Kirwani is a musical scale in

Hindustani classical music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sita ...

. It is an Indian

raga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a musical mode, melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradit ...

specially suited for

instrumental music An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instru ...

. The scale is the same as the

harmonic minor In music theory, the minor scale is three scale patterns – the natural minor scale (or Aeolian mode), the harmonic minor scale, and the melodic minor scale (ascending or descending) – rather than just two as with the major scale, which also ...

in western music. There are shades of Pilu in Kirwani. This raga is said to have been borrowed from the

Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...

raga

Keeravani Keeravani (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 21st ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 21st ''melakarta'' rāgam as per Muthuswami D ...

Arohana & Avarohana

The

swara Svara or swara (Devanagari: स्वर, generally pronounced as ''swar'') is a Sanskrit word that connotes simultaneously a breath, a vowel, the sound of a musical note corresponding to its name, and the successive steps of the octave or '' ...

s used in this raga are:

Arohana Arohana, Arohanam or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we ...

: S R g m P d N S'
Thus: C D E-flat F G A-flat B c

Avarohana An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch ...

: S' N d P m g R S

Vadi & Samavadi

There is no strict Vadi-

Samavadi The Samavadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the '' vadi''; the vadi and samvadi are in most cases a fourth or fifth apart. A '' ...

, but Re, ga, pa and dha are important.

Pakad or Chalan

d- P- g R-- S R---, R-- g m P d P

Organization & Relationships

Related ragas: Pilu

Thaat A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...

: Kirwani cannot be fit into one of Bhatkhande's

thaat A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because t ...

s;. Bhatkhande himself did not list it as such.

Time Of Singing

Samay (Time)

Madhyaratri (midnight)

Historical Information

It is "recently" taken from the musical scale

of South Indian classical music (

). It is similar to an ancient version of PiluBor p. 102

Tamil Film Songs

References

External links

Examples
Film Songs in Rag Kirwani

Literature

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. {{Rāgas as per Performance Time Hindustani ragas