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Lazarus Churchyard
Lazarus Churchyard is a fictional character in a British comics series, created in 1991 by Warren Ellis and illustrated by Matt Brooker under the pseudonym D'Israeli. The stories are cyberpunk in theme, although Ellis himself does not consider it so and prefers to call it "decadent SF". Publication history Lazarus Churchyard stories originally appeared in ''Blast! (comics), Blast!'' magazine, and were reprinted in the ''Judge Dredd Megazine''. Although some stories have been illustrated by others, Ellis has said he considers only the D'Israeli-illustrated work "the definitive Churchyard". Tundra Press released three-issue comic-book series, ''Lazarus Churchyard'', in 1992. This was collected the same year as the Trade paperback (comics), trade paperback ''Lazarus Churchyard: The Final Cut'' (Atomeka Press), reissued by Image Comics () in 2001. Fictional character biography The eponymous central character took part in a "plasborging" experiment in which around eighty per cent of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matt Brooker
Matt Brooker, whose work most often appears under the pseudonym D'Israeli (sometimes "D'Israeli D'Emon D'Raughtsman"), is a British comic artist, colorist, writer and letterer. Other pseudonyms he uses include "Molly Eyre" (a pun on Molière) for his writing, and "Harry V. Derci"/"Digital Derci" for his lettering work. Biography In 1988 he worked as the penciller on issues 7 to 12 of '' Mister X'' (volume two). His early work also includes the surreal ''Timulo'', which appeared in ''Deadline'' magazine in 1989. Also in ''Deadline'', he co-created ''Fatal Charm'' with Shane Oakley. In 1991 he co-created the cyberpunk series ''Lazarus Churchyard'' with Warren Ellis. '' Kingdom of the Wicked'', a graphic novel about a children's book writer who returns as an adult to the world he imagined as a child, only to find it at war, began a regular partnership with writer Ian Edginton. The pair have also created ''Scarlet Traces'', a sequel to H. G. Wells's ''The War of the Worlds'' in gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tundra Press
Tundra Publishing was a Northampton, Massachusetts-based comic book publisher founded by Kevin Eastman in 1990. The company was founded to provide a venue for adventurous, creator-owned work by talented cartoonists and illustrators. Its publications were noted in the trade for their high production values, including glossy paper stock, full-color printing, and square binding. Tundra was one of the earlier creator-owned companies, before the formation of Image Comics and Dark Horse Comics' Legends imprint. Creators and projects involved with Tundra included Alan Moore and Bill Sienkiewicz's '' Big Numbers'', Moore & Eddie Campbell's ''From Hell'', Moore & Melinda Gebbie's ''Lost Girls'' (these last two original serialised in Stephen R. Bissette's ''Taboo'' anthology, which was also part-published by Tundra), ''The Crow,'' Mike Allred's '' Madman'' and Dave McKean's '' Cages''. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blast! (comics)
''Blast!'' was a British comics magazine published by John Brown Publishing that ran monthly for seven issues from June to November 1991. ''Blast!'' featured comics by British, European, and American contributors. It was edited by Stuart Green, with Fiona Jerome"Newswatch: Speakeasy Goes Out with a Blast!", ''The Comics Journal'' #140 (Feb. 1991), p. 21. and Dave Elliot.Luke Williams"Blast! An Early 1990s British News Stand Comics Casualty" DownTheTubes.net (MARCH 25, 2019). Recurring strips in ''Blast!'' included Warren Ellis & D'Israeli's ''Lazarus Churchyard'', Marya Muerta & Yan Shimony's ''Big Berta'', Glenn Dakin's ''War'', an English translation of Enrique Sánchez Abulí & Jordi Bernet's '' Torpedo 1936'', and reprints of Paul Chadwick's ''Concrete'' and Michael T. Gilbert's '' Mr. Monster''."NEWSWATCH: John Brown Publishing", ''The Comics Journal'' #143 (July 1991), p. 26. ''Blast!'' featured some of the earliest published work by such notable creators as Warren Ellis a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warren Ellis
Warren Girard Ellis (born 16 February 1968) is a British comic book writer, novelist, and screenwriter. He is best known as the co-creator of several original comics series, including ''Transmetropolitan'' (1997–2002), ''Global Frequency'' (2002–2004) and '' Red'' (2003–2004), which was adapted into the feature films '' Red'' (2010) and '' Red 2'' (2013). Ellis is the author of the novels ''Crooked Little Vein'' (2007) and ''Gun Machine'' (2013) and the novella ''Normal'' (2016). A prolific comic book writer, Ellis has written several Marvel series, including ''Astonishing X-Men'', ''Thunderbolts'', ''Moon Knight'' and the "Extremis" story arc of ''Iron Man'', which was the basis for the Marvel Cinematic Universe film ''Iron Man 3'' (2013). Ellis created '' The Authority'' and '' Planetary'' for WildStorm, and wrote a run of ''Hellblazer'' for Vertigo and ''James Bond'' for Dynamite Entertainment. Ellis wrote the video games ''Hostile Waters'' (2001), ''Cold Winter'' (2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D'Israeli (cartoonist)
Matt Brooker, whose work most often appears under the pseudonym D'Israeli (sometimes "D'Israeli D'Emon D'Raughtsman"), is a British comic artist, colorist, writer and letterer. Other pseudonyms he uses include "Molly Eyre" (a pun on Molière) for his writing, and "Harry V. Derci"/"Digital Derci" for his lettering work. Biography In 1988 he worked as the penciller on issues 7 to 12 of '' Mister X'' (volume two). His early work also includes the surreal ''Timulo'', which appeared in ''Deadline'' magazine in 1989. Also in ''Deadline'', he co-created ''Fatal Charm'' with Shane Oakley. In 1991 he co-created the cyberpunk series ''Lazarus Churchyard'' with Warren Ellis. '' Kingdom of the Wicked'', a graphic novel about a children's book writer who returns as an adult to the world he imagined as a child, only to find it at war, began a regular partnership with writer Ian Edginton. The pair have also created ''Scarlet Traces'', a sequel to H. G. Wells's ''The War of the Worlds'' in gra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Character
In fiction, a character (or speaker, in poetry) is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word , the English word dates from the Restoration, although it became widely used after its appearance in '' Tom Jones'' by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: (Before this development, the term ''dramatis personae'', naturalized in English from Latin and meaning "masks of the drama," encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, hel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Comics
A British comic is a periodical published in the United Kingdom that contains comic strips. It is generally referred to as a comic or a comic magazine, and historically as a comic paper. British comics are usually Comics anthology, comics anthologies which are typically aimed at children, and are published weekly, although some are also published on a fortnightly or monthly schedule. The two most popular British comic book, comics, ''The Beano'' and ''The Dandy'', were released by DC Thomson in the 1930s. By 1950 the weekly circulation of both reached two million.Armstrong, Stephen"Was Pixar's Inside Out inspired by The Beano?"''The Telegraph''. 27 July 2015 Explaining the enormous popularity of comics in British popular culture during this period, Anita O’Brien, director curator at London's Cartoon Museum, states: "When comics like ''The Beano'' and ''Dandy'' were invented back in the 1930s – and through really to the 1950s and 60s – these comics were almost the only ente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudonym
A pseudonym (; ) or alias () is a fictitious name that a person or group assumes for a particular purpose, which differs from their original or true name (orthonym). This also differs from a new name that entirely or legally replaces an individual's own. Many pseudonym holders use pseudonyms because they wish to remain anonymous, but anonymity is difficult to achieve and often fraught with legal issues. Scope Pseudonyms include stage names, user names, ring names, pen names, aliases, superhero or villain identities and code names, gamer identifications, and regnal names of emperors, popes, and other monarchs. In some cases, it may also include nicknames. Historically, they have sometimes taken the form of anagrams, Graecisms, and Latinisations. Pseudonyms should not be confused with new names that replace old ones and become the individual's full-time name. Pseudonyms are "part-time" names, used only in certain contexts – to provide a more clear-cut separation between o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyberpunk
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cybernetics, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction. Comics exploring cyberpunk themes began appearing as early as Judge Dredd, first published in 1977. Released in 1984, William Gibson's influential debut novel ''Neuromancer'' helped solidify cyberpunk as a genre, drawing influence from punk subculture and early hacker culture. Other influential cyberpunk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judge Dredd Megazine
''Judge Dredd: The Megazine'' is a monthly British comic magazine, launched in September 1990. It is a sister publication to '' 2000 AD''. Its name is a play on words, formed from "magazine" and Judge Dredd's locale Mega-City One. Content Like ''2000 AD'', ''Judge Dredd Megazine ''is an anthology, featuring both ongoing and stand-alone stories. Some series have comprised a specific storyline while others only a loose thematic connection. Originally the Megazine only set stories in the world of ''Judge Dredd'', including both spin-off series and ''Future Shock''-style done-in-one stories, starting with '' Strange Cases'' and continuing with ''Tales from the Black Museum''. It has since expanded to include some unconnected stories and text pieces, including articles, interviews and reviews. Unlike ''2000 AD'', reprint material has been extensively used in order to bring costs down. As well as older ''2000 AD'' stories such as '' Helltrekkers'', there have also been reprints that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comic-book
A comic book, also called comicbook, comic magazine or (in the United Kingdom and Ireland) simply comic, is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually, dialogue contained in word balloons emblematic of the comics art form. "Comic Cuts" was a British comic published from 1890 to 1953. It was preceded by "Ally Sloper's Half Holiday" (1884) which is notable for its use of sequential cartoons to unfold narrative. These British comics existed alongside of the popular lurid "Penny dreadfuls" (such as "Spring-heeled Jack"), boys' "Story papers" and the humorous Punch (magazine) which was the first to use the term "cartoon" in its modern sense of a humorous drawing. The interweaving of drawings and the written word had been pioneered by, among others, William Blake (1757 - 1857) in works such as Blake's "The Descent Of Christ" ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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