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La Gyan Hsaing
The ''pat kon'' ( mnw, ဗာတ်ကွေန်) is a graduated brass gong chime associated with the Mon people of mainland Southeast Asia. The ''pat kon'' has been absorbed into the traditional musical ensembles of neighboring Southeast Asian societies. Names The instrument is known by various names within the region, including ''la gyan hsaing'' ( my, လခြမ်းဆိုင်း), ''la gyan kye waing'' (လခြမ်းကြေးဝိုင်း), ''khong mon'' ( th, ฆ้องมอญ, ) and ''kong mon'' ( km, គងមន). In the Mon language, it is called ''naung not'' ( mnw, ဏံၚ်ဏောတ်) or ''pat kon cao'' ( mnw, ဗာတ် ကွေန် စှ်, lit. "ten child gongs"). Design and variations The ''pat kon'' consists of about a dozen (10 - 15) gongs mounted in a vertical crescent-shaped wooden frame. It produces the same range of pitches as the more common gong circles (such as the Kong toch and ''Khong wong yai, khong wong''), bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gmelina Arborea
''Gmelina arborea'', (in English beechwood, gmelina, goomar teak, Kashmir tree, Malay beechwood, white teak, yamane ), locally known as gamhar, is a fast-growing deciduous tree in the family Lamiaceae. Distribution and habitat ''Gmelina arborea'' grows naturally throughout India, Myanmar, Thailand, Laos, Cambodia, Vietnam and in southern provinces of China. It is found at altitudes from sea level to . Since the 1960s, it has been introduced extensively as fast-growing timber trees in Brazil, Gambia, Honduras, Ivory Coast, Malaysia, Malawi, Nigeria, the Philippines, and Sierra Leone. It is also planted in gardens and avenues. Utilization of the species The Lion Throne, the most important, and last surviving, of the eight royal thrones of Myanmar, now in the National Museum in Yangon, is carved from ''Gmelina arborea'' wood. Chemistry Lignans, such as 6" - bromo - isoarboreol, 4-hydroxysesamin, 4,8-dihydroxysesamin, 1,4-dihydroxysesamin (gummadiol), 2-piperonyl-3-hydroxyme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambodian Musical Instruments
Traditional Cambodian musical instruments are the musical instruments used in the traditional and classical music of Cambodia. They comprise a wide range of wind, string, and percussion instruments, used by both the Khmer majority as well as the nation's ethnic minorities. File:Shoulder-mounted nipple gong at Angkor Wat.jpg, Soldiers carry drums and a shoulder-mounted nipple gong in relief at Angkor Wat. File:Kse diev at Angkor Wat, North Section, 16th Century.jpg, Kse diev at Angkor Wat, North Section, 16th Century. File:Kongpeat from Angkor Wat.jpg, Khmer gong chimes from Angkor Wat. Woodwind Flute *Khloy ( km, ខ្លុយ) - vertical duct flute made of bamboo, hardwood, or plastic, with buzzing membrane ** Khloy ek - smaller in size ** Khloy thom - larger in size Free-reed *Sneng ( km, ស្នែង) - water buffalo or ox horn with a single free reed * Pey pok ( km, ប៉ីពក) - free-reed pipe While similar to a flute, it uses a single reed to create sound. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burmese Musical Instruments
Burmese may refer to: * Something of, from, or related to Myanmar, a country in Southeast Asia * Burmese people * Burmese language * Burmese alphabet * Burmese cuisine * Burmese culture Animals * Burmese cat * Burmese chicken * Burmese (horse), a horse given to Queen Elizabeth II * Burmese pony, a breed of horse * Burmese python See also * * :Burmese people * Bamar people The Bamar (, ; also known as the Burmans) are a Sino-Tibetan languages, Sino-Tibetan ethnic group native to Myanmar (formerly Burma) in Southeast Asia. With approximately 35 million people, the Bamar make up the largest ethnic group in Myanmar ..., the majority ethnic group in Myanmar * Burmese English, the dialect of English spoken in Myanmar/Burma * Bernese (other) {{disambig Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gongs
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a restin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khong Wong Lek
The ''khong wong lek'' ( th, ฆ้องวงเล็ก, ) is a gong circle used in Thai classical music. It has 18 tuned bossed gongs, and is smaller and higher in pitch than the ''khong wong yai''. Both instruments are played in the same manner, the ''khong wong lek'' plays a faster and more ornate variation on the principal melody, with less use of two-note chords. Each gong is tuned with beeswax under it. The ''khawng wong lek'' was created during the reign of King Rama III (1824-1854) by skilled musicians. It is equivalent to the Cambodian Kong toch The ''kong vong toch'' ( km, គងវង់តូច or kong touch km, គងតូច) is a number of gongs that are attached to a circle-shaped rack, closely resembling its larger relative, the kong thom. Both instruments belong to the percus .... References External linksSound sample [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piphat
A ''piphat'' is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled ''sathukan'' ( th, สาธุการ) as well as the suites called ''phleng rueang''. It is also used to accompany traditional Thai theatrical and dance forms including ''khon'' ( th, โขน) (masked dance-drama), '' lakhon'' (classical dance), and shadow puppet theater. Piphat in the earlier time was called ''phinphat''. It is analogous to its Cambodian musical ensemble of pinpeat and Laotian ensemble of pinphat. Types of ''piphat'' The smallest ''piphat'', called ''piphat khrueang ha'', is composed of six instruments: '' pi nai'' (oboe); ''ranat ek'' (xylophone); ''khong wong yai'' (gong circle); ''taphon'' or other Thai drums; ''glong thad'', a set of two l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Thailand
The music of Thailand reflects its geographic position at the intersection of China and India, and reflects trade routes that have historically included Africa, Greece and Rome. Traditional Thai musical instruments are varied and reflect ancient influence from far afield - including the ''klong thap'' and ''khim'' (Persian origin), the ''jakhe'' (Indian origin), the ''klong jin'' (Chinese origin), and the '' klong kaek'' (Indonesian origin). Though Thailand was never colonized by colonial powers, pop music and other forms of modern Asian, European and American music have become extremely influential. The two most popular styles of traditional Thai music are luk thung and mor lam; the latter in particular has close affinities with the music of Laos. Aside from the Thai, ethnic minorities such as the Lao, Lawa, Hmong, Akha, Khmer, Lisu, Karen and Lahu peoples have retained traditional musical forms. Traditional and folk music Classical music Thai classical music is syn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinnara
A kinnara is a celestial musician, part human and part bird, who are musically paradigmatic lovers, in Hinduism and Buddhism. In these traditions, the ''kinnaras'' (male) and ''kinnaris'' (female counterpart) are two of the most beloved mythological characters. Believed to come from the Himalayas, they often watch over the wellbeing of humans in times of trouble or danger. An ancient Indian string instrument is known as the Kinnari vina. Their character is also clarified in the '' Adi Parva'' of the ''Mahabharata'', where they say: They are featured in a number of Buddhist texts, including the Jataka tales and Lotus Sutra. In Southeast Asian Buddhist mythology, kinnaris, the female counterpart of kinnaras, are depicted as half-bird, half-woman creatures. One of the many creatures that inhabit the mythical Himavanta, kinnaris have the head, torso, and arms of a woman and the wings, tail and feet of a swan. They are renowned for their dance, song and poetry, and are a tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glass Mosaic
In Myanmar culture, glass mosaic ( my, မှန်စီရွှေချ) is a traditional form of glasswork where pieces of glass are used to embellish decorative art, structures, and furniture. Glass mosaic is typically divided into two subcategories, ''hman gyan si'' () and ''hman nu si'' (). The former is typically used to decorate the walls and ceilings of pagodas, while the latter is used to embellish furniture and accessories. The art form originated in the 1500s during the Nyaungyan era. Glass mosaic is often studded with gems and semi-precious stones. History Glass mosaic is a traditional Burmese mosaic made with pieces of glass, used to embellish decorative art, structures, and furniture. Glass mosaic is typically divided into two subcategories, ''hman gyan si'' () and ''hman nu si'' (). The former is typically used to decorate the walls and ceilings of pagodas, while the latter is used to embellish furniture and accessories. The art form originated in the 1500s duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rattan
Rattan, also spelled ratan, is the name for roughly 600 species of Old World climbing palms belonging to subfamily Calamoideae. The greatest diversity of rattan palm species and genera are in the closed-canopy old-growth tropical forests of Southeast Asia, though they can also be found in other parts of tropical Asia and Africa. Most rattan palms are ecologically considered lianas due to their climbing habits, unlike other palm species. A few species also have tree-like or shrub-like habits. Around 20% of rattan palm species are economically important and are traditionally used in Southeast Asia in producing wickerwork furniture, baskets, canes, woven mats, cordage, and other handicrafts. Rattan canes are one of the world's most valuable non-timber forest products. Some species of rattan also have edible scaly fruit and heart of palm. Despite increasing attempts in the last 30 years at commercial cultivation, almost all rattan products still come from wild-harvested plants. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat (spirit)
The nats (; MLCTS: ''nat''; ) are god-like spirits venerated in Myanmar and neighbouring countries in conjunction with Buddhism. They are divided between the 37 ''Great Nats'' who were designated that status by King Anawrahta when he formalized the official list of nats. Most of the 37 ''Great Nats'' were human beings who met violent deaths. There are two types of ''nats'' in Burmese Belief: ''nat sein'' () which are humans that were deified after their deaths and all the other nats which are spirits of nature (spirits of water, trees etc.). Much like sainthood, ''nats'' can be designated for a variety of reasons, including those only known in certain regions in Burma. ''Nat'' worship is less common in urban areas than in rural areas and is practised among ethnic minorities of Myanmar as well as in mainstream Bamar society. However, it is among the Theravada Buddhist Bamar that the most highly developed form of ceremony and ritual is seen. Every Burmese village has a ''nat k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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