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Legrenzi
Giovanni Legrenzi (baptized August 12, 1626 – May 27, 1690) was an Italian composer of opera, vocal and instrumental music, and organist, of the Baroque era. He was one of the most prominent composers in Venice in the late 17th century, and extremely influential in the development of late Baroque idioms across northern Italy. Life Legrenzi was born at Clusone, near Bergamo, then part of the Republic of Venice. His father, Giovanni Maria Legrenzi, was a professional violinist and, to some extent, a composer. We know Legrenzi had two brothers and two sisters, though one of the brothers, Marco, apparently a talented musician who performed with his father and brother in the 1660s, is not mentioned in Legrenzi's will: it is presumed that he died young. His remaining brother and sisters are both mentioned in his will. Legrenzi was probably taught largely at home, and his performance skills developed at the local church, and it can also be assumed there was music-making in the house. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Legrenzi
Giovanni Legrenzi (baptized August 12, 1626 – May 27, 1690) was an Italian composer of opera, vocal and instrumental music, and organist, of the Baroque era. He was one of the most prominent composers in Venice in the late 17th century, and extremely influential in the development of late Baroque idioms across northern Italy. Life Legrenzi was born at Clusone, near Bergamo, then part of the Republic of Venice. His father, Giovanni Maria Legrenzi, was a professional violinist and, to some extent, a composer. We know Legrenzi had two brothers and two sisters, though one of the brothers, Marco, apparently a talented musician who performed with his father and brother in the 1660s, is not mentioned in Legrenzi's will: it is presumed that he died young. His remaining brother and sisters are both mentioned in his will. Legrenzi was probably taught largely at home, and his performance skills developed at the local church, and it can also be assumed there was music-making in the house. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zenobia E Radamisto
''Zenobia e Radamisto'' is an opera in 3 acts and nine scenes by composer Giovanni Legrenzi. The opera uses an Italian language libretto by Ippolito Bentivoglio (1611–1685). The third opera written by Legrenzi, the work premiered on 1 June 1665 at the Teatro Bonacossi in Ferrara in celebration of the marriage of Nicolò Santini and Maria Luisa Bonvisi. The opera was subsequently mounted in Brescia (1666), Verona (1667), and Macerata (1669). Legrenzi revised the work for the Venice premiere of the opera at the Teatro San Salvatore on 26 December 1667. The revised opera also utilized an altered version of Bentivoglio's libretto by Nicolò Minato. In 2013 the Italian Academy of Musical Research published the original 1665 version of the libretto and the first critical edition of the score. Roles * Tiridate, ''King of Assyria'' * Radamisto, ''disguised under the name of Creonte, King of Iberia and defeated King of Armenia'' *Zenobia Septimia Zenobia ( Palmyrene Aramaic: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Totila (opera)
''Totila'' is an opera by Giovanni Legrenzi, written in 1677 to a libretto by Matteo Noris and first performed at the Teatro Santi Giovanni e Paolo in Venice. Another opera called ”Totila in Roma”, based on the same libretto, was written by Francesco Gasparini and first performed at the Teatro Santa Cecilia in Palermo Roles The singing roles in the opera are: Belisario (tenor), Cinna (tenor), Clelia ( soprano), Desbo ( alto), Floro (soprano), first Isaurian (soprano), second Isaurian (alto), Lepidus (soprano), Marzia (soprano), Publicola (alto), Servio ( bass), Theodatus (bass), Totila (soprano), Vitige ( mezzo-soprano). Plot The action is set in the Gothic Wars and is based on the conflict between king Totila of the Ostrogoths and the Byzantine general Belisarius. In reality Totila sacked Rome twice, in 546 __NOTOC__ Year 546 ( DXLVI) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. The denomination 546 for this ye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Divisione Del Mondo
''La divisione del mondo'' (en: ''The Division of the World'') is an opera in 3 acts by composer Giovanni Legrenzi. The opera uses an Italian language libretto by Giulio Cesare Corradi and was commissioned by the Marquis Guido Rangoni. The opera tells the story of the division of the world after the Titan deities were defeated by the Olympian gods. The goddess Venus provides the central conflict of the opera through a series of moral temptations which lead all of the other gods, with the exception of Saturn, into debauchery. ''La divisione del mondo'' premiered on 4 February 1675 in Venice at the Teatro San Salvador. The opera was immensely successful at its premiere; and became Lengrenzi's most widely performed work, with 13 productions in Italy between 1683 and 1699. Part of the work's success was due to the elaborate and expensive sets, machinery, and special effects employed at its premiere. In 2000 ''La divisione del mondo'' had its first modern revival at the Schwetzin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cetra
Cetra, a Latin word borrowed from Greek language, Greek, is an Italian descendant of ''κιθάρα'' (cithara). It is a synonym for the cittern but has been used for the citole and cithara (the lyre-form) and cythara (the lyre-form developing into a necked instrument). The cithara was a String instrument, stringed musical instrument, constructed in wood and similar to the lyre, with a larger harmonic case. It was widely used in ancient times. The instrument spread from ancient Greece, where it was played by professional Citharede, citaredi, to ancient Rome, Rome and Corsica. While originally a word for a lyre in Greece, eventually the word was applied to a necked-instrument. The name cetra was seen by musicologist and historian Laurence Wright as being synonymous with the citole, and in his entry in the ''New Grove Dictionary of Musical Instruments'' he said that cetera and cetra were Italian language words for the citole. The cetra used this way was a plucked instrument, rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Giustino
'' Il Giustino'' is an opera in three acts by composer Giovanni Legrenzi. The work uses an Italian language libretto by Nicolò Beregan based on the life of Emperor Justin I. The opera premiered on 7 February 1683 at the Teatro San Salvador in Venice. Background and performance history Considered one of Legrenzi's finest compositions, the work includes more than 70 arias. The opera tells the story of Giustino's rise from the position of a simple poor farmer to being crowned the Byzantine Emperor. For several decades following its 1683 premiere at the Teatro San Salvador, ''Il Giustino'' was one of the most widely performed Venetian operas. According to musicologist Reinhard Strohm, its music was still being discussed as late as 1720 in Marcello's ''Il teatro alla moda''. On 26 April 2007, ''Il Giustino'' had its first modern revival at the Schwetzingen Festival in a production directed by Nicolas Brieger with set designer Katrin Nettrod and costume designer Jorge Jara. Musicol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eteocle E Polinice
''Eteocle e Polinice'' (Eteocles and Polynices) is an opera in 3 acts composed by Giovanni Legrenzi with an Italian language libretto by Tebaldo Fattorini based on '' The Thebaid''. The opera premiered at the Teatro San Salvador in Venice on 13 December 1674. Background and performance history Little is known about the opera's librettist, Tebaldo Fattorini, apart from the fact that he came from a prominent family in Chioggia and was employed as a "house poet" for the Teatro San Salvador in Venice. In addition to writing ''Eteocle e Polinice'', he also significantly revised Nicolò Minato's libretto for a new version of Cavalli's ''Scipione africano'' in 1677 and may also have revised Giovanni Giovannini's original libretto for its setting by Legrenzi as ''Adone in Cipro'' in 1675. The libretto for the premiere performances of ''Eteocle e Polinice'' at the Teatro San Salvador in 1674 was dedicated of the "most noble ladies of Venice" ("Consacrato alle nobilissime dame di Venetia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwetzingen Festival
The Schwetzingen Festival (German: Schwetzinger Festspiele, now Schwetzinger SWR Festspiele) is an early summer festival of opera and other classical music presented each year from May to early June in Schwetzingen, Germany. In 1952, the broadcaster Süddeutscher Rundfunk founded the festival in the Schwetzingen area. It is located in a beautiful 250-year-old palace and park, Schwetzingen Castle, near the famous city of Heidelberg. The main venue is the historic Schlosstheater Schwetzingen. Nowadays, the successor organization is the Südwestrundfunk (SWR) and it organises many international concerts and music theatre events every year. List of major premieres and rediscoveries One of the festival's characteristics is the world premiere of a new opera, as well as at least one rediscovered opera from former centuries, performed on period instruments. Concerts Concerts have featured well-known artists such as Gidon Kremer, Jorge Bolet and Cecilia Bartoli, as well as young arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natale Monferrato
Natale Monferrato (1603–1685) was an Italian baroque composer. He was a pupil of Giovanni Rovetta, then was a singer at St Mark's Basilica in Venice, and then with the aid of Francesco Cavalli vicemaestro, or ''maestro di coro'' (1647–76). On 30 April 1676 he became director, after a competition with Giovanni Legrenzi, another of Rovetta's pupils, and Pietro Andrea Ziani. He was earlier maestro at the Mendicanti.Venetian instrumental music from Gabrieli to Vivaldi Eleanor Selfridge Field - 1994 Natale Monferrato (1603-85), Legrenzi and Giandomenico Partenio (? — 1701) — all to be maestri di cappella at San Marco — were maestri at the Mendicanti ... Following his death the junior post of ''maestro di coro'' fell to Giandomenico Partenio (1685–89), then Antonino Biffi (1699–1730). Works, editions and recordings * Edition: Alma redemptoris mater 1962 - 10 pages * Edition: Natale Monferrato, ''Complete Masses'', edited by Jonathan R. J. Drennan, Recent Researches i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Ramea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Lotti
Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian composer of the Baroque era. Biography Lotti was born in Venice, although his father Matteo was '' Kapellmeister'' at Hanover at the time. Oral tradition says that in 1682, Lotti began studying with Lodovico Fuga and Giovanni Legrenzi, both of whom were employed at St Mark's Basilica, Venice's principal church, although there is no documentary evidence. Venice Lotti made his career at St Mark's, first as an alto singer (from 1689), then as assistant to the second organist, then as second organist (from 1692), then (from 1704) as first organist, and finally (from 1736) as ''maestro di cappella'', a position he held until his death. Because of the paucity of solid scholarship until recent decades, older reference books cite a good deal of misinformation regarding Lotti’s biography. Cicogna’s 1834 Delle inscrizioni Veneziane and Francesco Caffi’s 1854 ''Storia della Musica'' relied on oral tradition more tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Hengelbrock
Thomas Hengelbrock (born 9 June 1958) is a German violinist, musicologist, stage director and conductor. Born in Wilhelmshaven, Hengelbrock studied the violin with Rainer Kussmaul. He started his career in Würzburg and Freiburg im Breisgau. He worked as an assistant to Witold Lutosławski, Mauricio Kagel and Antal Doráti and played with ensembles such as the Concentus Musicus Wien. In 1985, he cofounded the Freiburger Barockorchester, where he worked as a violinist and a leader of the ensemble. In 1991, Hengelbrock founded the ''Balthasar Neumann Chor'' in Freiburg. Subsequently, in 1995, he established the ''Balthasar Neumann Ensemble'' as a parallel orchestra with its namesake choir, to perform works from Baroque to contemporary music in Historically informed performances. He continues to work both Balthasar Neumann ensembles regularly. From 1995 to 1999, he was the first artistic director of the Deutsche Kammerphilharmonie Bremen. He was music director of the Volkso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
