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Kirwani
Kirwani is a musical scale in Hindustani classical music. It is an Indian raga specially suited for instrumental music. The scale is the same as the harmonic minor in western music. There are shades of Pilu in Kirwani. This raga is said to have been borrowed from the Carnatic music raga Keeravani. Arohana & Avarohana The swaras used in this raga are: Arohana : S R g m P d N S' Thus: C D E-flat F G A-flat B c Avarohana : S' N d P m g R S Vadi & Samavadi There is no strict Vadi-Samavadi, but Re, ga, pa and dha are important. Pakad or Chalan d- P- g R-- S R---, R-- g m P d P Organization & Relationships Related ragas: Pilu Thaat: Kirwani cannot be fit into one of Bhatkhande's thaats;. Bhatkhande himself did not list it as such. Time Of Singing Samay (Time) Madhyaratri (midnight) Historical Information It is "recently" taken from the musical scale Keeravani of South Indian classical music (Carnatic music Carnatic music, known as or in the Dravidian langua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilu (raga)
Pilu or Peelu is a ''raga'' of Hindustani classical music. It is mostly used in light-classical forms, like ''thumris''. Arohana and Avarohana Arohana P 'N S g m P N SN S G m P N SS g m P D SS R m P N S Avarohana S' N D P m G m P g R S 'N SS' N S' D n D P m G m P G P m g R S 'N S Some performances include shades of ' MA Vadi and Samvadi Ga as ''vadi'' Ni as ''samvadi'' Pakad or Chalan S g R g S R 'N S, G m n P g - S S g R S 'N S 'N - 'P 'd 'P 'N S - g R g 'N S Organization and relationships Related ''ragas'': Kirwani resembles an ancient kind of Pilu. Thaat: Bhatkhande classified Pilu in the Kafi ''thaat).'' ''Samay'' (time) Third part of the day Seasonality Often related to the monsoon season, this raag is popular in the occasion of Hindu festival "Holi" halguna (February - March) monthalso known as Raga of colours for its smpoorna jaati and blissful nature. http://www.tanarang.com/english/pilu_eng.htm-get more information about Raga PiluCAPTCHA ''Rasa'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thaat
A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because the primary function of a ''thaat'' is not as a tool for music composition, but rather as a basis for classification of ragas. There is not necessarily strict compliance between a raga and its parent ''thaat''; a raga said to 'belong' to a certain ''thaat'' need not allow all the notes of the ''thaat'', and might allow other notes. ''Thaats'' are generally accepted to be heptatonic by definition. The term ''thaat'' is also used to refer to the frets of stringed instruments like the sitar and the veena. It is also used to denote the posture adopted by a Kathak dancer at the beginning of their performance. History The modern ''thaat'' system was created by Vishnu Narayan Bhatkhande (1860–1936), an influential musicologist in the field o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That (music)
A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because the primary function of a ''thaat'' is not as a tool for music composition, but rather as a basis for classification of ragas. There is not necessarily strict compliance between a raga and its parent ''thaat''; a raga said to 'belong' to a certain ''thaat'' need not allow all the notes of the ''thaat'', and might allow other notes. ''Thaats'' are generally accepted to be heptatonic by definition. The term ''thaat'' is also used to refer to the frets of stringed instruments like the sitar and the veena. It is also used to denote the posture adopted by a Kathak dancer at the beginning of their performance. History The modern ''thaat'' system was created by Vishnu Narayan Bhatkhande (1860–1936), an influential musicologist in the field o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Scale
In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also has a harmonic form but lacks a melodic form. In each of these scales, the first, third, and fifth scale degrees form a minor triad (rather than a major triad, as in a major scale). In some contexts, ''minor scale'' is used to refer to any heptatonic scale with this property (see Related modes below). Natural minor scale Relationship to relative major A natural minor scale (or Aeolian mode) is a diatonic scale that is built by starting on the sixth degree of its relative major scale. For instance, the A natural minor scale can be built by starting on the 6th degree of the C major scale: : Because of this, the key of A minor is called the ''relative minor'' of C major. Every major key has a relative minor, which starts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kadhalikka Neramillai
''Kadhalikka Neramillai'' () is a 1964 Indian Tamil-language romantic comedy film produced and directed by C. V. Sridhar, who also conceived and co-wrote its script with Chitralaya Gopu. The film features an ensemble cast consisting of Balaiah, Muthuraman, Nagesh, Rajasree, Sachu, Ravichandran and Kanchana. The latter two made their acting debut with this film. The plot of ''Kadhalikka Neramillai'' revolves around Viswanathan, an estate owner who hopes to get his daughters Nirmala and Kanchana married to wealthy grooms. However, Nirmala falls in love with Ashok, a poor man who was once employed by Vishwanathan. To earn Viswanathan's approval, Ashok pretends to be the only heir of a rich businessman; he is supported by his friend Vasu, who poses as Ashok's fictional millionaire father Chidambaram. A comedy of errors ensues when Vasu discovers his lover Kanchana is Viswanathan's other daughter. Principal photography for the film took place mostly in Ooty and in Aliyar Dam Gue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
