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Laura Aikin
Laura Aikin (born June 20, 1964) is an American operatic coloratura soprano. She is noted for her portrayal of the title character in ''Lulu'', which has received very positive reviews in the press. She has also appeared as Mozart's Queen of the Night, Zerbinetta by Richard Strauss and in contemporary opera at international opera houses and festivals. Life Born in Buffalo, Aikin is the daughter of a metal worker and a housewife, growing up together with four sisters in modest circumstances. At the age of 15 she experienced an opera on stage for the first time. She first studied art at the State University of New York in Buffalo, and then music at Indiana University Bloomington, as well as on a German Academic Exchange Service scholarship with Reri Grist at the Hochschule für Musik und Theater München. In 1991, Aikin made her debut at an opera gala in Berlin. From 1992 to 1998 she was a member of the ensemble of the Staatsoper Unter den Linden in Berlin where she performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Soldaten
' (''The Soldiers'') is a four-act opera in German by Bernd Alois Zimmermann, based on the 1776 play by Jakob Michael Reinhold Lenz. In a letter accompanying his newly printed play (23 July 1776, aged 24) that he sent to his best friend, the German philosopher Johann Gottfried von Herder, Lenz described himself as "an enigma to even his most precious friends", while saying of the play, "Here, into your holy hands, the piece which carries half of my existence. he ideas it contains aretrue and will remain so, even if centuries may walk contemptuously across my skull". Zimmermann wrote and revised his opera in phases between 1957 and 1964; it was premiered in 1965 and dedicated to Hans Rosbaud.''Die Soldaten'' at |
German Academic Exchange Service
The German Academic Exchange Service, or DAAD (german: Deutscher Akademischer Austauschdienst), was founded in 1925 and is the largest German support organisation in the field of international academic co-operation. Organisation ''DAAD'' is a private, federally funded and state-funded, self-governing national agency of the institutions of higher education in Germany, representing 365 German higher education institutions (100 universities and technical universities, 162 general universities of applied sciences, and 52 colleges of music and art) 003 The DAAD itself does not offer programs of study or courses, but awards competitive, merit-based grants for use toward study and/or research in Germany at any of the accredited German institutions of higher education. It also awards grants to German students, doctoral students, and scholars for studies and research abroad. With an annual budget of 522 million Euros and supporting approximately 140.000 individuals world-wide, the DAAD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gawain (opera)
''Gawain'' is an opera with music by Harrison Birtwistle to a libretto by David Harsent. The story is based on the Middle English romance ''Sir Gawain and the Green Knight''. The opera was a commission from the Royal Opera House, London, where it was first performed on 30 May 1991. Rhian Samuel has published a detailed analysis of the opera. Birtwistle revised it in 1994, and the premiere of the revised version was given at the Royal Opera House on 20 April 1994. Music The plot of ''Gawain'' is ideally suited to Birtwistle's approach to musical structure. The repetitious structure of events can be paralleled with a repetitious musical structure. Thus the three hunts in Act 2 use the same musical material, as do the three seductions. The music is varied and adapted every time it is heard, but inner coherence is easily established. The synopsis also indicates many points where recurring motifs are heard: trios of door knocks; the return to the Arthurian court at the end of the ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waiting For Miss Monroe
Waiting, Waitin, Waitin', or The Waiting may refer to: Film * ''Waiting'' (1991 film), a film by Jackie McKimmie * ''Waiting...'' (film), a 2005 film starring Ryan Reynolds * ''Waiting'' (2007 film), a film by Zarina Bhimji * ''Waiting'' (2015 film), an Indian drama film starring Naseeruddin Shah and Kalki Koechlin * ''The Waiting'' (film), a 2020 American horror/romance/comedy by F. C. Rabbath * ''The Good Neighbor'' (film) (working title ''The Waiting)'', a 2016 American thriller film Literature * ''Waiting'' (novel), a novel by Ha Jin * ''Waiting'' (picture book), a 2015 children's book by Kevin Henkes * "The Waiting" (short story), or "The Wait", a 1950 story by Jorge Luis Borges Music * The Waiting (band), a Christian pop rock band * ''Waiting'' (KLF film), a video by The KLF Albums * ''Waiting'' (Bobby Hutcherson album) (1976) * ''Waiting'' (Fun Boy Three album) (1983) * ''Waiting'' (Thursday album) (1999) * ''Waiting...'' (EP), am EP by The Rockfords * ''T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Upupa Und Der Triumph Der Sohnesliebe
''L'Upupa und der Triumph der Sohnesliebe'' (English: ''The Hoopoe and the Triumph of Filial Love'') is an opera by Hans Werner Henze with a German libretto by the composer, inspired by Arab and Persian legends. This is Henze's 15th, and self-stated final, opera, and the first where he has written his own libretto. The opera was first performed at the Salzburg Festival on 12 August 2003 in a co-production with the Deutsche Oper Berlin and the Teatro Real, Madrid, staged by Dieter Dorn, set by Jürgen Rose. For the premiere, the originally scheduled conductor was Christian Thielemann and the original singer scheduled as "The demon" was Ian Bostridge, but in their places, Markus Stenz conducted and John Mark Ainsley sang "The demon". Critics have noted stylistic allusions to the music of Alban Berg and Igor Stravinsky, as well as to the operas ''Die Entführung aus dem Serail'', ''The Magic Flute'', ''Die Frau ohne Schatten'', ''Tristan und Isolde'' and ''Parsifal''. Roles The r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozarteum
Mozarteum University Salzburg (German: ''Universität Mozarteum Salzburg'') is one of three affiliated but separate (it is actually a state university) entities under the “Mozarteum” moniker in Salzburg municipality; the International Mozarteum Foundation and the Mozarteum Orchestra Salzburg are the other two. It specializes in music, the dramatic arts, and to a lesser degree graphic arts. Like its affiliates it was established in honour of Salzburg-born musician Wolfgang Amadeus Mozart. History and clarification In 1841, Mozart's widow Constanze Weber Mozart founded the first of the “Mozarteum” entities: the “Cathedral Music Association and Mozarteum,” whose mission was the “refinement of musical taste with regard to sacred music and concerts.” The association operated as predecessor to the Mozarteum Orchestra Salzburg through the 19th century and was at the heart of the city’s musical life, offering concerts and related activities. It assumed its present ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Makropulos Affair (opera)
''The Makropulos Affair'' (or ''The Makropoulos Case'', ''The Makropulos Secret'', or, literally, ''The Makropulos Thing''; Czech ''Věc Makropulos'') is a Czech opera in 3 acts, with music and libretto by Leoš Janáček. Janáček based his opera on the play ''Věc Makropulos'' by Karel Čapek. Composed between 1923 and 1925, ''The Makropulos Affair'' was his penultimate opera and, like much of his later work, was inspired by his infatuation with Kamila Stösslová, a married woman much younger than himself. The opera received its world premiere at the National Theatre in Brno on 18 December 1926, conducted by František Neumann. Composition history Janáček had seen the play early in its run in Prague on 10 December 1922, and immediately saw its potential as an opera. He entered into a correspondence with Čapek, who was accommodating towards the idea, although legal problems in securing the rights to the play delayed work. When these problems were cleared on 10 September 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Fledermaus
' (, ''The Flittermouse'' or ''The Bat'', sometimes called ''The Revenge of the Bat'') is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée, which premiered in 1874. Background The original literary source for ' was ' (''The Prison''), a farce by German playwright Julius Roderich Benedix that premiered in Berlin in 1851. On 10 September 1872, a three-act French vaudeville play by Henri Meilhac and Ludovic Halévy, ', loosely based on the Benedix farce, opened at the Théâtre du Palais-Royal. Meilhac and Halévy had provided several successful libretti for Offenbach and ''Le Réveillon'' later formed the basis for the 1926 silent film '' So This Is Paris'', directed by Ernst Lubitsch. Meilhac and Halévy's play was soon translated into German by Karl Haffner (1804–1876), at the instigation of Max Steiner, as a non-musical play for production in Vienna. The French custom of a New Year's Eve ''réveillon'', or supper party ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schweigsame Frau
''Die schweigsame Frau'' (''The Silent Woman''), Op. 80, is a 1935 comic opera in three acts by Richard Strauss with libretto by Stefan Zweig after Ben Jonson's '' Epicoene, or the Silent Woman''. Composition history Since '' Elektra'' and ''Der Rosenkavalier'', with only the exception of ''Intermezzo'', all previous operas by Strauss were based on libretti by Hugo von Hofmannsthal, who died in 1929. Stefan Zweig, who was then a celebrated author, had never met Strauss, who was his senior by 17 years. In his autobiography '' The World of Yesterday'', Zweig describes how Strauss got in touch with him after Hofmannsthal's death to ask him to write a libretto for a new opera. Zweig chose a theme from Ben Jonson. Politics of the opera Strauss was seen as an important icon of German music by the Nazis, who had seized power in Germany in April 1933. Strauss himself was co-operating with the Nazis and became the president of the Reichsmusikkammer in November 1933. Zweig had gotten to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vienna State Opera
The Vienna State Opera (, ) is an opera house and opera company based in Vienna, Austria. The 1,709-seat Renaissance Revival venue was the first major building on the Vienna Ring Road. It was built from 1861 to 1869 following plans by August Sicard von Sicardsburg and Eduard van der Nüll, and designs by Josef Hlávka. The opera house was inaugurated as the "Vienna Court Opera" (''Wiener Hofoper'') in the presence of Emperor Franz Joseph I and Empress Elisabeth of Austria. It became known by its current name after the establishment of the First Austrian Republic in 1921. The Vienna State Opera is the successor of the old Vienna Court Opera (built in 1636 inside the Hofburg). The new site was chosen and the construction paid by Emperor Franz Joseph in 1861. The members of the Vienna Philharmonic are recruited from the Vienna State Opera's orchestra. The building is also the home of the Vienna State Ballet, and it hosts the annual Vienna Opera Ball during the carnival season. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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