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Le Portefaix
''Le portefaix'' (The Porter) (full title ''Le portefaix ou le jardinier de Grenade (The Porter, or the Gardener of Grenada)'') is an opéra comique in three acts composed by José Melchor Gomis. The libretto by Eugène Scribe is based on an episode in ''Le Comte de Villamayor'' by M. Mortonval (Alexandre Furcy Guesdon). It was originally offered to the composer Giacomo Meyerbeer, but he was contracted instead by the opera manager Louis Véron to create a five-act grand opera (''Les Huguenots''). The opera was premiered on 16 June 1835 by the Opéra-Comique at the Théâtre des Nouveautés in Paris with Jean-Baptiste Chollet and Jeanne-Emélie Belloste in the lead roles of Gasparillo and Teresita.''Le Ménestrel ''Le Ménestrel'' (The Minstrel) was an influential French music journal published weekly from 1833 until 1940. It was founded by Joseph-Hippolyte l'Henry and originally printed by Poussièlgue. In 1840 it was acquired by the music publishers Heu ...'' (28 June 1835)"Op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1835 Operas
Events January–March * January 7 – anchors off the Chonos Archipelago on her second voyage, with Charles Darwin on board as naturalist. * January 8 – The United States public debt contracts to zero, for the only time in history. * January 24 – Malê Revolt: African slaves of Yoruba Muslim origin revolt in Salvador, Bahia. * January 26 – Queen Maria II of Portugal marries Auguste de Beauharnais, 2nd Duke of Leuchtenberg, in Lisbon; he dies only two months later. * January 26 – Saint Paul's in Macau largely destroyed by fire after a typhoon hits. * January 30 – An assassination is attempted against United States President Andrew Jackson in the United States Capitol (the first assassination attempt against a President of the United States). * February 1 – Slavery is abolished in Mauritius. * February 20 – 1835 Concepción earthquake: Concepción, Chile, is destroyed by an earthquake; the resulting tsunami destroys the neighboring city of Talcahuano. * Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corregidor (position)
A ''corregidor'' () was a local administrative and judicial official in Spanish Empire. They were the representatives of the king, royal jurisdiction over a town and its district. He was the highest authority of a ''corregimiento''. In the Spanish Americas and the Spanish Philippines, a ''corregidor'' was often called an ''alcalde mayor''. They began to be appointed in Pre-Spanish Imperial fourteenth century Kingdom of Castile, Castile. Development in Spain The idea of appointing Spanish Crown, Crown officials to oversee local affairs was inspired by the Roman law#In the West, late-medieval revival of Roman law. The goal was to create an administrative bureaucracy, which was uniformly trained in the Roman model. In spite of the opposition of Cabildo (council), council towns and the ''Cortes Generales#History of the Cortes, Cortes'' (Parliament), Castilian kings began to appoint direct representatives in towns during fourteenth century. They were also called ''jueces del salario' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Louis Henry
François-Louis(-Ferdinand) Henry (12 May 1786 – 22 February 1855) was a French baritone, who sang for about 35 years with the Opéra-Comique in Paris, where he created numerous leading roles. His stage name was Henri (or Henry).Kutsch & Riemens 2003, pp. 2038–2039. He has also been referred to as François-Louis Deshayes. Birth and identity He was born in Versailles with the family name of Deshayes. Relatively little is known about his life, and during his career at the Opéra-Comique he was only identified as Henry or Henri. However, it is as good as certain that he is identical with François-Louis Henry, who attended, and later taught at, the Conservatoire de Paris. Paris Conservatory Henry first attended the conservatory as a supernumerary, beginning on 13 May 1803. He became a coach (''répétiteur'') without pay on 23 May 1808 and professor of singing preparation (''préparation au chant'') on 1 July, again without pay.Pierre 1900p. 446in ''Personnel administratif et ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Chollet
Jean-Baptiste Marie Chollet (20 May 1798 – 10 January 1892) was a French musician and operatic baritone. He also composed a few romances and nocturnes. He married the opera singer Geneviève-Aimé-Zoë Prévost and their daughter Caroline Chollet also became an opera singer under the stage name Mademoiselle Monrose. Life Born in Paris, Chollet studied at the Conservatoire de Paris, where from the age of eight he studied solfège and violin. He graduated with a prize in solfège in 1814 and began singing as a high baritone in the church choir at Saint-Eustache, Paris, where his father was choirmaster. In 1815 he also became a chorus member at the Opéra de Paris, then at the Théâtre-Italien, and finally at the Théâtre Feydeau, where he remained for two years. In 1818 he took the stage name ''Dôme-Chollet'' and appeared with a troupe of comic actors. In 1823 he was at the Théâtre du Havre, playing the roles of Martin, Lays and Soulié, which he continued to play during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geneviève-Aimé-Zoë Prévost
Geneviève-Aimé-Zoë Prévost (15 April 1802, Paris – 10 April 1861, Paris) was a French operatic soprano. She created leading roles in some of the most notable French opéras comiques of the first half of the nineteenth century, including "Fra Diavolo" by Daniel Auber and "Le postillon de Lonjumeau" by Adolphe Adam. Career Geneviève-Aimé-Zoë Prévost, also known as Zoé Prévost, had a younger brother, Eugene, who was a composer and conductor. Zoé studied singing at the Paris Conservatoire and made her debut at the Opéra-Comique, Paris, in 1821. The Opéra-Comique at that time presented operas light in tone and with spoken dialogue between the musical numbers. She created leading roles in many opéras comiques including the title role in " La marquise de Brinvilliers", a collaborative work between nine composers, and in works by Fromental Halévy, Ambroise Thomas, and others. Considered one of the major stars of the lyric stage of her day, Prévost was esteemed for her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
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