Lavirotte Building
The Lavirotte Building, an apartment building at 29 Avenue Rapp in the 7th arrondissement of Paris, France, was designed by the architect Jules Lavirotte and built between 1899 and 1901. The building is one of the best-known surviving examples of Art Nouveau architecture in Paris. The facade is lavishly decorated with sculpture and ceramic tiles made by the ceramics manufacturer Alexandre Bigot. Lavirotte was awarded the prize for the most original new facade in the 7th arrondissement in 1901. History The architect, Jules Lavirotte, had already built two buildings in the same neighborhood of the 7th arrondissement; a private residence at 12 Rue Sédillot (now a school) and an apartment building at 3 Square Rapp, where he had his own apartment on the fifth floor. Both of these buildings had some of the fantasy and art nouveau elements for which Lavirotte was famous, but none were as exuberant as the new building. Some sources, including the Base Mérimée, the official list of Fre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jules Lavirotte
Jules Aimé Lavirotte (March 25, 1864 in Lyon – March 1, 1929 in Paris) was a French architect who is best known for the Art Nouveau buildings he created in the 7th arrondissement in Paris. His buildings were known for his imaginative and exuberant decoration, and particularly for his use of sculpture and glazed ceramic tiles on the facades, made in collaboration with leading sculptors and the ceramic manufacturer Alexandre Bigot. He was three times awarded prizes by the city of Paris for the most original facades, for the Lavirotte Building at 29 Avenue Rapp (1901), for the Ceramic hotel, 34 Avenue de Wagram (1904), and for the building at 23 avenue de Messine (8th arrondissement) in 1907. Biography Lavirotte was born in Lyon, and went on to study at the Ecole des Beaux-Arts in Lyon, where he was a pupil of Antoine Georges Louvier (1818–92). He subsequently studied at the Ecole des Beaux-Arts in Paris under the tutelage of Paul Blondel (1847–97), and gained his a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alexandre Bigot
Alexandre Bigot (5 November 1862 – 27 April 1927) was a French ceramicist. He was primarily a ceramics manufacturer, producing the designs of many artists and architects of the French Art Nouveau movement, including: Jules Lavirotte, Hector Guimard, Louis Majorelle, Henri Sauvage, Henry van de Velde, Auguste Perret, Andre Arfvidson, Anatole de Baudot and more. Bigot was a physics and chemistry instructor who became interested in ceramics in 1889 after viewing Chinese porcelain at the Exposition Universelle in Paris. With his knowledge of chemistry, Bigot was able to create glazes with a large variety of colors and finishes.Turner 1996, p. 47-8 Bigot's firm was based at Rue des Petites Ecuries, Paris and he also created a ceramics factory in Mer in 1889 which employed as many as 150 people. Siegfried Bing, a German art dealer in Paris, displayed works by Bigot, among others, and was responsible for introducing the Art Nouveau style. Bigot’s Parisian firm closed in 1914 d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Base Mérimée
The ''Base Mérimée'' is the database of French monumental and architectural heritage, created and maintained by the French Ministry of Culture. It was created in 1978, and placed online in 1995. The database is periodically updated, and contains more than 320,000 entries as of October 2020. It covers religious, domestic, agricultural, educational, military and industrial architecture, and is subdivided into three domains: historical monuments, general inventory, and architecture (including remarkable contemporary architecture). The database was named after writer, historian and inspector-general of historical monuments Prosper Mérimée, who published the first survey of historic monuments in 1840. See also * Base Palissy, database of French movable heritage * List of heritage registers globally * Monument historique ''Monument historique'' () is a designation given to some national heritage sites in France. It may also refer to the state procedure in France by which National ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hector Guimard
Hector Guimard (, 10 March 1867 – 20 May 1942) was a French architect and designer, and a prominent figure of the Art Nouveau style. He achieved early fame with his design for the Castel Beranger, the first Art Nouveau apartment building in Paris, which was selected in an 1899 competition as one of the best new building facades in the city. He is best known for the glass and iron ''edicules'' or canopies, with ornamental Art Nouveau curves, which he designed to cover the entrances of the first stations of the Paris Metro. Between 1890 and 1930, Guimard designed and built some fifty buildings, in addition to one hundred and forty-one subway entrances for Paris Metro, as well as numerous pieces of furniture and other decorative works. However, in the 1910s Art Nouveau went out of fashion and by the 1960s most of his works had been demolished, and only two of his original Metro edicules were still in place. Guimard's critical reputation revived in the 1960s, in part due to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Georges-Eugène Haussmann
Georges-Eugène Haussmann, commonly known as Baron Haussmann (; 27 March 180911 January 1891), was a French official who served as Prefect (France), prefect of Seine (department), Seine (1853–1870), chosen by Emperor Napoleon III to carry out a massive urban renewal programme of new boulevards, parks and public works in Paris commonly referred to as Haussmann's renovation of Paris.http://www.culture.gouv.fr/documentation/joconde/fr/decouvrir/zoom/zoom-haussmann.htm - Joconde - visites guidées - zooms - baron Haussmann 2012-03-05 Critics f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Napoléon III
Napoleon III (Charles Louis Napoléon Bonaparte; 20 April 18089 January 1873) was the first President of France (as Louis-Napoléon Bonaparte) from 1848 to 1852 and the last monarch of France as Emperor of the French from 1852 to 1870. A nephew of Napoleon I, he was the last monarch to rule over France. Elected to the presidency of the Second Republic in 1848, he seized power by force in 1851, when he could not constitutionally be reelected; he later proclaimed himself Emperor of the French. He founded the Second Empire, reigning until the defeat of the French Army and his capture by Prussia and its allies at the Battle of Sedan in 1870. Napoleon III was a popular monarch who oversaw the modernization of the French economy and filled Paris with new boulevards and parks. He expanded the French overseas empire, made the French merchant navy the second largest in the world, and engaged in the Second Italian War of Independence as well as the disastrous Franco-Prussian War, dur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Architecture Of Paris
The city of Paris has notable examples of architecture of every period, from the Middle Ages to the 21st century. It was the birthplace of the Gothic style, and has important monuments of the French Renaissance, Classical revival, the Flamboyant style of the reign of Napoleon III, the Belle Époque, and the Art Nouveau style. The great Exposition Universelle (1889) and 1900 added Paris landmarks, including the Eiffel Tower and Grand Palais. In the 20th century, the Art Deco style of architecture first appeared in Paris, and Paris architects also influenced the postmodern architecture of the second half of the century. File:Abbey of Saint-Germain-des-Prés 002.JPG, The Abbey of Saint-Germain-des-Prés (990–1160) File:Notre Dame vista do Sena.JPG, Cathedral of Notre-Dame de Paris (1160–1230) File:Louvre FranzI.JPG, Renaissance wing of the Louvre (1546), by Pierre Lescot File:Cathédrale Saint-Louis-des-Invalides, 140309 2.jpg, Dome of Les Invalides (1677–1706) by Jule ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Paris Architecture Of The Belle Époque
The architecture of Paris created during the '' Belle Époque'', between 1871 and the beginning of the First World War in 1914, was notable for its variety of different styles, from neo-Byzantine and neo-Gothic to classicism, Art Nouveau and Art Deco. It was also known for its lavish decoration and its imaginative use of both new and traditional materials, including iron, plate glass, colored tile and reinforced concrete. Notable buildings and structures of the period include the Eiffel Tower, the Grand Palais, the Théâtre des Champs-Élysées, the Gare de Lyon, the Bon Marché department store, and the entries of the stations of the Paris Metro designed by Hector Guimard. The architectural style of the ''Belle Époque'' often borrowed elements of historical styles, ranging from neo-Moorish ''Palais du Trocadéro'', to the neo-Renaissance style of the new ''Hôtel de Ville'', to the exuberant reinvention of French 17th and 18th century classicism in the '' Grand Palais'' a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Buildings And Structures In The 7th Arrondissement Of Paris
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |