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Konrad Rupf
Konrad Rupf (23 May 1929 – 29 April 2013) was a German operatic bass-baritone and teacher. He made his debut in 1955 at the Staatstheater Cottbus, moved to the Opernhaus Chemnitz in 1958, to the Leipzig Opera in 1980, and made guest appearances around Europe. Rupf performed a repertoire of 127 roles, including title roles from Handel's Poro to Gershwin's Porgy and Bess and Paul Dessau's Puntila, and roles in world premieres. He taught voice at the Musikhochschule Leipzig from 1980 to 1990. Rupf's last leading role was Tevje in ''Fiddler on the Roof'', which premiered in 2000. Life Born in near Zwickau, Rupf first received private singing lessons in Weimar and studied voice at the Musikhochschule Weimar. He completed his studies at the Musikhochschule Berlin with J. M. Hauschild. He received his first permanent engagement in 1955 at the Staatstheater Cottbus where he made his debut as Dulcamara in Donizetti's ''L'elisir d'amore''. He remained there until 1958, appearing i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zwickau
Zwickau (; is, with around 87,500 inhabitants (2020), the fourth-largest city of Saxony after Leipzig, Dresden and Chemnitz and it is the seat of the Zwickau District. The West Saxon city is situated in the valley of the Zwickau Mulde (German: ''Zwickauer Mulde''; progression: ), and lies in a string of cities sitting in the densely populated foreland of the Elster and Ore Mountains stretching from Plauen in the southwest via Zwickau, Chemnitz and Freiberg to Dresden in the northeast. From 1834 until 1952, Zwickau was the seat of the government of the south-western region of Saxony. The name of the city is of Sorbian origin and may refer to Svarog, the Slavic god of fire and of the sun. Zwickau is the seat of the West Saxon University of Zwickau (German: ''Westsächsische Hochschule Zwickau'') with campuses in Zwickau, Markneukirchen, Reichenbach im Vogtland and Schneeberg (Erzgebirge). The city is the birthplace of composer Robert Schumann. As cradle of Audi's forerunner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Csárdásfürstin
' (''The Csárdás Princess''; translated into English as ''The Riviera Girl'' and ''The Gipsy Princess'') is an operetta in 3 acts by Hungarian composer Emmerich Kálmán, with libretto by Leo Stein and Bela Jenbach. It premiered in Vienna at the on 17 November 1915. Numerous film versions and recordings have been made. The operetta is widely beloved across Europe, particularly in Hungary, Austria, Germany, and the former Soviet Union, where it was adapted into a popular film. It is arguably Kálmán's most successful work. Roles Synopsis :Place: Budapest and Vienna :Time: shortly before the outbreak of the First World War Act 1 Sylva Varescu, a self-sufficient and professionally successful cabaret performer from Budapest, is about to embark on a tour of America. Three of her aristocratic admirers, named Edwin, Feri, and Boni, prefer her to stay. Edwin, unaware that his parents have already arranged a marriage for him back home in Vienna, orders a notary to prepare a promisso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udo Zimmermann
Udo Zimmermann (6 October 1943 – 22 October 2021) was a German composer, musicologist, opera director, and conductor. He worked as a professor of composition, founded a centre for contemporary music in Dresden, and was director of the Leipzig Opera and the Deutsche Oper Berlin. He directed a contemporary music series for the Bayerischer Rundfunk and a European centre of the arts in Hellerau. His operas, especially '' Weiße Rose'', on a topic he set to music twice, have been performed internationally, and recorded. Biography Born in Dresden, Zimmermann was a member of the Dresdner Kreuzchor from 1954 to 1962, when he completed the Abitur. Directed by Rudolf Mauersberger, Zimmermann was immersed in the works of Johann Sebastian Bach and learned vocal expression, which became a focus of his own compositions. He wrote three motets which were performed by the choir, including a "Vaterunserlied" in 1959. Education in the choir fostered a humanitarian attitude which he kept for lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatsoper Dresden
The Semperoper () is the opera house of the Sächsische Staatsoper Dresden (Saxon State Opera) and the concert hall of the Staatskapelle Dresden (Saxon State Orchestra). It is also home to the Semperoper Ballett. The building is located on the Theaterplatz near the Elbe River in the historic centre of Dresden, Germany. The opera house was originally built by the architect Gottfried Semper in 1841. After a devastating fire in 1869, the opera house was rebuilt, partly again by Semper, and completed in 1878. The opera house has a long history of premieres, including major works by Richard Wagner and Richard Strauss. History The first opera house at the location of today's Semperoper was built by the architect Gottfried Semper. It opened on 13 April 1841 with an opera by Carl Maria von Weber. The building style itself is debated among many, as it has features that appear in three styles: early Renaissance and Baroque, with Corinthian style pillars typical of Greek classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristan Und Isolde
''Tristan und Isolde'' (''Tristan and Isolde''), WWV 90, is an opera in three acts by Richard Wagner to a German libretto by the composer, based largely on the 12th-century romance Tristan and Iseult by Gottfried von Strassburg. It was composed between 1857 and 1859 and premiered at the Königliches Hoftheater und Nationaltheater in Munich on 10 June 1865 with Hans von Bülow conducting. Wagner referred to the work not as an opera, but called it "" (literally ''a drama'', ''a plot'', or ''an action''). Wagner's composition of ''Tristan und Isolde'' was inspired by the philosophy of Arthur Schopenhauer (particularly ''The World as Will and Representation''), as well as by Wagner's affair with Mathilde Wesendonck. Widely acknowledged as a pinnacle of the operatic repertoire, ''Tristan'' was notable for Wagner's unprecedented use of chromaticism, tonal ambiguity, orchestral colour, and harmonic suspension. The opera was enormously influential among Western classical com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puntila (opera)
''Puntila'' is a 1959 opera by Paul Dessau Paul Dessau (19 December 189428 June 1979) was a German composer and conductor. He collaborated with Bertolt Brecht and composed incidental music for his plays, and several operas based on them. Biography Dessau was born in Hamburg into a ... 1956–1959, to a libretto by Peter Palitzsch and Manfred Wekwerth after the play '' Mr Puntila and his Man Matti'' by Brecht. It was premiered 15 November 1966.Eric Salzman, Thomas Desi ''The New Music Theater: Seeing the Voice, Hearing the Body'' 2008- Page 161 "Dessau came from the world of opera and operetta " Recording *''Puntila'' - Reiner Süss, Kurt Rehm, Irmgard Arnold, Erich Witte, Gertrud Stilo, Hannerose Katterfield, dir Paul Dessau Staatskapelle Berlin & Chor des Deutschen Staatsoper Berlin 1969 5 139 280~81 SLPM (2 LP box) References {{DEFAULTSORT:Puntila Operas by Paul Dessau German-language operas Operas 1959 operas Operas based on plays Adaptations of works by Ber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathis Der Maler
''Mathis der Maler'' (''Matthias the Painter'' is an opera by Paul Hindemith. The work's protagonist, Matthias Grünewald, was a historical figure who flourished during the Reformation, and whose art, in particular the Isenheim Altarpiece, inspired many creative figures in the early 20th century. Hindemith completed the opera, writing his own libretto, in 1935. By that time, however, the rise of Nazism prevented Hindemith from securing a performance in Germany. The story, set during the German Peasants' War (1524-25), concerns Matthias's struggle for artistic freedom of expression in the repressive climate of his day, which mirrored Hindemith's own struggle as the Nazis attained power and repressed dissent. The opera's obvious political message did not escape the regime. Performance history The opera was first performed at the Opernhaus Zürich on 28 May 1938, conducted by Robert Denzler. On 14 October 1956, a rebuilt Schauspiel Köln in Cologne opened with a gala per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Meistersinger Von Nürnberg
(; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theatre Munich, National Theater in Munich, today home of Bavarian State Opera. The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of ''Meistersinger'' (Master Singers), an association of amateur poets and musicians who were primarily Master craftsman, master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depictio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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