L'épreuve Villageoise
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L'épreuve Villageoise
''L’épreuve villageoise '' (''Trial in a Village'') is an opéra bouffon in two acts by André Grétry to a French libretto by Pierre Desforges. It is a revision of a work called ''Théodore et Paulin'', which was performed once at Versailles on 5 March 1784 but never published. Performance history ''L’épreuve villageoise'' was first performed on 24 June 1784 by the Théatre-Italien at the first Salle Favart in Paris. It became one of Grétry's most popular opéras-comiques during the 19th century. It was revived by the same company on 29 October 1801 at the Salle Feydeau and on 26 May 1853 at the second Salle Favart. The latter revival was given in a revised and reorchestrated version by Daniel Auber. The Théâtre Lyrique mounted a revival (presumably in the version by Auber) on 11 September 1863 at their theatre on the Place du Châtelet (today known as the Théâtre de la Ville), where it was performed for two seasons for a total of 48 representations. It was ...
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André Ernest Modeste Grétry
André — sometimes transliterated as Andre — is the French and Portuguese form of the name Andrew, and is now also used in the English-speaking world. It used in France, Quebec, Canada and other French-speaking countries. It is a variation of the Greek name ''Andreas'', a short form of any of various compound names derived from ''andr-'' 'man, warrior'. The name is popular in Norway and Sweden.Namesearch – Statistiska centralbyrån


Cognate names

Cognate names are: * : Andrei,

Opéra Bouffon
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other for ...
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André Grétry
André Ernest Modeste Grétry (; baptised 11 February 1741; died 24 September 1813) was a composer from the Prince-Bishopric of Liège (present-day Belgium), who worked from 1767 onwards in France and took French nationality. He is most famous for his '' opéras comiques''. Biography He was born at Liège, his father being a poor musician. He was a choirboy at the church of St. Denis (Liège). In 1753 he became a pupil of Jean-Pantaléon Leclerc and later of the organist at St-Pierre de Liège, Nicolas Rennekin, for keyboard and composition and of Henri Moreau, music master at the collegiate church of St. Paul. But of greater importance was the practical tuition he received by attending the performance of an Italian opera company. Here he heard the operas of Baldassarre Galuppi, Giovanni Battista Pergolesi, and other masters; and the desire of completing his own studies in Italy was the immediate result. To find the necessary means he composed in 1759 a mass which he dedicat ...
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Pierre Jean Baptiste Choudard Desforges
Pierre-Jean-Baptiste Choudard, known under the pen name of Desforges, (15 September 1746 – 13 August 1806) was a French actor, dramatist, librettist and man of letters. Biography Choudard was born in Paris, the natural son of Dr. Antoine Petit. He was educated at the Collège Mazarin and the Collège de Beauvais and, in accordance with his father's wishes, began the study of medicine. He then turned to painting and did casual work. Dr. Petit's death left him dependent on his own resources, and after appearing on the stage of the Comédie-Italienne in Paris he joined a troupe of wandering actors, whom he served in the capacity of playwright. He was known under the pen name of Desforges, which also was the name he had on the stage. He married an actress; the two were welcomed in Saint Petersburg, where they spent three years (1779 to 1782). After his return to Paris he dedicated himself completely to literature. Desforges was one of the first to avail himself of the new fa ...
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Palace Of Versailles
The Palace of Versailles ( ; french: Château de Versailles ) is a former royal residence built by King Louis XIV located in Versailles, Yvelines, Versailles, about west of Paris, France. The palace is owned by the French Republic and since 1995 has been managed, under the direction of the Ministry of Culture (France), French Ministry of Culture, by the Public Establishment of the Palace, Museum and National Estate of Versailles. Some 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a simple hunting lodge on the site of the Palace of Versailles in 1623 and replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace in several phases from 1661 to 1715. It was a favorite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the ''de facto'' capital of France. This ...
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Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ...
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Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the ÃŽle-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ...
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Salle Feydeau
Salle is the French word for 'hall', 'room' or 'auditorium', as in: *Salle des Concerts Herz, a former Paris concert hall *Salle Favart, theatre of the Paris Opéra-Comique *Salle Le Peletier, former home of the Paris Opéra *Salle Pleyel, a Paris concert hall *Salle Ventadour, a former Paris theatre *Salle Wilfrid-Pelletier, a multipurpose venue in Montréal It may also refer to: Places: *Salle, Norfolk, a village and civil parish in England, pronounced "Saul" *Salle, Abruzzo, Italy *Salle, Nepal People: *Abraham Salle (1670–1719), Huguenot ancestor, immigrant, and colonist *Alexander Östlund, Swedish football player, nicknamed "Salle" *Auguste Sallé French traveller and entomologist *David Salle, American painter *Fred Salle, English long jumper *Jérôme Salle, French film director *Johan Sälle, Swedish ice hockey player *Mary Lou Sallee, American politician from Missouri See also * La Salle (other) (including LaSalle) * Sal (other) * Sall (disambiguati ...
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Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chap ...
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Théâtre Lyrique
The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opéra-National by the French composer Adolphe Adam and renamed Théâtre Lyrique in 1852. It used four different theatres in succession, the Cirque Olympique, the Théâtre Historique, the Salle du Théâtre-Lyrique (now the Théâtre de la Ville), and the Salle de l'Athénée, until it ceased operations in 1872.Charlton 1992, p. 871. The diverse repertoire of the company "cracked the strict organization of the Parisian operatic world by breaking away from the principle that institution and genre were of one substance." The company was generally most successful with revivals of foreign works translated into French, particularly operas by Gluck, Mozart, Weber, and Verdi, but probably is most remembered today for having given the first performan ...
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Théâtre De La Ville
(meaning the City Theatre) is one of the two theatres built in the 19th century by Baron Haussmann at Place du Châtelet, Paris, the other being the Théâtre du Châtelet. It is located at 2, place du Châtelet in the 4th arrondissement. Included among its many previous names are Théâtre Lyrique, Théâtre des Nations, and Théâtre Sarah-Bernhardt. Théâtre Lyrique The theatre, which until the fall of Napoleon III in 1870 was officially known as the Théâtre Lyrique Impérial, was designed by the architect Gabriel Davioud for Baron Haussmann between 1860 and 1862 for the opera company more commonly known simply as the Théâtre Lyrique. That company's earlier theatre, the Théâtre Historique on the Boulevard du Temple, where it had performed since 1851, was slated for demolition as part of Haussmann's renovation of Paris. During the company's initial period on the Place du Châtelet, it was under the direction of Léon Carvalho and gave the premieres of Bizet's ''Les pà ...
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