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La Salla
''La Salla'' is a 1996 computer animated short by Richard Condie, produced in Winnipeg by the National Film Board of Canada. The film is a farcical comic opera, with a libretto written by Condie and translated into Italian, then recorded by Jay Brazeau. The film was nominated for an Academy Award for Best Animated Short Film at the 69th Academy Awards. It also won the award for best animation film at the Vancouver International Film Festival. Credits * A Film by: Richard Condie * Music & Sound Editing: Patrick Godfrey * Baritone: Jay Brazeau * Technical Coordinator: Scott Collins * Studio Administrator: Cyndi Forcand * Re-recording: Paul Sharpe * Special Thanks To: Daniel Langlois and John Lasseter * NFB Digital Imaging Services: Julie Dutrisac, Susan Gourley, Doris Kochanek * Producers: Ches Yetman and Richard Condie * Executive Producer: Ches Yetman * La Salla - A National Film Board Of Canada Production * Dolby Stereo® In Selected Theaters * Dolby Surround™ Stereo On Videoca ...
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Richard Condie
Richard Condie, (born 1942) is a Canadian animator, filmmaker, musician and voice actor. Condie is best known for his 1985 animated short ''The Big Snit'' at the National Film Board of Canada and has won six international awards for ''Getting Started'' in 1979. Condie lives and works in Winnipeg, Manitoba. Education and career Born in Vancouver, British Columbia, Condie moved to Winnipeg at the age of four. There he attended Kelvin High School, graduating in 1961. He received his Bachelor of Arts in sociology from the University of Manitoba in 1967. Prior to entering the animation field, he worked periodic stints as a musician for the Manitoba Theatre Centre and CBC TV from 1964 to 1965. In 1967 Condie moved to Vancouver where he worked as a sociologist at the University of British Columbia. Two years later he returned to Winnipeg and tested out a number of occupations.University of Manitoba Archives & Special Collections, Richard Condie fonds, A05-93, "Biographical Infor ...
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Computer-animated Short Films
Computer animation is the process used for digitally generating animations. The more general term computer-generated imagery (CGI) encompasses both static scenes (still images) and dynamic images (moving images), while computer animation refers to moving images. Modern computer animation usually uses 3D computer graphics to generate a three-dimensional picture. The target of the animation is sometimes the computer itself, while other times it is film. Computer animation is essentially a digital successor to stop motion techniques, but using 3D models, and traditional animation techniques using frame-by-frame animation of 2D illustrations. Computer-generated animations can also allow a single graphic artist to produce such content without the use of actors, expensive set pieces, or props. To create the illusion of movement, an image is displayed on the computer monitor and repeatedly replaced by a new image that is similar to it but advanced slightly in time (usually at a ra ...
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Quebec Films
The history of cinema in Quebec started on June 27, 1896 when the Frenchman Louis Minier inaugurated the first movie projection in North America in a Montreal theatre room. However, it would have to wait until the 1960s before a genuine Quebec cinema industry would emerge. Approximately 620 feature-length films have been produced, or partially produced by the Quebec film industry since 1943. Due to language and cultural differences between the predominantly francophone population of Quebec and the predominantly anglophone population of the rest of Canada, Quebec's film industry is commonly regarded as a distinct entity from its English Canadian counterpart. In addition to participating in Canada's national Genie Awards, the Quebec film industry also maintains its own awards ceremony, the Prix Iris (formerly known as Jutra). In addition, the popularity of homegrown French language films among Quebec audiences, as opposed to English Canadians' preference for Hollywood films, mean ...
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