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L=A=N=G=U=A=G=E
The Language poets (or L=A=N=G=U=A=G=E (magazine), ''L=A=N=G=U=A=G=E'' poets, after the magazine of that name) are an avant-garde group or tendency in United States poetry that emerged in the late 1960s and early 1970s. The poets included: Bernadette Mayer, Leslie Scalapino, Stephen Rodefer, Bruce Andrews, Charles Bernstein (poet), Charles Bernstein, Ron Silliman, Barrett Watten, Lyn Hejinian, Tom Mandel (poet), Tom Mandel, Bob Perelman, Rae Armantrout, Alan Davies (poet), Alan Davies, Carla Harryman, Clark Coolidge, Hannah Weiner, Susan Howe, James Sherry (poet), James Sherry, and Tina Darragh. Language poetry emphasizes the reader's role in bringing meaning out of a work. It plays down expression, seeing the poem as a construction in and of language itself. In more theoretical terms, it challenges the "nature, natural" presence of a speaker behind the text; and emphasizes the disjunction and the Substance theory, materiality of the Sign (linguistics), signifier.Saroj Koirala (2 ...
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Charles Bernstein (poet)
Charles Bernstein (born April 4, 1950) is an American poet, essayist, editor, and literary scholar. Bernstein is the Donald T. Regan Professor, Emeritus, Department of English at the University of Pennsylvania. He is one of the most prominent members of the L=A=N=G=U=A=G=E or Language poets. In 2006 he was elected a Fellow of the American Academy of Arts and Sciences. and in 2019 he was awarded the Bollingen Prize from Yale University, the premiere American prize for lifetime achievement, given on the occasion of the publication of ''Near/Miss''. Bernstein was David Gray Professor of Poetry and Poetics at SUNY-Buffalo from 1990 to 2003, where he co-founded the Poetics Program. A volume of Bernstein's selected poetry from the past thirty years, ''All the Whiskey in Heaven'', was published in 2010 by Farrar, Straus, and Giroux. ''The Salt Companion to Charles Bernstein'' was published in 2012 by Salt Publishing. Early life and work Bernstein was born in Manhattan to a Jewish family ...
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L=A=N=G=U=A=G=E (magazine)
''L=A=N=G=U=A=G=E'' was an avant-garde poetry magazine edited by Charles Bernstein and Bruce Andrews that ran thirteen issues from February 1978 to October 1981. Along with ''This'', it is the magazine most often referenced as the breeding ground for the group of writers who became known as the Language poets The Language poets (or ''L=A=N=G=U=A=G=E'' poets, after the magazine of that name) are an avant-garde group or tendency in United States poetry that emerged in the late 1960s and early 1970s. The poets included: Bernadette Mayer, Leslie Scal .... References Bibliography * External links ''L=A=N=G=U=A=G=E Magazine'' online archive*Meaning, Unmeaning and the Poetics of L=A=N=G=U=A=G=E, article by Suman Chakraborty ''poetry previews'' *https://web.archive.org/web/20131021134226/http://www.poets.org/viewmedia.php/prmMID/5661 Alternative magazines Poetry magazines published in the United States Avant-garde magazines Defunct literary magazines published in the Un ...
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Bruce Andrews
Bruce Andrews (April 1, 1948) is an American poet who is one of the key figures associated with the Language poets (or '' L=A=N=G=U=A=G=E'' ''poets'', after the magazine that bears that name). Life and work Andrews was born in Chicago and studied international relations at Johns Hopkins University and political science at Harvard. His first book, ''Edge'', was published in 1973. Language poetry Together with Charles Bernstein, he edited '' L=A=N=G=U=A=G=E'' Magazine, which ran to 13 issues between 1978 and 1981 and (along with other magazines such as ''This'', ''A Hundred Posters,'' ''Big Deal,'' ''Dog City,'' ''Hills,'' ''Là Bas,'' ''Oculist Witnesses,'' ''QU,'' and ''Roof'') was one of the most important outlets for Language poetry. In 1984 he and Bernstein published most of the contents of the 13 issues in ''The L=A=N=G=U=A=G=E Book''. Andrews rejects the classical notion of poetry as the 'direct treatment' of things in language, arguing that the only thing that can be so tre ...
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United States Poetry
American poetry refers to the poetry of the United States. It arose first as efforts by American colonists to add their voices to English poetry in the 17th century, well before the constitutional unification of the Thirteen Colonies (although a strong oral tradition often likened to poetry already existed among Native American societies). Unsurprisingly, most of the early colonists' work relied on contemporary English models of poetic form, diction, and theme. However, in the 19th century, a distinctive American idiom began to emerge. By the later part of that century, when Walt Whitman was winning an enthusiastic audience abroad, poets from the United States had begun to take their place at the forefront of the English-language ''avant-garde''. Much of the American poetry published between 1910 and 1945 remains lost in the pages of small circulation political periodicals, particularly the ones on the far left, destroyed by librarians during the 1950s McCarthy era. Modernis ...
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Bob Perelman
Bob Perelman (born December 2, 1947) is an American poet, critic, editor, and teacher. He was an early exponent of the Language poets, an avant-garde movement, originating in the 1970s. He has helped shape a "formally adventurous, politically explicit poetic practice in the United States", according to one of his chroniclers. Perelman is professor of English ''emeritus'' at the University of Pennsylvania. Personal life Robert Lawrence Perelman was born in 1947 to Mark and Evelyn Perelman. His father was a Youngstown, Ohio businessman and his mother had worked as a social worker. He was one of two siblings—a year and a half younger than his sister, Nancy. He attended the Putney School in Putney, Vermont from 1959, graduating in 1964—in the same class as his sister. Next, he attended the University of Rochester as a prospective concert pianist. There he changed his major from music and focused on his other strength, classical literature, having determined that he did not have ...
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Susan Howe
Susan Howe (born June 10, 1937) is an American poet, scholar, essayist, and critic, who has been closely associated with the Language poets, among other poetry movements."Susan Howe"
The Poetry Foundation, Retrieved 24 December 2014.
Her work is often classified as Postmodern because it expands traditional notions of genre (, , and

Tina Darragh
Tina Darragh (born 1950) is an American poet who was one of the original members of the Language group of poets. Biography Darragh was born in Pittsburgh and grew up in the south suburb of McDonald, Pennsylvania. She began writing in 1968 and studied poetry in Washington, D.C. at Trinity University from 1970 to 1972. Between 1974 and 1976, she worked with Some of Us Press and at the Mass Transit community bookstore and writing workshop. Mass Transit, and after it Folio bookshop, became focal points for much of the poetic activity that was to result in the East Coast wing of the "Language" group, and here Darragh met other poets, including Susan Howe, Diane Ward, Doug Lang, Joan Retallack, and P. Inman, all of whom were also to become key members of the group. She and Inman are married and live in Greenbelt, Maryland. Darragh's extensive list of publications include ''on the corner to off the corner'' (1981), ''Striking Resemblance'' ( Burning Deck, 1988), ''a(gain)2 st the ...
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Nature
Nature, in the broadest sense, is the physics, physical world or universe. "Nature" can refer to the phenomenon, phenomena of the physical world, and also to life in general. The study of nature is a large, if not the only, part of science. Although humans are part of nature, human activity is often understood as a separate category from other natural phenomena. The word ''nature'' is borrowed from the Old French ''nature'' and is derived from the Latin word ''natura'', or "essential qualities, innate disposition", and in ancient times, literally meant "birth". In ancient philosophy, ''natura'' is mostly used as the Latin translation of the Greek word ''physis'' (φύσις), which originally related to the intrinsic characteristics of plants, animals, and other features of the world to develop of their own accord. The concept of nature as a whole, the physical universe, is one of several expansions of the original notion; it began with certain core applications of the word ...
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Disjunction
In logic, disjunction is a logical connective typically notated as \lor and read aloud as "or". For instance, the English language sentence "it is raining or it is snowing" can be represented in logic using the disjunctive formula R \lor S , assuming that R abbreviates "it is raining" and S abbreviates "it is snowing". In classical logic, disjunction is given a truth functional semantics according to which a formula \phi \lor \psi is true unless both \phi and \psi are false. Because this semantics allows a disjunctive formula to be true when both of its disjuncts are true, it is an ''inclusive'' interpretation of disjunction, in contrast with exclusive disjunction. Classical proof theoretical treatments are often given in terms of rules such as disjunction introduction and disjunction elimination. Disjunction has also been given numerous non-classical treatments, motivated by problems including Aristotle's sea battle argument, Heisenberg's uncertainty principle, as well t ...
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Substance Theory
Substance theory, or substance–attribute theory, is an ontological theory positing that objects are constituted each by a ''substance'' and properties borne by the substance but distinct from it. In this role, a substance can be referred to as a ''substratum'' or a ''thing-in-itself''. ''Substances'' are particulars that are ontologically independent: they are able to exist all by themselves. Another defining feature often attributed to substances is their ability to ''undergo changes''. Changes involve something existing ''before'', ''during'' and ''after'' the change. They can be described in terms of a persisting substance gaining or losing properties. ''Attributes'' or ''properties'', on the other hand, are entities that can be exemplified by substances. Properties characterize their bearers, they express what their bearer is like. ''Substance'' is a key concept in ontology and metaphysics, which may be classified into monist, dualist, or pluralist varieties according to how ...
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Narrative
A narrative, story, or tale is any account of a series of related events or experiences, whether nonfictional (memoir, biography, news report, documentary, travel literature, travelogue, etc.) or fictional (fairy tale, fable, legend, thriller (genre), thriller, novel, etc.). Narratives can be presented through a sequence of written or spoken words, through still or moving images, or through any combination of these. The word derives from the Latin verb ''narrare'' (to tell), which is derived from the adjective ''gnarus'' (knowing or skilled). Narration (i.e., the process of presenting a narrative) is a rhetorical modes, rhetorical mode of discourse, broadly defined (and paralleling argumentation, description, and exposition (narrative), exposition), is one of four rhetorical modes of discourse. More narrowly defined, it is the fiction-writing mode in which a narrator communicates directly to an audience. The school of literary criticism known as Russian formalism has applied metho ...
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Sign (linguistics)
In semiotics, a sign is anything that communicates a meaning that is not the sign itself to the interpreter of the sign. The meaning can be intentional, as when a word is uttered with a specific meaning, or unintentional, as when a symptom is taken as a sign of a particular medical condition. Signs can communicate through any of the senses, visual, auditory, tactile, olfactory, or taste. Two major theories describe the way signs acquire the ability to transfer information. Both theories understand the defining property of the sign as a relation between a number of elements. In the tradition of semiotics developed by Ferdinand de Saussure (referred to as semiology) the sign relation is dyadic, consisting only of a form of the sign (the signifier) and its meaning (the signified). Saussure saw this relation as being essentially arbitrary (the principle of semiotic arbitrariness), motivated only by social convention. Saussure's theory has been particularly influential in the study o ...
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