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Königskinder
' (German for ''King's Children'' or “Royal Children”) is a stage work by Engelbert Humperdinck that exists in two versions: as a melodrama and as an opera or more precisely a '' Märchenoper''. The libretto was written by Ernst Rosmer (pen name of Else Bernstein-Porges), adapted from her play of the same name. In 1894, Heinrich Porges asked Humperdinck to write incidental music for his daughter Else's play. Humperdinck was interested in making the story into an opera but since Else Bernstein-Porges initially refused, he opted for the play to be staged as a melodrama – that is with spoken dialogue taking place along with an instrumental backdrop. (The work also included operatic arias and choruses, as well as unaccompanied dialogue.) In the melodramatic passages, Humperdinck designed an innovative hybrid notation that called for a text delivery somewhere between singing and speech. With this notation, the singer was expected to deliver a substantial portion of the text wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Else Bernstein-Porges
Elsa Bernstein (née Porges; pseudonym, Ernst Rosmer; 27 October 1866 – 2 July 1949) was an Austrian-German German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Ger ... writer, dramatist, and literary figure. Life Elsa Porges was born in Vienna, a daughter of Heinrich Porges (a close friend of Richard Wagner). At the age of ten, at her own insistence, she attended the first complete, four-opera performance of ''The Ring Cycle'' in Bayreuth in 1876, for which her father served as Wagner's special documentary-archivist. In opera tradition, Elsa is considered to have been the cycle's youngest audience member. With her marriage to journalist Max Bernstein, she became hostess to one of the most notable musical and literary Salon (gathering), salons of the late nineteenth and early twentieth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dell'Arte Opera Ensemble
dell'Arte Opera Ensemble is an opera company in New York City devoted to nurturing emerging singers through rehearsal and performance opportunities, coaching, seminars, and master classes. It was founded in 2000 by opera coach and conductor Christopher Fecteau with the goal of training young opera artists and presenting them in professional productions. Through its Repertoire Development Program, the company features the work of emerging performers, designers, directors and conductors in both standard and rarely-heard masterworks. Several New York premieres have been presented, such as Salieris' "Falstaff," Titus' "Rosina" and (in 2018) Salieri's "La Cifra." In December 2010, the company presented the first performance in New York City of Engelbert Humperdinck's ''Königskinder'' since its premiere one hundred years earlier at the Metropolitan Opera. Participants Singers performing with dell'Arte range from those who have just finished music school to those pursuing regiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engelbert Humperdinck (composer)
Engelbert Humperdinck (; 1 September 1854 – 27 September 1921) was a German composer. He is known widely for his opera ''Hansel and Gretel (opera), Hansel and Gretel'' (1893). Biography Humperdinck was born at Siegburg in the Rhine Province in 1854. After receiving piano lessons, he produced his first composition at the age of seven. His first attempts at works for the stage were two singspiele written when he was 13. His parents disapproved of his plans for a career in music and encouraged him to study architecture. But he began taking music classes under Ferdinand Hiller and Isidor Seiss at the Cologne Conservatory in 1872. In 1876, he won a scholarship that enabled him to go to Munich, where he studied with Franz Lachner and later with Josef Rheinberger. In 1879, he won the first Mendelssohn Scholarship, Mendelssohn Award given by the Mendelssohn Scholarship, Mendelssohn Stiftung (foundation) in Berlin. He went to Italy, where he became acquainted with composer Richard Wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geraldine Farrar
Alice Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American lyric soprano who could also sing dramatic roles. She was noted for her beauty, acting ability, and "the intimate timbre of her voice." She had a large following among young women, who were nicknamed "Gerry-flappers". Biography Farrar was born in Melrose, Massachusetts, the daughter of baseball player Sidney Farrar, and his wife Henrietta Barnes. At age five, she began studying music in Boston and by 14 was giving recitals. Later she studied voice with the American soprano Emma Thursby in New York City, in Paris, and finally with the Italian baritone Francesco Graziani in Berlin. Farrar created a sensation at the Berlin Hofoper with her debut as Marguerite in Charles Gounod's ''Faust'' in 1901 and remained with the company for three years, during which time she continued her studies with famed German soprano Lilli Lehmann. (She had been recommended to Lehmann by another famous soprano of the previ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise Homer
Louise Beatty Homer (April 30, 1871May 6, 1947) was an American operatic contralto who had an active international career in concert halls and opera houses from 1895 until her retirement in 1932. After a brief stint as a vaudeville entertainer in New England, she made her professional opera debut in France in 1898. She then became a member of the Metropolitan Opera from 1900 to 1919 and again from 1927 to 1929. She was also active as an opera singer in Boston, Chicago, and California. She recorded extensively for Victor Records and Columbia Records in the early decades of the 20th century. She was married to composer Sidney Homer for 52 years. The composer Samuel Barber was her nephew. Homer sang a broad repertoire which encompassed works from the French, German, and Italian repertoires. She enjoyed particular success in the operas of Giuseppe Verdi and Richard Wagner. She often stated in interviews that her favorite role to perform was Amneris in Verdi's ''Aida''. At the Met sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herman Jadlowker
Herman (Hermann) Jadlowker (17 July 1877, in Riga – 13 May 1953, in Tel Aviv) was a leading Latvian people, Latvian-born tenor of Russian (later Israeli) nationality who enjoyed an important international career during the first quarter of the 20th century. His virtuoso recordings of arias from ''Idomeneo'' and ''The Barber of Seville'', among others, are considered by some to be classics of the phonograph, gramophone, although reviews of his operatic performances, especially during his brief tenure in New York with the Metropolitan Opera, were decidedly mixed. At the Met he was chosen to create the tenor role in ''Versiegelt,'' a one-act opera by Leo Blech, in January 1912. . ''The New York Times'', 21 January 1912. p. 13 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bavarian State Opera
The Bayerische Staatsoper is a German opera company based in Munich. Its main venue is the Nationaltheater München, and its orchestra the Bayerische Staatsorchester. History The parent ensemble of the company was founded in 1653, under Electress consort Princess Henriette Adelaide of Savoy, when Giovanni Battista Maccioni's ''L'arpa festante'' was performed in the court theatre. In 1753, the Residence Theatre (Cuvilliés Theatre) was opened as a major stage. While opera performances were also held in the Prinzregententheater (completed in 1901), the company's home base is the Nationaltheater München on Max-Joseph-Platz. In 1875, the Munich Opera Festival took place for the first time. Sir Peter Jonas became the general manager in 1993, the first British general manager of any major German-speaking opera house. In 2008, Nikolaus Bachler became Intendant (general manager) of the opera company, and Kirill Petrenko became Generalmusikdirektor (GMD) in 2013. In 2014, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarasota Opera
Sarasota Opera is a professional opera company in Sarasota, Florida, USA, which was founded as the Asolo Opera Guild and, until 1974, presented a visiting company's productions. Between 1974 and 1979, it set about mounting its own productions in the same venue until, in 1979, it acquired the Edwards Theatre, which became the Sarasota Opera House in 1984. The house underwent a further renovation in 2008, creating a 1,119-seat venue. In addition to two or three operas in the popular repertoire, each season typically includes an opera as part of the long-running "Verdi Cycle", the company's planned presentations of every Verdi opera, and one in the "Masterworks Revival" series. Company history Initially bringing the Turnau Opera of Woodstock, New York to perform chamber-sized operas at the historic Asolo Theater on the grounds of the John and Mable Ringling Museum of Art, the guild then began mounting its own productions, also at the Asolo, in 1974, but when it acquired the Edwards ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Pountney
Sir David Willoughby Pountney (born 10 September 1947) is a British-Polish theatre and opera director and librettist internationally known for his productions of rarely performed operas and new productions of classic works. He has directed over ten world premières, including three by Sir Peter Maxwell Davies for whom he wrote the librettos of '' The Doctor of Myddfai'', '' Mr Emmet Takes a Walk'' and ''Kommilitonen!''Baumgartner (22 July 2009) Biography Pountney was born in Oxford and was a chorister at St John's College, Cambridge (1956-61). He was then educated near Oxford at Radley College (1961-66). And then returned to St John's College, Cambridge to read his degree. His first major breakthrough came in 1972 with his production of ''Káťa Kabanová'' for the Wexford Festival. From 1975 to 1980, he was the Director of Productions at Scottish Opera, and, from 1982 to 1993, Director of Productions at English National Opera, where he directed over twenty operas. From 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lola Artôt De Padilla
Lola Artôt de Padilla (5 October 1876 or 1880 - 12 April 1933) was a French-Spanish soprano, renowned in Germany, where she mainly sang. Biography Lola Artôt de Padilla was born in Sèvres near Paris as Dolores de Padilla. Her year of birth is given as either 1880 or 1876. Her mother was the Belgian-born soprano Désirée Artôt (de Padilla), and her father was a well-known Spanish baritone, Mariano Padilla y Ramos. (They had married in 1869 while Désirée Artôt was still informally engaged to Pyotr Ilyich Tchaikovsky, but she did not inform him she had changed her mind.) Her godmother was her mother's singing teacher Pauline Viardot. She exhibited her vocal ability at a young age, but not her mother's fiery temperament. Her mother was her sole singing teacher. She made an unofficial debut in Paris and her major debut at the Hoftheater Wiesbaden in 1902 in the title role of Thomas's ''Mignon'' and from 1905 until 1908 she sang at the Komische Oper Berlin. From 1909 unt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Theatre Munich
The National Theatre (german: link=no, Nationaltheater) on Max-Joseph-Platz in Munich, Germany, is a historic opera house, home of the Bavarian State Opera, Bavarian State Orchestra and the Bavarian State Ballet. Building First theatre – 1818 to 1823 The first theatre was commissioned in 1810 by King Maximilian I of Bavaria because the nearby Cuvilliés Theatre had too little space. It was designed by Karl von Fischer, with the 1782 Odéon in Paris as architectural precedent. Construction began on 26 October 1811 but was interrupted in 1813 by financing problems. In 1817 a fire occurred in the unfinished building. The new theatre finally opened on 12 October 1818 with a performance of ''Die Weihe'' by Ferdinand Fränzl, but was soon destroyed by another fire on 14 January 1823; the stage décor caught fire during a performance of ''Die beyden Füchse'' by Étienne Méhul and the fire could not be put out because the water supply was frozen. Coincidentally the Paris O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Mark Elder
Sir Mark Philip Elder (born 2 June 1947) is a British conductor. He is currently music director of the Hallé Orchestra in Manchester, England. Life and career Elder was born in Hexham, Northumberland, the son of a dentist. He played the bassoon when in primary school, and at Bryanston School, Dorset, where he was one of the foremost musicians (bassoon and keyboards) of his generation. He attended Corpus Christi College, Cambridge as a choral scholar, where he studied music. He later became a protégé of Sir Edward Downes and gained experience conducting Verdi operas (as well as Prokofiev's ''War and Peace'' and Wagner's ''Meistersinger'') in Australia, at the Sydney Opera House. Family Elder and his wife, Mandy, have a daughter, Katie. The ENO and association with several orchestras From 1979 to 1993, Elder was the music director of English National Opera (ENO). He was known as part of the "Power House" team that also included general director Peter Jonas and artisti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
