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Le Roi L'a Dit
''Le roi l'a dit'' (''The King Has Spoken'') is an opéra comique in three acts by Léo Delibes to a French libretto by Edmond Gondinet. It is a lively comedy, remarkably requiring 14 singers – six men and eight women.MacDonald H. "Le roi l'a dit". In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. The libretto had first been offered in 1871 to Offenbach. the title also went through various permutations (''Le Talon rouge'', ''Si le Roi le savait'', ''Le Roi le sait'') before settling on its final name. The 1885 revival brought further modifications to the libretto. Performance history The opera was first performed on 24 May 1873 at the Opéra-Comique in Paris, and was seen there until 1900, totalling 79 performances there. The 1885 production included Lucien Fugère, Molé-Truffier and Barnolt and was conducted by Jules Danbé. The revival on 23 March 1898 was in a 2-act version by Philippe Gille. A series of performances took place at the Tria ...
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Léo Delibes 01
Léo is a proper noun in French, meaning lion". Its etymological root lies in the Latin word Leo. Léo is used as a diminutive or variant of the names Léon, Léonard, Léonardon, Leonardo, Léonid, ''Léonor'', '' Léonore'', ''Eléonore'', Léopold and Léonie, and in recent times has been adopted as a fully-fledged given name on its own. The feminine variant is Léa. The following people have the name Léo: In music * Léo Arnaud (1904–1991), French-American film score composer * Léo Chauliac (1913–1977), French jazz pianist, composer and conductor * Léo Daniderff (1878–1943), French composer * Léo Delibes (1836–1891), French composer * Léo Ferré (1916–1993), French poet and singer-songwriter * Léo Marjane (1912–2016), French singer * Léo Missir (1925–2009), French composer * Léo Rispal (born 2000), French singer * Léo Souris (1911–1990), Belgian composer, arranger, planner and conductor * Léo Stronda (born 1992), Brazilian singer In ...
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Mademoiselle Priola De L'Opéra Comique, Rôle De Javotte Dans "Le Roi L'a Dit" De Delibes
Mademoiselle (abbreviated as ''Mlle'' or ''M'') may refer to: * Mademoiselle (title), the French-language equivalent of the title "miss" Film and television * ''Mademoiselle'' (1966 film), a French-British drama directed by Tony Richardson * ''Mademoiselle'' (2001 film), a French comedy directed by Philippe Lioret * Mlle (TV channel), now MOI ET CIE, a Canadian French-language channel Music * "Mademoiselle" (song), by Styx, 1976 * "Mademoiselle", a song by Murray Head from '' Between Us'', 1979 * "Mademoiselle", a song by Eddy Howard, 1952 Other uses * Mademoiselle, a typeface designed by Tommy Thompson Tommy George Thompson (born November 19, 1941) is an American Republican politician who most recently served as interim president of the University of Wisconsin System from 2020 to 2022. A member of the Republican Party, he previously served a ... * ''Mademoiselle'' (magazine), a defunct American women's magazine See also * * * Damsel (other) * Demoiselle (dis ...
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Marguérite Chapuy
Marguerite Chapuy (21 July 1852, Bordeaux – 23 September 1936, Dijon) was a French operatic soprano and the daughter of a former dancer at the Opéra. Her short professional career was concentrated on Paris but included appearances in London; she created several roles at the Opéra-Comique. Life and career As a pupil of François-Joseph Regnier, she first considered an acting career, however after a disappointing debut at the vaudeville theatre she inclined towards the lyric theatre. She undertook lessons with Arnoldi (her first teacher having been Belloni), and during the Franco-Prussian War of 1870 she moved to Brussels, where she continued her vocal studies, followed by stage appearances in Rennes. In 1872, Chapuy sang Susanna in ''Le nozze di Figaro'', and '' Haydée'' by Auber at the Opéra Comique. She created the role of Philomène in ''Le roi l'a dit'' by Delibes on 24 May 1873. In March 1874 she sang Mignon. She was invited by Mapleson to sing in London, where he ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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En Travesti
En or EN may refer to: Businesses * Bouygues (stock symbol EN) * Esquimalt and Nanaimo Railway (reporting mark EN, but now known as Southern Railway of Vancouver Island) * Euronews, a news television and internet channel Language and writing * En or N, the 14th letter of the Roman alphabet * EN (cuneiform), the mark in Sumerian cuneiform script for a High Priest or Priestess meaning "lord" or "priest" * En (Cyrillic) (Н, н), a letter of the Cyrillic alphabet, equivalent to the Roman letter "n" * En (digraph), ‹en› used as a phoneme * En (typography), a unit of width in typography ** en dash, a dash one en long * En language, a language spoken in northern Vietnam * English language (ISO 639-1 language code en) Organisations * Eastern National, a US organization providing educational products to National Park visitors * English Nature, a former UK government conservation agency * Envirolink Northwest, an environmental organization in England Religion * En (deity) in Alb ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Jean-Vital Jammes
Jean-Vital Jammes (known by the stage name Ismaël) (28 April 1825 – 13 June 1893)Birth name and life dates are from Pierre (1900p. 447 See also the Birth certificate of Jean-Vital Jammes. Pougin (18 June 1893p. 200and Vapereau (1870p. 943give his year of birth as 1827. was a French opera singer. During a stage career spanning 40 years, he created many leading baritone roles, including Zurga in Bizet's ''Les pêcheurs de perles'' and Ourrias in Gounod's ''Mireille''. Born in Le Passage d'Agen near the town of Agen, he was largely self-taught and made his stage debut in 1841 at the age of 16. After singing in several provincial theatres, he was engaged by the Théâtre Lyrique in Paris and later by the Opéra-Comique. Following his retirement from the stage, Ismaël lived in Marseille where he died at the age of 68. Biography Early life and career Ismaël was born Jean-Vital Jammes, the son of an illiterate tailor in Le Passage near the town of Agen. He showed an early interes ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Paul Lhérie
Paul Lhérie (Lévy), (born 8 October 1844 in Paris; died 17 October 1937 in Paris) was a French tenor, then baritone, and later a vocal teacher. He was most famous for creating the role of Don José in Bizet's '' Carmen''. Life and career After studying in Paris, Lhérie made his debut at the Opéra-Comique in 1866 as Méhul's ''Joseph''. He created the role of Charles II in Massenet's '' Don César de Bazan'' in 1872, Kornélis in Camille Saint-Saëns's '' La princesse jaune'' in 1872, Benoît in Delibes's ''Le roi l’a dit'' in 1873, and Don José in '' Carmen'' by Bizet in 1875. Bizet and Lhérie became friends during the preparations for ''Carmen''. They would swim together in the Seine during the singer's visits to the composer's house in Bougival. He became a baritone in 1882, singing Posa in the first performance of the Italian revised version of Verdi's ''Don Carlos'' at La Scala, Milan, two years later. He also spent time during the 1880s at Covent Garden in Lo ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Marguerite Priola
Marguerite-Marie-Sophie Polliart or Poliart, generally known by her stage name Priola (1849–1876), was a French operatic soprano. She made her début on 6 April 1869 in Paris as The Messenger of Peace in the first French production of Wagner's ''Rienzi'' at the Théâtre Lyrique. She enjoyed a successful career at the Opéra-Comique until 1874, performing mainly coloratura soprano roles. There she created several roles, including Princess Elsbeth in Offenbach's '' Fantasio'', Maritana in Massenet's '' Don César de Bazan'', and Javotte in ''Le Roi l'a dit'' by Delibes. In 1876, on joining the Opéra de Marseille, she appeared as Philine in ''Mignon'' by Ambroise Thomas although she was ill. She was booed throughout the performance, and died three weeks later. Biography Born in Paris on 2 October 1849, Marguerite-Marie-Sophie Poliart was the daughter of Jules-César Poliart, director of the Théâtre des Folies-Dramatiques. She attended the Conservatoire de Paris, studying music ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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