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La Belle Et La Bête (opera)
(The Beauty and the Beast) is an opera for ensemble and film, composed in 1994 by Philip Glass based on a libretto in French by the composer according to the script of the film by Jean Cocteau released in 1946. This is the second part of a trilogy in homage to the French poet after '' Orphée'' (1993) and before '' Les Enfants terribles'' (1996). The world premiere of the work took place on 4 June 1994 in Seville, with Michael Riesman conducting. The work has been played more than 90 times around the world, in particular at the Brooklyn Academy of Music of New York on 17 December 1994 for the American premiere and at the Cité de la musique in Paris on 17 January 2003 for the French premiere. Conception Glass had the idea of removing the original soundtrack from Cocteau's film, including the voices of the actors, and replacing it with his own music and the voices of the singers. In order to perfectly match the singing with the movements of the actors' lips on the screen, he t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Glass
Philip Glass (born January 31, 1937) is an American composer and pianist. He is widely regarded as one of the most influential composers of the late 20th century. Glass's work has been associated with minimal music, minimalism, being built up from repetitive phrases and shifting layers. Glass describes himself as a composer of "music with repetitive structures", which he has helped evolve stylistically. Glass founded the Philip Glass Ensemble, with which he still performs on keyboards. He has written fifteen operas, numerous chamber operas and musical theatre works, fourteen symphony, symphonies, twelve concertos, nine string quartets and various other chamber music, and several film scores. Three of his film scores have been nominated for an Academy Award. Life and work 1937–1964: Beginnings, early education and influences Philip Glass was born in Baltimore, Maryland, on January 31, 1937, the son of Ida (née Gouline) and Benjamin Charles Glass. His family were Lithuanian Je ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piccolo Flute
The piccolo ( ; Italian for 'small') is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" the modern piccolo has similar fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino (), by which the instrument is called in Italian and thus also in scores of Italian composers. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. The piccolo is a standard member in orchestras, marching bands, and wind ensembles. History Since the Middle Ages, evidence indicates the use of octave transverse flutes as military instruments, as their penetrating sound was audible above battles. In cultured music, however, the first piccolos were used in some of Jean Philippe Rameau's works in the first half of the 18th century. St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Éditions Du Rocher
The Éditions du Rocher is a publishing house based in Monaco Monaco (; ), officially the Principality of Monaco (french: Principauté de Monaco; Ligurian: ; oc, Principat de Mónegue), is a sovereign city-state and microstate on the French Riviera a few kilometres west of the Italian region of Lig .... It publishes works of literature as well as books about current affairs and well-being. It was founded by Charles Orengo in 1943. It was sold to Éditions Privat in 2005, Éditions Desclée de Brouwer in 2009, and Éditions Artège in 2014. Further reading * References Publishing companies of Monaco Publishing companies established in 1943 1943 establishments in Monaco {{Monaco-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Inrockuptibles
''Les Inrockuptibles'' () is a French cultural magazine. Started as a monthly magazine in 1986, it became weekly in 1995. Now it is a monthly again, since 2021. In the beginning, rock music was the magazine's primary focus, though every issue included articles on other topics, generally with a left-wing approach. The magazine has produced several tribute records, including '' I'm Your Fan'' to Leonard Cohen in 1991, '' The Smiths is dead'' in 1996 and ''Monsieur Gainsbourg Revisited'' in 2006. Since 1988 it has included CD compilations as part of individual issues. Guillaume B. Decherf, a music critic and journalist for the magazine, was killed during the November 2015 Paris attacks at an Eagles of Death Metal concert at the Bataclan Bataclan may refer to: *'' Ba-ta-clan'', a 1855 operetta by Jacques Offenbach * Bataclan (theatre), a theatre in Paris named after the operetta **Bataclan theatre massacre, November 2015 Paris attacks Music *''Bataclan 1989'', by Maxime Le Fore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone (magazine)
''Gramophone'' is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Choice (now Gramophone Choice). Then, in the annua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ana María Martínez
Ana María Martínez (born 1971) is a Puerto Rican soprano. Early life Martínez was born in San Juan, Puerto Rico; she is the daughter of Puerto Rican opera singer Evangelína Colón and Cuban psychoanalyst Ángel Martínez. Martínez' grandparents originated in Spain and France, and migrated to the Caribbean islands. Martínez grew up with a strict Catholic upbringing. She briefly attended the Boston Conservatory as a musical theater major, but dropped out and later received a bachelor's degree and a master's degree from the Juilliard School. Career After winning first prize in the 1994 Eleanor McCollum Competition, Martínez joined the Houston Grand Opera's studio in the 1994/95 season, during which she performed Micaëla in '' Carmen'' and the title role in '' Sāvitri''. In November 2005 Martínez debuted with the Metropolitan Opera in '' Carmen'' as Micaëla. In 2006 she was featured in Salzburg Festival's production of '' Così fan tutte'' as Fiordiligi. In February 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janice Felty
Janice Felty is an American operatic mezzo-soprano. She is known for her interpretations of contemporary composers like John Adams, Philip Glass, John Harbison, and Judith Weir. In 1987, Felty played the title role in the Handel oratorio ''Athalia'' at the Boston Symphony Hall with conductor Christopher Hogwood. In 1991 Felty premiered several roles in John Adams' ''The Death of Klinghoffer'' and recorded this work for Nonesuch Records Nonesuch Records is an American record company and label owned by Warner Music Group, distributed by Warner Records (formerly called Warner Bros. Records), and based in New York City. Founded by Jac Holzman in 1964 as a budget classical label, Non .... She appeared in the première of Steven Stucky's ''To Whom I Said Farewell'' with the Los Angeles Philharmonic, the composer conducting, Haydn's ''Arianna a Naxos'' with the Santa Fe Chamber Music Festival and most recently Colin Matthews’ ''Continuum'' with the Los Angeles Philharmonic under Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABC (newspaper)
''ABC'' () is a Spanish national daily newspaper. It is the second largest general-interest newspaper in Spain, number one in Madrid, and the oldest newspaper still operating in Madrid. Along with '' El Mundo'' and '' El País'', it is one of Spain’s three newspapers of record. History and profile ''ABC'' was first published in Madrid on 1 January 1903 by Torcuato Luca de Tena y Álvarez-Ossorio. The founding publishing house was Prensa Española, which was led by the founder of the paper, Luca de Tena. The paper started as a weekly newspaper, turning daily in June 1905. In 1928 ABC had two editions, one for Madrid and the other for Seville. The latter was named ''ABC de Sevilla''. On 20 July 1936, shortly after the Spanish Civil War began, ''ABC'' in Madrid was seized by the republican government, which changed the paper's politics to support the Republicans. The same year '' Blanco y Negro'', a magazine, became its supplement. The ''ABC'' printed in Seville was supportive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
