core of those within the broader circle of the Second Viennese School. Little known in the earlier part of his life, mostly as a student and follower of Schoenberg, but also as a peripatetic and often unhappy theater music director with a mixed reputation as an exacting conductor, Webern came to some prominence and increasingly high regard as a vocal coach, choirmaster, conductor, and teacher during Red Vienna. With Schoenberg away at the Prussian Academy of Arts (and with the benefit of a publication agreement secured through Universal Edition), Webern began writing music of increasing confidenc ...
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Serial Music
In music, serialism is a method of Musical composition, composition using series of pitches, rhythms, dynamics, timbres or other elements of music, musical elements. Serialism began primarily with Arnold Schoenberg's twelve-tone technique, though some of his contemporaries were also working to establish serialism as a form of atonality, post-tonal thinking. Twelve-tone technique orders the twelve notes of the chromatic scale, forming a tone row, row or series and providing a unifying basis for a composition's melody, harmony, structural progressions, and variation (music), variations. Other types of serialism also work with set (music), sets, collections of objects, but not necessarily with fixed-order series, and extend the technique to other musical dimensions (often called "parameter (music), parameters"), such as duration (music), duration, Dynamics (music), dynamics, and timbre. The idea of serialism is also applied in various ways in the visual arts, design, and architectu ...
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Twelve-tone Music
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a Key (music), key. Over time, the technique increased greatly in popularity and eventually became widely influential ...
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Style And Idea
''Style and Idea: Selected Writings of Arnold Schoenberg'' (in German: ''Stil und Gedanke'') is the name for a published collection of essays, articles and sketches by Arnold Schoenberg, that has appeared in various forms. The earliest may date to c. 1950 (just before his death), edited and translated by Dika Newlin, and contains fifteen essays, published by Philosophical Library, New York: #The relationship to the text (1912) #Gustav Mahler (1912, 1948) #New music, outmoded music, style and idea (1946) #Johannes Brahms, Brahms the progressive (1933 radio talk, revised 1947 as an essay) #Musical composition, Composition with twelve tones (1941 and c. 1948) #A dangerous game (1944?) #Eartraining through composing (1939) #Heart and brain in music (1946) #Criteria for the evaluation of music (1946) #Folkloristic symphonies (1947) #Human rights (1947) #''On revient toujours'' (1948) #The blessing of the dressing (1948) #This is my fault (1949) #To the wharfs. (Dates from the tabl ...
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Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ...
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