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Koncert Kod Hajdučke česme
''Koncert kod Hajdučke česme'' (styled ''koncert kod hajduccke ccesme'' on the cover, trans. ''The Concert at Hajdučka česma'') is the first live album by Yugoslav rock band Bijelo Dugme, released in 1977. The album's title refers to the band's famous concert played on August 28, 1977 near Hajdučka česma grounds at Košutnjak Park in Belgrade. However, the material on the record is only partially recorded at the said event. The album was polled in 1998 as the 74th on the list of 100 greatest Yugoslav rock and pop albums in the book '' YU 100: najbolji albumi jugoslovenske rok i pop muzike'' (''YU 100: The Best Albums of Yugoslav Pop and Rock Music''). Background During the promotional tour for the band's third studio album, 1976's ''Eto! Baš hoću!'' (''There! I Will!''), Bijelo Dugme experienced numerous difficulties, from clashes within the band to technical problems and dwindling attendance. After spending three years at the top of the Yugoslav rock scene, the band su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijelo Dugme
Bijelo Dugme (trans. ''White Button'') was a Socialist Federal Republic of Yugoslavia, Yugoslav rock music, rock band, formed in Sarajevo, Socialist Republic of Bosnia and Herzegovina, SR Bosnia and Herzegovina in 1974. Bijelo Dugme is widely considered to have been the most popular band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most important acts of the Yugoslav rock scene. Bijelo Dugme was officially formed in 1974, although the members of the default lineup, guitarist Goran Bregović, vocalist Željko Bebek, drummer Ipe Ivandić, keyboardist Vlado Pravdić and bass guitarist Zoran Redžić, were previously active under the name Jutro (Sarajevo band), Jutro. The band's debut album ''Kad bi bio bijelo dugme'', released in 1974, brought them nationwide popularity with its The Balkans, Balkan Folk music, folk-influenced hard rock sound. The band's future several releases, featuring similar sound, maintained their huge popularity, describe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open-air Concert
A music festival is a community event with performances of singing and instrument playing that is often presented with a theme such as musical genre (e.g., rock, blues, folk, jazz, classical music), nationality, locality of musicians, or holiday. Music festivals are generally organized by individuals or organizations within networks of music production, typically music scenes, the music industries, or institutions of music education. The music festival is the largest and one of the most important performance institutions in music life, a place for experiencing where the culture is at. Music festivals are commonly held outdoors, with tents or roofed temporary stages for the performers. Often music festivals host other attractions such as food and merchandise vending, dance, crafts, performance art, and social or cultural activities. Many festivals are annual, or repeat at some other interval, while some are held only once. Some festivals are organized as for-profit concerts a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jugoslav Vlahović
Jugoslav Vlahović ( sr-cyr, Југослав Влаховић, born 1949) is a Serbian artist, illustrator, photographer and a former rock musician. Vlahović is known for his work on album covers. He is also known as a former member of the rock band Porodična Manufaktura Crnog Hleba. He is the father of Jakša Vlahović, a member of the gothic metal band Abonos and thrash metal band Bombarder, and Marta Vlahović, a former Abonos member. Biography Vlahović was born in Belgrade in 1949. He graduated at the Second Belgrade Highschool and later at the Academy of Applied Arts in Belgrade. In 1968 Vlahović formed acoustic rock band Porodična Manufaktura Crnog Hleba with his sister Maja de Rado. The band released several 7-inch singles and one studio album, ''Stvaranje'', before disbanding in 1975. During this period Vlahović also appeared in rock musical ''Hair'' performed at Atelje 212. Vlahović refused an invitation from Bora Đorđević to join Suncokret due to his army ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zoran Redžić
Zoran Redžić (born 29 January 1948) is a Bosnian musician, best known for playing the bass guitar in the popular Yugoslav rock band Bijelo Dugme. Born in Sarajevo, Bosnia and Herzegovina, Yugoslavia, he is a younger brother of another Bosnian musician from band Indexi. During the late 1960s, teenage Zoran first performed with the group Čičci together with Milić Vukašinović, Mahmut "Paša" Ferović, and Dragan Danilović. Then in 1970 Redžić and drummer Milić Vukašinović joined Željko Bebek's band Kodeksi, of which Goran Bregović was already a member. After Bebek departed his own band, Redžić opted to stay with Goran Bregović in his new band Jutro which would go on to become the highly successful Bijelo Dugme in 1974. Redžić was Bijelo Dugme's bassist from 1974 to 1975 and then from 1977 to 1989 and played on the band's every studio album except ''Eto! Baš hoću!''. He took part in Bijelo Dugme's 2005 farewell tour and lives and works in Sarajevo Sar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Željko Bebek
Želimir "Željko" Bebek (born 16 December 1945) is a Bosnian and Croatian vocalist and musician most notable for being the lead singer of former Yugoslav rock band Bijelo Dugme from 1974 to 1984. He also has a successful career as a solo artist. Early years Bebek was born in Sarajevo, PR Bosnia and Herzegovina, FPR Yugoslavia to Bosnian Croat parents Zvonimir and Katarina. He showed an early interest in music, entertaining his mother's house guests by singing songs he heard on the radio. He also experimented with harmonica, but abandoned it in third grade of primary school as he wanted to play guitar and sing along. His teacher, however, discouraged such intentions so Željko ended up playing mandolin instead. He soon became the school's best mandolin player and was allowed to play guitar as a reward. At age sixteen, Bebek began taking the stage at Eho 61, an open mic club-like school activity for the musically inclined students of Sarajevo's Second Gymnasium. A couple of year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Selma (Bijelo Dugme Song)
Selma is a rock ballad recorded in former Yugoslavia by the influential Bosnian rock band Bijelo Dugme. This song appeared for the first time on their 1974 debut album ''Kad bi bio bijelo dugme''. Background "Selma" is a song about a young girl traveling to university. The narrator is saying goodbye to her, and he cannot express his feelings for her, all he can say is goodbye and please do not lean out of the train window. The text of the song was written by Vlado Dijak, a former Yugoslav poet and songwriter, based on a real event in 1949, when he accompanied Selma Borić, the young Zenica-born girl in which he was secretly in love with, to the train station in Sarajevo. The music was composed by Goran Bregović. Versions Studio version The version that we hear on the record is approximately six minutes and ten seconds in length. The song has two verses, but the second verse is repeated for the 3rd verse. There is an organ solo done by organist Vlado Pravdić as well as guitar r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stižemo
''Stižemo'' (trans. ''Here We Come'') is an album by Serbian and Yugoslav keyboardist Laza Ristovski and Yugoslav drummer Ipe Ivandić, released in 1978. Recording Early 1978: side project While conceptualizing and making ''Stižemo'', both Ristovski and Ivandić were members of the hard rock band Bijelo Dugme. The duo decided to record the album as a side project during 1978 while the band was on hiatus because of its leader, guitarist Goran Bregović, serving out his mandatory Yugoslav People's Army stint. Ristovski and Ivandić were not the only Bijelo Dugme members who had decided to make use of the hiatus in order to pursue a side project as the band's vocalist Željko Bebek was also off on his own recording a solo album, ''Skoro da smo isti'', which would be released by Jugoton. During early 1978, ahead of going into the studio to record the material, Ristovski and Ivandić, as well as the rest of the musicians they gathered for the project, got together in a motel in Kru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ipe Ivandić
Goran "Ipe" Ivandić (December 10, 1955 – January 12, 1994) was a Bosnian rock drummer, famous for his work with the band Bijelo Dugme. Early life Ivandić was born to father Josip and mother Mirjana in the central Bosnian town of Vareš, at the time in PR Bosnia and Herzegovina, FPR Yugoslavia, where his mining engineer father had been assigned for a new job. Nicknamed Ipe from an early age, the youngster was raised with an older brother and younger sister Gordana. Move to Sarajevo The family moved to Sarajevo in 1960 when Ivandić was four. While in elementary school, Ivandić simultaneously attended violin classes at a lower music school. However, soon after completing his final music school exam, he abruptly decided he "no longer wanted to bother with violin". He would soon turn his focus to percussions. In 1970, along with some friends, fourteen-year-old Ivandić founded a music section within the Boško Buha youth centre simply because it was willing to provide free in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laza Ristovski
Lazar "Laza" Ristovski (Serbian Cyrillic: Лаза Ристовски, ; 23 January 1956 – 6 October 2007) was a Serbian and former Yugoslav keyboardist, known for being a member of rock bands Smak and Bijelo Dugme, as well as for his eclectic solo work that spanned many different musical genres. Biography Early life Lazar Ristovski was born in Novi Pazar, as his father, a Yugoslav People's Army officer, was stationed there at the time. When Ristovski was two years old, the family moved to Kraljevo, which is where he grew up. Early career (1970-74) Ristovski formed his first band, Bezimeni (''The Nameless''), when he was fourteen. The band made only one recording, the song "Maštarenje", which was released on various artists album ''Veče uz radio'' (''Evening by the Radio'') in 1975. In the summer of 1974, Bezimeni performed in Bečići, where a well-known clarinetist Boki Milošević heard their performance. After Milošević's invitation, Ristovski moved to Belgrade and be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leb I Sol
Leb i sol ( mk, Леб и сол) is a Macedonian and former Yugoslav rock group founded in the 1970s by Vlatko Stefanovski (guitar), Bodan Arsovski (bass guitar), Nikola Kokan Dimuševski (keyboards) and Garabet Tavitjan (drums). Tavitjan ceded the drumwork to Dragoljub Đuričić for some of the albums, while Kiril Džajkovski replaced Kokan on ''Kao Kakao'' and ''Putujemo''. Beside being the most eminent Macedonian band, they were also one of the most important acts of the Yugoslav rock scene. History "Leb i sol" is a traditional greeting which literally translates to "bread and salt". It is often used as an expression of spite or determination; e.g. "I will eat ''bread and salt'' if I have to, but I will not give in!", but that has nothing to do with the band's name. More commonly, distinguished visitors to villages and communities would be offered a piece of home-baked bread and a dip of salt as a traditional welcome, which is where the name of the band really came from. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suncokret
Suncokret ( sr-cyr, Сунцокрет; trans. ''Sunflower'') was a Yugoslav acoustic rock band from Belgrade. Band history 1975 — 1980 The band was formed in 1975 by former Zajedno member Bora Đorđević (vocals and acoustic guitar), a former U Cvetu Mladosti member Nenad Božić (vocals and acoustic guitar) and female singers Snežana Jandrlić and Vesna Rakočević. After release of the single "Kara Mustafa", Vesna Rakočević left the band and joined Zdravo, and Bilja Krstić and Gorica Popović became new Suncokret members. At the half of 1976, they were joined by bass guitarist Bata Sokić. The band released several successful singles, some of them inspired by traditional songs. In 1976, they appeared in Mića Milošević's film ''Tit for Tat'', and some of their songs were used in the film. They performed at the 1976 BOOM Festival in Belgrade, and a live version of their song "Moj đerdane" ("(Oh) My Necklace") was released on the ''BOOM '76'' live album. Their deb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
