Kronstorfer Messe
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Kronstorfer Messe
The ''Kronstorfer Messe'', WAB 146, is a missa brevis composed by Anton Bruckner in 1843-1844. History Bruckner composed the ''Kronstorfer Messe'', WAB 146, in 1843–1844, while he was a schoolteacher's assistant in Kronstorf. This ''Choral-Messe'' in D minor for mixed choir ''a cappella'' was presumably intended for the Lenten season.U. Harten, pp. 288-289 The work, the manuscript of which was archived in the St. Florian Monastery, was premiered by Augustinus Franz Kropfreiter on 1 December 1974 in the church of the monastery.C. van Zwol, p. 710 The work is put in Band XXI/41 of the . Setting The work is divided into four parts: # Kyrie - Adagio, D minor # Sanctus - Adagio, B-flat major # Benedictus - Andante, F major # Agnus Dei - Adagio, F major Total duration: about 5 minutes. This Missa brevis, also called [], exhibits relationships to Giovanni Pierluigi da Palestrina, Palestrina's style. The mass survives only in a fragmentary state, without ''Credo''.J. Wil ...
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Anton Bruckner
Josef Anton Bruckner (; 4 September 182411 October 1896) was an Austrian composer, organist, and music theorist best known for his symphonies, masses, Te Deum and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music. Hans von Bülow described him as "half genius, half simpleton". Bruckner was critical of his own work and often reworked his compositions. There are several version ...
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F Major
F major (or the key of F) is a major scale based on F, with the pitches F, G, A, B, C, D, and E. Its key signature has one flat. Its relative minor is D minor and its parallel minor is F minor F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major. Its enharmonic equivalent, E-sharp mi .... The F major scale is: : F major is the home key of the English horn, the basset horn, the French horn, horn in F, the trumpet in F and the bass Wagner tuba. Thus, music in F major for these transposing instruments is written in C major. Most of these sound a perfect fifth lower than written, with the exception of the trumpet in F which sounds a fourth higher. (The basset horn also often sounds an octave and a fifth lower.) Notable compositions in F major *Antonio Vivaldi **Twelve Trio Sonatas, Op. 1 (Vivaldi), Trio sonata Op. ...
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Masses By Anton Bruckner
Mass is the quantity of matter in a physical body and a measure of the body's inertia. Mass or Maß may also refer to: Arts, entertainment, and media Music *Mass (music), a choral composition that sets liturgical text to music * ''Mass'' (Stravinsky), a composition by Igor Stravinsky * ''Mass'' (Bernstein), a musical theater work by Leonard Bernstein *Mass (English band), a post-punk band * ''Mass'' (Grotus album), 1996 * ''Mass'' (Alastair Galbraith album), 2011 * ''Mass'' (The Gazette album), 2021 * ''The Mass'' (album), by musical project Era Other uses in arts, entertainment, and media * ''Mass'' (2004 film), Indian Telugu-language film * ''Mass'' (2021 film), American drama film * ''Mass'' (novel), a 1973 novel by Filipino author F. Sionil José * Mass media, communication channels which can reach huge numbers of people * ''The Masses'', a socialist magazine published in the US from 1911 to 1917 Military *MASS (decoy system), a naval defence system *M26 Modular Accessory ...
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Bruckner Gesamtausgabe
The ''Bruckner Gesamtausgabe'' (Brucker's Complete Edition) is a critical edition of the works of Anton Bruckner. Published by ' in Vienna, it comprises three successive editions. *''Alte Gesamtausgabe'' (1930–1944, Editorial Head: Robert Haas)This first edition (12 volumes issued) included 'hybrid' scores for Symphonies Nos. 2 and 8 and other similar conflations for some other revised works (Mass No. 3). *''Neue Gesamtausgabe'' (1951–1989, Editorial Head: Leopold Nowak)In this new edition Nowak ''et al.'' went about publishing several versions of some works, in the process correcting some mistakes of Haas. From 1990 onwards (Editorial Head: Herbert Vogg), William Carragan, Paul Hawkshaw, Benjamin-Gunnar Cohrs ''et al.'' were in the process of reviewing and further correcting the work of Haas and Nowak. *''Anton Bruckner Gesamtausgabe'' (Editorial board: Paul Hawkshaw, Thomas Leibnitz, Andreas Lindner, Angela Pachovsky, Thomas Röder)In 2011 it has been decided to issue a new e ...
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Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher."Cambridge Companions to Music"
on Cambridge University Press website, accessed 21 September 2015.


Volumes (sortable table)


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Uwe Harten
Uwe Harten (born 16 August 1944) is a German musicologist, who works in Austria. Life Born in , Harten grew up in Hamburg, where he was a boy soprano at the Staatsoper. He took over the roles of a child. In Hamburg he also began his studies of musicology and art history, which he continued in Vienna with Erich Schenk. He gained his doctorate with his study of the Viennese Schumann admirer Carl Debrois van Bruyck. He then worked as a dramaturgical assistant at the Vienna Chamber Opera. Furthermore, he assisted Anthony van Hoboken in the production of his Werkverzeichnis of Joseph Haydn. Since 1972 he has been a member of the at the Österreichische Akademie der Wissenschaften. Since 1974 he has been secretary and member of the board of directors of the Denkmäler der Tonkunst in Österreich. In addition Harten worked as an assistant at the since its foundation in 1978. From 1988 to 2000 he was also its deputy scientific director and participated between 1977 and 2000 in ...
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Latvian Radio Choir
The Latvian Radio Choir (Latvijas Radio koris) is the professional chamber choir of Latvian Radio which was founded in 1940 by the Latvian conductor Teodors Kalnins. Following the musical direction by Edgars Račevskis (1963–1986) and Juris Kļaviņš (1987 – 1992). The choir has had two conductors ever since 1992 - musical director and principal conductor. The choir is currently of 24 singers under the leadership of Sigvards Kļava and Kaspars Putniņš. Selected discography *Paradisus vocis, 2018. Composer Andrejs Selickis conducted by Sigvards Kļava. *Sacred Love, 2014. Composers Yuri Falik, Arturs Maskats, Georgy Sviridov conducted by Sigvards Kļava. *Mythes étoilés, 2014. Composers Lasse Thorersen, György Ligeti, Mārtiņš Viļums, John Cage, Anders Hillborg, Toivo Tulev conducted by Sigvards Kļava, Kaspars Putniņš. *Adam's Lament (ECM), 2012. Composed by Arvo Pärt conducted by Tõnu Kaljuste. Winner of Grammy Award The Grammy Awards (stylized as GRAMMY), o ...
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Tampere
Tampere ( , , ; sv, Tammerfors, ) is a city in the Pirkanmaa region, located in the western part of Finland. Tampere is the most populous inland city in the Nordic countries. It has a population of 244,029; the urban area has a population of 341,696; and the metropolitan area, also known as the Tampere sub-region, has a population of 393,941 in an area of . Tampere is the second-largest urban area and third most-populous individual municipality in Finland, after the cities of Helsinki and Espoo, and the most populous Finnish city outside the Greater Helsinki area. Today, Tampere is one of the major urban, economic, and cultural hubs in the whole inland region. Tampere and its environs belong to the historical province of Satakunta. The area belonged to the Häme Province from 1831 to 1997, and over time it has often been considered to belong to Tavastia as a province. For example, in '' Uusi tietosanakirja'' published in the 1960s, the Tampere sub-region is presented as p ...
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Messe Für Den Gründonnerstag
The ''Messe für den Gründonnerstag'' (Mass for Maundy Thursday), WAB 9, is a missa brevis composed by Anton Bruckner in 1844. History Bruckner composed the ', a ''Choral-Messe'' in F major ( WAB 9) for mixed choir a cappella, in 1844 while he was a schoolteacher's assistant in Kronstorf. Bruckner dedicated the work to A.M.D.G.U. Harten, pp. 281-282 The work, the manuscript of which is stored in the archive of Wels, was first published in band I, pp. 258–274 of the Göllerich/Auer biography. Thereafter, only the Gradual ''Christus factus est'' was issued by Anton Böhm & Sohn in 1931, so that the work was listed by Grasberger as ''Christus factus est'', WAB 9. The full setting of the mass is published in volume XXI/5 of the '. Setting The work is divided into six parts: # Gradual ''Christus factus est'', F major # Credo, C major # Offertory ''Dextera Domini'', F major # Sanctus, E major # Benedictus, G major # Agnus Dei, F major Total duration: about 10 minutes. ...
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Asperges Me, WAB 4
' (Thou wilt sprinkle me), WAB 4, is a sacred motet composed by Anton Bruckner. It is a setting of the Latin Asperges me, the antiphon used for the celebration of Asperges. History In 1843–44, Bruckner composed this first setting of ''Asperges me'' during his stay in Kronstorf.C. van Zwol, p. 700U. Harten, p. 64 It is not known when it was performed at that time. The work, the original manuscript of which is lost, exists as a transcription by Arthur Bauer. The motet was first published in volume III/2, pp. 140–141 of the Göllerich/Auer biography. It is put in volume XXI/4 of the '. Music The work is a setting of 32 bars in F major of the ''Asperges me'' for mixed choir ''a cappella''. According to the Catholic practice, the incipit ("''Asperges me''") is not composed and has to be intoned by the priest in Gregorian mode before the choir begins. The score is in two sections. Section 1 (7 bars) begins with "''Domine, hysopo''" and ends with "''dealbabor''". Se ...
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Giovanni Pierluigi Da Palestrina
Giovanni Pierluigi da Palestrina ( – 2 February 1594) was an Italian composer of late Renaissance music. The central representative of the Roman School, with Orlande de Lassus and Tomás Luis de Victoria, Palestrina is considered the leading composer of late 16th-century Europe. Primarily known for his masses and motets, which number over 105 and 250 respectively, Palestrina had a long-lasting influence on the development of church and secular music in Europe, especially on the development of counterpoint. According to '' Grove Music Online'', Palestrina's "success in reconciling the functional and aesthetic aims of Catholic church music in the post-Tridentine period earned him an enduring reputation as the ideal Catholic composer, as well as giving his style (or, more precisely, later generations’ selective view of it) an iconic stature as a model of perfect achievement." Biography Palestrina was born in the town of Palestrina, near Rome, then part of the Papal States to N ...
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Agnus Dei (liturgy)
is the Latin name under which the "Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celebran ...
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