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Langenstraße (Bremen)
The Langenstraße is a historical street in the old town of Bremen in the north of Germany. First mentioned in 1234, it is one of Bremen's oldest streets and one of the most important for the city's merchants. It no doubt originated at the time when the first settlements grew up on the north bank of the Balge. It runs west from the Marktplatz parallel to the River Weser over Bürgermeister-Smidt-Straße to Geeren. Many of the street's historic buildings were seriously damaged during aerial bombings in the Second World War but were carefully reconstructed in the postwar period. Landmarks There are many historic buildings along the road, many of them listed. On the corner of the market square, the Sparkasse am Markt is a gabled building reconstructed in 1958 by Eberhard Gildemeister who made use of a Baroque facade originally located at 31B, An der Schlachte. The facade was built by the stonemason Theophilus Wilhelm Frese in 1755 with bay windows, a wigged upper gable and Rococo d ...
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Kontorhaus Am Markt
The Kontorhaus am Markt in Bremen is a historical building in the city centre of Bremen. Today, it is used as a shopping mall. It is situated at the Bremer Marktplatz between three streets: Langenstrasse 2/8, Stintbruecke 1 and Bredenstrasse 13. History 18th century In the 18th century, the region between Stintbruecke, Wilkenstrasse and south-eastern end of Langenstrasse was covered by a mixed variety of small and medium-sized houses, residential and office buildings, two or three storeys high. The image of Langenstrasse was characterised by old packing and storage houses. The smaller houses with gabled roofs behind the Schütting were pulled down in 1913 when the chamber of commerce building was enlarged. Other buildings were pulled down at the site where the Disconto-Bank was built. New building in 1912 The new group of buildings Langen-/Bredenstraße/Stintbrücke was designed and built between 1910 and 1912 in neo-Renaissance style by the Berlin architectural practic ...
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Culture In Bremen (city)
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ...
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Streets In Bremen (city)
Streets is the plural of street, a type of road. Streets or The Streets may also refer to: Music * Streets (band), a rock band fronted by Kansas vocalist Steve Walsh * ''Streets'' (punk album), a 1977 compilation album of various early UK punk bands * '' Streets...'', a 1975 album by Ralph McTell * '' Streets: A Rock Opera'', a 1991 album by Savatage * "Streets" (song) by Doja Cat, from the album ''Hot Pink'' (2019) * "Streets", a song by Avenged Sevenfold from the album ''Sounding the Seventh Trumpet'' (2001) * The Streets, alias of Mike Skinner, a British rapper * "The Streets" (song) by WC featuring Snoop Dogg and Nate Dogg, from the album ''Ghetto Heisman'' (2002) Other uses * ''Streets'' (film), a 1990 American horror film * Streets (ice cream), an Australian ice cream brand owned by Unilever * Streets (solitaire), a variant of the solitaire game Napoleon at St Helena * Tai Streets (born 1977), American football player * Will Streets (1886–1916), English soldier and poe ...
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. B ...
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Suding & Soeken Building, Bremen
The Suding & Soeken building () is a gabled house at No. 28 Langenstraße in Bremen, Germany. Referred to as a ''Kaufmannshaus'' or ''Kontorhaus'', it is one of the city's few historic merchant houses to survive the war undamaged. It is noted for its projecting Renaissance bay window and its two-tiered Baroque stairway ascending from the hallway. Background Langenstraße is one of Bremen's oldest streets and it was first mentioned in 1234. The thoroughfare is one of the most important for Bremen's merchants. It originated at the time when the first settlements grew up on the north bank of the Balge. It runs west from the Marktplatz parallel to the River Weser over Bürgermeister-Smidt-Straße to Geeren. The Suding & Soeken building is located on the south side of the street, just west of Martinistraße. History and architecture Constructed around 1630, the house at No. 28 (it was earlier No. 112) is one of the best preserved buildings of its kind in the city. Designed at the h ...
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Essighaus
The Essighaus was an impressive gabled town house in the old town of Bremen in northern Germany. One of the city's finest examples of Renaissance architecture, it was almost completely destroyed by bombing in 1943. The entrance flanked by projecting bay windows is the only part of the building which has been restored. History The house was built in 1618 in the ornate Renaissance style. With its richly decorated facade and interior, it was known well beyond the bounds of the city. Located on Langenstraße in the city's Schlachte district, the building takes its name from a vinegar factory (German ''Essig'' means vinegar) on the property at the beginning of the 19th century, but it may also be a corruption of Esich-Haus, as the Esich family originally lived there. Combining living quarters, an office and a shop, it was typical of Bremen's old merchants' houses. In 1897, a wine bar called the "Alt-Bremer Haus" opened on the premises. The Bremen branch of the East Asian Company was ...
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Weser Renaissance
Weser Renaissance is a form of Northern Renaissance architectural style that is found in the area around the River Weser in central Germany and which has been well preserved in the towns and cities of the region. Background Between the start of the Reformation and the Thirty Years War the Weser region experienced a construction boom, in which the Weser, playing a significant role in the communication of both trade and ideas, merely defined the north–south extent of a cultural region that stretched westwards to the city of Osnabrück and eastwards as far as Wolfsburg. Castles, manor houses, town halls, residential dwellings and religious buildings of the Renaissance period have been preserved in unusually high density, because the economy of the region recovered only slowly from the consequences of the Thirty Years War and the means were not available for a baroque transformation such as that which occurred to a degree in South Germany. Origin of the term The term, coine ...
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Weigh House
A weighhouse or weighing house is a public building at or within which goods are weighed. Most of these buildings were built before 1800, prior to the establishment of international standards for weights, and were often a large and representative structures, situated near the market square, town hall, and prominent sacred buildings in town centre. As public control of the weight of goods was very important, they were run by local authorities who would also use them for the levying of taxes on goods transported through or sold within the city. Therefore, weigh houses would often be. Throughout most of Europe, this building was a multifunctional trade hall and would contain diverse functions related to trade and commerce. There is a big variety among their physical organization and the external appearance due to the fundamentally different political and economic conditions that existed throughout Europe. History The weighhouse had two functions: to determine the weight of a give ...
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Stadtwaage (Bremen)
The Stadtwaage (weigh house) at No. 13 Langenstraße (Bremen), Langenstraße in Bremen (Germany) is the building in which the municipal weighing scales used to be housed. The facility was created in order to levy taxes and excise duties while protecting merchants and customers against fraud and dishonesty. Early history A historical document from 1330 mentions a weigh house where all the merchants and tradesmen had to weigh their goods. From 1440 or even earlier, the building was situated in Langenstraße (Bremen), Langenstraße, one of the main Bremen thoroughfares. Between 1586 and 1588, a new building was erected on the same site by Lüder von Bentheim. Built of brick in the Weser Renaissance style, it was decorated with sandstone ornaments. Pilasters sprang up from each of the gable ledges while the windows were surmounted with shell-shaped ornaments. Above the second-storey window, there was a putto frieze depicting figures. A sign with a golden balance symbolised the buil ...
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Allegorical Sculpture
Allegorical sculpture are sculptures of personifications of abstract ideas as in allegory. Common in the western world, for example, are statues of Lady Justice representing justice, traditionally holding scales and a sword, and the statues of Prudence, representing Truth by holding a mirror and squeezing a serpent. This approach of using the human form and its posture, gesture, clothing and props to wordlessly convey social values and themes. It may be seen in funerary art as early as 1580. They were used on Renaissance monuments when patron saints became unacceptable. Particularly popular were the four cardinal virtues and the three Christian virtues, but others such as fame, victory, hope and time are also represented. The use of allegorical sculpture was fully developed under the École des Beaux-Arts. It is sometimes associated with Victorian art, and is commonly found in works dating from around 1900. Notable allegorical sculptures *The Four cardinal virtues, by Ma ...
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Neo-Renaissance
Renaissance Revival architecture (sometimes referred to as "Neo-Renaissance") is a group of 19th century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture nineteenth-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later nineteenth century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present (Second Empire). The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining an ...
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