|
Kitamura Museum
opened near the confluence of the Kamo and Takano Rivers in Kyoto, Japan, in 1977. The collection, based on that built up by businessman , comprises some 1,000 works including thirty-three Important Cultural Properties and nine Important Art Objects, with a particular focus on tea utensils. There is also a tea garden, , a Registered Cultural Property. The Museum opens to the public for exhibitions each autumn and spring. Important Cultural Properties Among the Museum's thirty-three Important Cultural Properties are the pair of scrolls ''Kite and Crows'' by Yosa Buson, Fujiwara no Nakafumi, from the series Thirty-Six Poetry Immortals formerly in the Satake Collection, and the Spring 1227 ( Karoku 3) portion of Fujiwara no Teika's . Image:Kite and Crows by Yosa Buson (Kitamura Museum)R.jpg, ''Kite'', from ''Kite and Crows'', by Yosa Buson Image:Kite and Crows by Buson (Kitamura Museum)L.jpg, ''Crows'', from ''Kite and Crows'', by Yosa Buson Image:Fujiwara no Nakafumi (Kitamur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Nakafumi
Fujiwara no Nakafumi (also ''Nakafun'', 923–992, Japanese: 藤原 仲文) was a middle Heian ''waka'' poet and Japanese nobleman. He was designated a member of the Thirty-six Poetry Immortals. Nakafumi's poems are included in several imperial poetry anthologies, including ''Chokusen Wakashū The (), also shortened to (), were imperially-commissioned Japanese anthologies of '' waka'' poetry. They numbered 21 in total (called '' nijūichidaishū''). Overview The term (hereafter shortened to ) refers to anthologies of '' waka'' poet ...''. A personal poetry collection known as the ''Nakafumishū'' also remains. Notes External links E-text of his poemsin Japanese 923 births 992 deaths Fujiwara clan 10th-century Japanese poets {{japan-writer-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museums In Kyoto
A museum ( ; plural museums or, rarely, musea) is a building or institution that cares for and displays a collection of artifacts and other objects of artistic, cultural, historical, or scientific importance. Many public museums make these items available for public viewing through exhibits that may be permanent or temporary. The largest museums are located in major cities throughout the world, while thousands of local museums exist in smaller cities, towns, and rural areas. Museums have varying aims, ranging from the conservation and documentation of their collection, serving researchers and specialists, to catering to the general public. The goal of serving researchers is not only scientific, but intended to serve the general public. There are many types of museums, including art museums, natural history museums, science museums, war museums, and children's museums. According to the International Council of Museums (ICOM), there are more than 55,000 museums in 202 countries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bokuseki
''Bokuseki'' (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy (''shodō'') and more specifically a style of ''zenga'' developed by Zen monks. ''Bokuseki'' is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see ''Samadhi''). The aim in making ''Bokuseki'' is to represent ones single-moment awareness by brushing each word or passage with a single breath, ultimately realizing Zen and manifesting ones ''zazen'' practice into physical and artistic action. Fundamentally ''bokuseki'' is a reflection of one's spontaneous action (see: Buddha-nature, '' katsu'') free from one's superficial or rationally oriented mind. Gallery See also *Japanese calligraphy **''Zenga'' **''Hitsuzendō is believed by Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 ''sanmai''), which is a unification with the highest reality. Hitsuzendo refers specif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto Imperial Palace
The is the former palace of the Emperor of Japan. Since the Meiji Restoration in 1869, the Emperors have resided at the Tokyo Imperial Palace, while the preservation of the Kyoto Imperial Palace was ordered in 1877. Today, the grounds are open to the public, and the Imperial Household Agency hosts public tours of the buildings several times a day. The Kyoto Imperial Palace is the latest of the imperial palaces built at or near its site in the northeastern part of the old capital of Heian-kyō (now known as Kyoto) after the abandonment of the larger original Heian Palace that was located to the west of the current palace during the Heian period. The Palace lost much of its function at the time of the Meiji Restoration, when the capital functions were moved to Tokyo in 1869. However, Emperor Taishō and Shōwa still had their enthronement ceremonies at the palace. Layout The Palace is situated in the , a large rectangular enclosure north to south and east to west. It also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto National Museum
The is one of the major art museums in Japan. Located in Kyoto's Higashiyama ward, the museum focuses on pre-modern Japanese and Asian art. History The Kyoto National Museum, then the Imperial Museum of Kyoto, was proposed, along with the Imperial Museum of Tokyo (Tokyo National Museum) and the Imperial Museum of Nara (Nara National Museum), in 1889, and construction on the museum finished in October 1895. The museum was opened in 1897. The museum went through a series of name changes, in 1900 changing its name to the Imperial Household Museum of Kyoto, and once more in 1924 to the Imperial Gift Museum of Kyoto. The current name, the Kyoto National Museum, was decided upon in 1952. Timeline The growth and development of today's museum has been an evolving process: history * 1897—Museum is established as the "Imperial Museum of Kyoto."IAI National Museum. (2005)Institutional overview, p. 15. * 1900—Museum is renamed the "Imperial Household Museum of Kyoto." * 1924—Museum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fujiwara No Teika
, better-known as Fujiwara no Teika"Sadaie" and "Teika" are both possible readings of ; "...there is the further problem, the rendition of the name in romanized form. Teika probably referred to himself as Sadaie, and his father probably called himself Toshinari, but the Sino-Japanese versions of their names were used by their contemporaries, and this practice is still observed." pg 681–692, note 2 of ''Seeds in the Heart: Japanese Literature from Earliest Times to the Late Sixteenth Century'', Donald Keene. 1999, Columbia University Press, (1162 – September 26, 1241), was a Japanese anthologist, calligrapher, literary critic,"The high quality of poetic theory (''karon'') in this age depends chiefly upon the poetic writings of Fujiwara Shunzei and his son Teika. The other theorists of ''tanka'' writing, stimulated by father and son either to agreement or disagreement, contributed also toward the high level of poetic theory, but we may say that Shunzei and Teika were most rep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karoku
was a after '' Gennin'' and before '' Antei.'' This period spanned the years from April 1225 to December 1227. The reigning emperor was .Titsingh, Isaac. (1834) ''Annales des empereurs du Japon'', pp. 238-240 Varley, H. Paul. (1980). ''Jinnō Shōtōki.'' pp. 226-227. Change of era * 1225 : The era name was changed to mark an event or a number of events. The previous era ended and a new one commenced in ''Gennin'' 2. Events of the ''Karoku'' Era * 1225 (''Karoku 1, 11th month''): At Kamakura, Kujō Yoritsune's coming of age ceremonies took place at age 8; but control of all bakufu affairs remained entirely in the hands of Hōjō Yasutoki, the regent (''shikken'').Titsinghp. 240./ref> * 1225 (''Karoku 1, 12th month''): Emperor Go-Horikawa went in formal procession to Iwashimizu Hachiman-gū and to the Kamo Shrines. * 1226 (''Karoku 2, 1st month''): The Emperor raised Yoritsune to the first rank of the fifth class in the apex of artistocratic court hierarchy (the ''dōjō ku ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thirty-Six Poetry Immortals
The are a group of Japanese poets of the Asuka, Nara, and Heian periods selected by Fujiwara no Kintō as exemplars of Japanese poetic ability. The oldest surviving collection of the 36 poets' works is ''Nishi Honganji Sanju-rokunin Kashu'' ("Nishi Honganji 36 poets collection") of 1113. Similar groups of Japanese poets include the Kamakura period ''Nyōbō Sanjūrokkasen'' (女房三十六歌仙), composed by court ladies exclusively, and the , or Thirty-Six Heian-era Immortals of Poetry, selected by (1107–1165). This list superseded an older group called the Six Immortals of Poetry. Sets of portraits (essentially imaginary) of the group were popular in Japanese painting and later woodblock prints, and often hung in temples. Kintō's Thirty-Six Immortals of Poetry # Kakinomoto no Hitomaro # Ki no Tsurayuki # Ōshikōchi Mitsune # Lady Ise # Ōtomo no Yakamochi # Yamabe no Akahito # Ariwara no Narihira # Henjō # Sosei # Ki no Tomonori # Sarumaru no Taifu # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agency For Cultural Affairs
The is a special body of the Japanese Ministry of Education, Culture, Sports, Science and Technology (MEXT). It was set up in 1968 to promote Japanese arts and culture. The agency's budget for FY 2018 rose to ¥107.7 billion. Overview The agency's Cultural Affairs Division disseminates information about the arts within Japan and internationally, and the Cultural Properties Protection Division protects the nation's cultural heritage. The Cultural Affairs Division is concerned with such areas as art and culture promotion, art copyrights, and improvements in the national language. It also supports both national and local arts and cultural festivals, and it funds traveling cultural events in music, theater, dance, art exhibitions, and film-making. Special prizes are offered to encourage young artists and established practitioners, and some grants are given each year to enable them to train abroad. The agency funds national museums of modern art in Kyoto and Tokyo and The National ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyoto
Kyoto (; Japanese: , ''Kyōto'' ), officially , is the capital city of Kyoto Prefecture in Japan. Located in the Kansai region on the island of Honshu, Kyoto forms a part of the Keihanshin metropolitan area along with Osaka and Kobe. , the city had a population of 1.46 million. The city is the cultural anchor of a substantially larger metropolitan area known as Greater Kyoto, a metropolitan statistical area (MSA) home to a census-estimated 3.8 million people. Kyoto is one of the oldest municipalities in Japan, having been chosen in 794 as the new seat of Japan's imperial court by Emperor Kanmu. The original city, named Heian-kyō, was arranged in accordance with traditional Chinese feng shui following the model of the ancient Chinese capital of Chang'an/Luoyang. The emperors of Japan ruled from Kyoto in the following eleven centuries until 1869. It was the scene of several key events of the Muromachi period, Sengoku period, and the Boshin War, such as the Ōnin War, the Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Kyoto Imperial Palace")
