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L'oca Del Cairo
' (''The Goose of Cairo'' or ''The Cairo Goose'', K. 422) is an incomplete Italian opera buffa in three acts, begun by Wolfgang Amadeus Mozart in July 1783 but abandoned in October. The complete libretto by Giambattista Varesco remains. Mozart composed seven of the ten numbers of the first act, plus some recitative, as well a sketch for a further aria; the extant music amounts to about 45 minutes. Background Mozart's correspondence shows he wanted to write a comic opera to a new text for the Italian company in Vienna. He had only just met Lorenzo Da Ponte, who would later pen the libretti for several of Mozart's most successful operas, but Da Ponte was not available, so Mozart turned to Giambattista Varesco, librettist for Mozart's earlier opera ''Idomeneo''. Mozart's urgent need of a poet is attested by his willingness to work with someone, who in his opinion had "not the slightest knowledge or experience of the theatre". Eventually Mozart realized the hopelessness of the proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramma bernesco'', ''dramma comico'', ''divertimento giocoso''. Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, ''buffa'' was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. ''The New Grove Dictionary of Opera'' considers ''La Cilla'' (music by Michelangelo Faggioli, text by , 1706) and Luigi and Federico Ricci's'' Crispino e la comare'' (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's ''Zeitoper'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Constantin (conductor)
Titus-Charles Constantin (7 January 1835 – 27 October 1891) was a French conductor, violinist and composer. Career Born in Marseilles, Constantin studied at the Paris Conservatoire, entering the composition class of Ambroise Thomas in June 1858. His compositions include cantatas, a ballet and several orchestral works. But Constantin was better known as a conductor. He was music director of Louis Martinet's Théâtre des Fantaisies-Parisiennes from 1865 where he revived rare operas by Schubert, Donizetti, Weber, Hérold, Monsigny and Philidor. He also completed and conducted the stage premiere of Mozart's ''L'Oca del Cairo'' (as ''L'Oie de Caire'') on 6 June 1867 at the Théâtre des Fantaisies-Parisiennes; his version was later revived elsewhere. In 1871–1872 he was conductor of the Théâtre Lyrique, when that company was being managed by Martinet and performing at the Théâtre de l'Athénée on rue Scribe. Constantin was then engaged by Daudé as musical director at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edith Wiens
Edith Wiens OC (born 9 June 1950) is a Canadian opera, recital and concert singer with a soprano voice. Early life and education Wiens, daughter of a Mennonite pastor, grew up in Vancouver where she finished high school at the age of 16. She studied theology and church music at Columbia Bible College in Clearbrook. At age 20 she received a bursary to study singing in Hannover, Germany. She went on to Oberlin Conservatory of Music to study with Richard Miller. She received her Bachelor and Master of Music degrees here. Career Her international career started in 1980 when the Berlin Philharmonic engaged her. This collaboration extended to well over 30 concerts with that orchestra. She has worked with well known conductors like Daniel Barenboim, Nikolaus Harnoncourt, Kurt Masur, Seiji Ozawa, Wolfgang Sawallisch, Klaus Tennstedt and Sir Georg Solti. Wiens had her operatic debut in 1986 at the Glyndebourne Festival as Donna Anna in Mozart's ''Don Giovanni'' under Bernard Haitink ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dietrich Fischer-Dieskau
Dietrich Fischer-Dieskau (28 May 1925 – 18 May 2012) was a German lyric baritone and conductor of classical music, one of the most famous Lieder (art song) performers of the post-war period, best known as a singer of Franz Schubert's Lieder, particularly ''"Winterreise"'' of which his recordings with accompanists Gerald Moore and Jörg Demus are still critically acclaimed half a century after their release. Recording an array of repertoire (spanning centuries) as musicologist Alan Blyth asserted, "No singer in our time, or probably any other has managed the range and versatility of repertory achieved by Dietrich Fischer-Dieskau. Opera, Lieder and oratorio in German, Italian or English came alike to him, yet he brought to each a precision and individuality that bespoke his perceptive insights into the idiom at hand." In addition, he recorded in French, Russian, Hebrew, Latin and Hungarian. He was described as "one of the supreme vocal artists of the 20th century" and "the most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marquess
A marquess (; french: marquis ), es, marqués, pt, marquês. is a nobleman of high hereditary rank in various European peerages and in those of some of their former colonies. The German language equivalent is Markgraf (margrave). A woman with the rank of a marquess or the wife (or widow) of a marquess is a marchioness or marquise. These titles are also used to translate equivalent Asian styles, as in Imperial China and Imperial Japan. Etymology The word ''marquess'' entered the English language from the Old French ("ruler of a border area") in the late 13th or early 14th century. The French word was derived from ("frontier"), itself descended from the Middle Latin ("frontier"), from which the modern English word ''march'' also descends. The distinction between governors of frontier territories and interior territories was made as early as the founding of the Roman Empire when some provinces were set aside for administration by the senate and more unpacified or vulnerab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eunuch
A eunuch ( ) is a male who has been castrated. Throughout history, castration often served a specific social function. The earliest records for intentional castration to produce eunuchs are from the Sumerian city of Lagash in the 2nd millennium BCE. Over the millennia since, they have performed a wide variety of functions in many different cultures: courtiers or equivalent domestics, for espionage or clandestine operations, castrato singers, concubines, or sexual partners, religious specialists, soldiers, royal guards, government officials, and guardians of women or harem servants. Eunuchs would usually be servants or slaves who had been castrated to make them less threatening servants of a royal court where physical access to the ruler could wield great influence. Seemingly lowly domestic functions—such as making the ruler's bed, bathing him, cutting his hair, carrying him in his litter, or even relaying messages—could, in theory, give a eunuch "the ruler's ear" and impa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Lund
Peter Lund (born 30 December 1965, in Flensburg) is a German theatre director, playwright, and author, as well as Professor for Acting at Berlin University of the Arts. He has pioneered the New German Musical at the Neuköllner Oper in Berlin. Life & Career Lund was educated in Flensburg and in Berlin, where he studied architecture. Since 1985 he has been active as a theatre director and author, e.g., in Braunschweig, Hannover, Darmstadt, Bremen, Hamburg, Basel, Innsbruck and Vienna. His focus lies on opera, operetta, and musical theatre. In 1985 he founded the performance ensemble ''Gruppe Comp&Co''. From 1996 to 2004 he was artistic director of the Neuköllner Oper in Berlin. Since 2002, Lund is Professor for Acting at the ''Musical/Show'' department at Berlin University of the Arts. Lund initiated a collaboration of the Berlin University of the Arts ''Musical/Show'' department with the Neuköllner Oper in Berlin. The university's graduating class performs a professional pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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