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Lahar (god)
Lahar was a Mesopotamian deity associated with flocks of animals, especially sheep. Lahar's gender is a topic of debate in scholarship, though it is agreed the name refers to a female deity in a god list from the Middle Babylonian period and to a male one in the myth Theogony of Dunnu. Name and character Lahar's name was written syllabically as '' dLa-ḫa-ar'' or ''dLa-ḫar'', or logographically as dU8, "ewe." The name is derived from Akkadian ''laḫru'', also meaning "ewe." The same logogram, dU8, could also be used to write the name of another deity associated with herding, Šunidug ("his hand is good") as well as of his father Ga'u (Gayu), the shepherd of Sin, and of the mother of Dumuzi, Duttur. A possible reference to Lahar occurs in a name from the Early Dynastic period in which the logogram dU8 serves as a theophoric element, dU8.DU. While Samuel Noah Kramer's early translations treated Lahar as a goddess, according to Wilfred G. Lambert the deity should be consi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Deity
Deities in ancient Mesopotamia were almost exclusively anthropomorphic. They were thought to possess extraordinary powers and were often envisioned as being of tremendous physical size. The deities typically wore ''melam'', an ambiguous substance which "covered them in terrifying splendor" and which could also be worn by heroes, kings, giants, and even demons. The effect that seeing a deity's ''melam'' has on a human is described as ''ni'', a word for the " physical creeping of the flesh". Both the Sumerian and Akkadian languages contain many words to express the sensation of ''ni'', including the word ''puluhtu'', meaning "fear". Deities were almost always depicted wearing horned caps, consisting of up to seven superimposed pairs of ox-horns. They were also sometimes depicted wearing clothes with elaborate decorative gold and silver ornaments sewn into them. The ancient Mesopotamians believed that their deities lived in Heaven, but that a god's statue was a physical embodiment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Debate Between Sheep And Grain
The "Debate between sheep and grain" or "Myth of cattle and grain" is a Sumerian creation myth, written on clay tablets in the mid to late 3rd millennium BC. Disputations Seven "debate" topics are known from the Sumerian literature, falling in the category of 'disputations'; some examples are: the Debate between Winter and Summer; the Debate between bird and fish; the Tree and the Reed; and ''The Dispute between Silver and Copper''. These topics came some centuries after writing was established in Sumerian Mesopotamia. The debates are philosophical and address humanity's place in the world. Compilation The first sixty-one lines of the myth were discovered on the University of Pennsylvania Museum of Archaeology and Anthropology catalogue of the Babylonian section, tablet number 14,005 from their excavations at the temple library at Nippur. This was translated by George Aaron Barton in 1918 and first published as "Sumerian religious texts" in "Miscellaneous Babylonian Inscri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesopotamian Gods
Deities in ancient Mesopotamia were almost exclusively anthropomorphic. They were thought to possess extraordinary powers and were often envisioned as being of tremendous physical size. The deities typically wore ''melam'', an ambiguous substance which "covered them in terrifying splendor" and which could also be worn by heroes, kings, giants, and even demons. The effect that seeing a deity's ''melam'' has on a human is described as ''ni'', a word for the " physical creeping of the flesh". Both the Sumerian and Akkadian languages contain many words to express the sensation of ''ni'', including the word ''puluhtu'', meaning "fear". Deities were almost always depicted wearing horned caps, consisting of up to seven superimposed pairs of ox-horns. They were also sometimes depicted wearing clothes with elaborate decorative gold and silver ornaments sewn into them. The ancient Mesopotamians believed that their deities lived in Heaven, but that a god's statue was a physical embodiment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Text Corpus Of Sumerian Literature
The Electronic Text Corpus of Sumerian Literature (ETCSL) was a project that provides an online digital library of texts and translations of Sumerian literature. This project's website contains "Sumerian text, English prose translation and bibliographical information" for "over 400 literary works composed in the Sumerian language in ancient Mesopotamia (modern Iraq) during the late third and early second millennia BCE." It is both browsable and searchable and includes transliterations, composite texts, a bibliography of Sumerian literature and a guide to spelling conventions for proper nouns and literary forms. The purpose of the project was to make Sumerian literature accessible to those wishing to read or study it, and make it known to a wider public. The project was founded by Jeremy Black in 1997 and is based at the Oriental Institute of the University of Oxford in Britain. It was funded by the University along with the Leverhulme Trust and the Arts and Humanities Research ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Šumugan
Šumugan, Šamagan, Šumuqan or Šakkan (𒀭𒄊) was a god worshiped in Mesopotamia and ancient Syria. He was associated with animals. Character Šumugan was a shepherd god. He was associated with various quadrupeds, especially donkeys or alternatively wild sheep. In Ebla he was associated with mules. In literary texts he was also tasked with caring for their habitat and plants growing there. In some texts his epithet is "shepherd of everything." Other known epithets include "god of wool," "god of herd animals," "god of grass-eating animals" and "god of watering places." He was regarded as responsible for prosperity and agricultural fertility, often in connection with grain deities (such as Ezina) and beer deities (such as Ninkasi). The name could also be metaphorically applied to a stallion of a herd. Due to the association between the steppe, where he was believed to dwell, and the netherworld, he sometimes appears in connection with the latter. Texts attesting this connecti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitanni
Mitanni (; Hittite cuneiform ; ''Mittani'' '), c. 1550–1260 BC, earlier called Ḫabigalbat in old Babylonian texts, c. 1600 BC; Hanigalbat or Hani-Rabbat (''Hanikalbat'', ''Khanigalbat'', cuneiform ') in Assyrian records, or ''Naharin'' in Egyptian texts, was a Hurrian-speaking state in northern Syria and southeast Anatolia (modern-day Turkey). Since no histories or royal annals/chronicles have yet been found in its excavated sites, knowledge about Mitanni is sparse compared to the other powers in the area, and dependent on what its neighbours commented in their texts. The Hurrians were in the region as of the late 3rd millennium BC. A king of Urkesh with a Hurrian name, Tupkish, was found on a clay sealing dated c. 2300 BC at Tell Mozan.Salvini, Mirjo. "The earliest evidences of the Hurrians before the formation of the reign of Mittanni." Urkesh and the Hurrians Studies in Honor of Lloyd Cotsen. Urkesh/Mozan Studies Bibliotheca Mesopotamica. Malibu: Undena Publications ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loanword
A loanword (also loan word or loan-word) is a word at least partly assimilated from one language (the donor language) into another language. This is in contrast to cognates, which are words in two or more languages that are similar because they share an etymological origin, and calques, which involve translation. Loanwords from languages with different scripts are usually transliterated (between scripts), but they are not translated. Additionally, loanwords may be adapted to phonology, phonotactics, orthography, and morphology of the target language. When a loanword is fully adapted to the rules of the target language, it is distinguished from native words of the target language only by its origin. However, often the adaptation is incomplete, so loanwords may conserve specific features distinguishing them from native words of the target language: loaned phonemes and sound combinations, partial or total conserving of the original spelling, foreign plural or case forms or indecli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hurrian Language
Hurrian is an extinct Hurro-Urartian language spoken by the Hurrians (Khurrites), a people who entered northern Mesopotamia around 2300 BC and had mostly vanished by 1000 BC. Hurrian was the language of the Mitanni kingdom in northern Mesopotamia and was likely spoken at least initially in Hurrian settlements in modern-day Syria. It is generally believed that the speakers of this language originally came from the Armenian Highlands and spread over southeast Anatolia and northern Mesopotamia at the beginning of the 2nd millennium BC. Classification Hurrian is closely related to Urartian, the language of the ancient kingdom of Urartu. Together they constitute the Hurro-Urartian language family. The external connections of the Hurro-Urartian languages are disputed. There exist various proposals for a genetic relationship to other language families (e.g. the Northeast Caucasian languages, Indo-European languages, or Kartvelian languages which are spoken in Georgia). It has als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colophon (publishing)
In publishing, a colophon () is a brief statement containing information about the publication of a book such as an "imprint" (the place of publication, the publisher, and the date of publication). A colophon may include the device (logo) of a printer or publisher. Colophons are traditionally printed at the ends of books (see History below for the origin of the word), but sometimes the same information appears elsewhere (when it may still be referred to as colophon) and many modern (post-1800) books bear this information on the title page or on the verso of the title-leaf, which is sometimes called a "biblio-page" or (when bearing copyright data) the " copyright-page". History The term ''colophon'' derives from the Late Latin ''colophōn'', from the Greek κολοφών (meaning "summit" or "finishing touch"). The term colophon was used in 1729 as the bibliographic explication at the end of the book by the English printer Samuel Palmer in his ''The General History of Printing, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achaemenid Empire
The Achaemenid Empire or Achaemenian Empire (; peo, 𐎧𐏁𐏂, , ), also called the First Persian Empire, was an ancient Iranian empire founded by Cyrus the Great in 550 BC. Based in Western Asia, it was contemporarily the largest empire in history, spanning a total of from the Balkans and Egypt in the west to Central Asia and the Indus Valley in the east. Around the 7th century BC, the region of Persis in the southwestern portion of the Iranian plateau was settled by the Persians. From Persis, Cyrus rose and defeated the Median Empire as well as Lydia and the Neo-Babylonian Empire, marking the formal establishment of a new imperial polity under the Achaemenid dynasty. In the modern era, the Achaemenid Empire has been recognized for its imposition of a successful model of centralized, bureaucratic administration; its multicultural policy; building complex infrastructure, such as road systems and an organized postal system; the use of official languages across ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Babylonian Empire
The Neo-Babylonian Empire or Second Babylonian Empire, historically known as the Chaldean Empire, was the last polity ruled by monarchs native to Mesopotamia. Beginning with the coronation of Nabopolassar as the List of kings of Babylon, King of Babylon in 626 BC and being firmly established through the fall of the Neo-Assyrian Empire in 612 BC, the Neo-Babylonian Empire was conquered by the Achaemenid Empire, Achaemenid Persian Empire in 539 BC, marking the collapse of the Chaldean dynasty less than a century after its founding. The defeat of the Neo-Assyrian Empire and subsequent transfer of power to Babylon marked the first time that the city, and Lower Mesopotamia, southern Mesopotamia in general, had risen to dominate the ancient Near East since the collapse of the Old Babylonian Empire (under Hammurabi) nearly a thousand years earlier. The period of Neo-Babylonian rule thus saw unprecedented economic and population growth throughout Babylonia, as well as a renaissance of cult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udug-hul
The udug (), later known in Akkadian as the utukku, were an ambiguous class of demons from ancient Mesopotamian mythology who were sometimes thought of as good and sometimes as evil. In exorcism texts, the "good udug" is sometimes invoked against the "evil udug". The word is generally ambiguous and is sometimes used to refer to demons as a whole rather than a specific kind of demon. No visual representations of the udug have yet been identified, but descriptions of it ascribe to it features often given to other ancient Mesopotamian demons: a dark shadow, absence of light surrounding it, poison, and a deafening voice. The surviving ancient Mesopotamian texts giving instructions for exorcizing the evil udug are known as the ''Udug Hul'' texts. These texts emphasize the evil udug's role in causing disease and the exorcist's role in curing the disease. Identity Of all Mesopotamian demons, the udug is the least clearly defined. The word originally did not connote whether the demon i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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