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Kirmeeravadham
Kirmeeravadham (The Slaying of Kirmeera) is a Kathakali play( Aattakatha) written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam. Based on the Mahabharatha, the story concerns itself with events in the course of the forest exile of the Pandava princes. The play has fourteen scenes. The four plays of Kottayam Thampuran, namely, Kirmeeravadham, Bakavadham, Kalyanasaugandhikam, and Kalakeyavadham, are considered very important in the Kathakali repertoire and are a combination of conventional structure (''chitta'') with intermittent possibilities for improvisation (''manodharma''). Brief Summary The five Pandava princes, along with their wife Draupadi, are in exile in the Kamyaka forest. In the first scene of the play, Draupadi and the eldest Pandava prince Dharmaputra(also known as Yudhishthira) are in distress owing to the heat and dust in the forest. They discuss the question of feeding the Brahmins who have accompanied them on their exile. In the second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aattakatha (performance)
Aattakatha is a literary genre in Malayalam language consisting of the libretto used for the Indian classical dance drama ''kathakali''. The word ''aatta-katha'' literally means "story for dancing and acting" (''atu'' "to dance" + ''kathā'' "story"). The narrative framework of ''aattakatha'' consists quatrains in Sanskrit metres where the diction also is heavily Sanskritised; the dialogue part, however, is made up of ''padas'', which can be set to ''raga'' (tune) and ''tala'' (rhythm) and have to be rendered by means of gestures and body movements by the actors while being sung by musicians from behind. The origins of ''aattakatha'' literature dates back to the 12th century and it emerged as a literary genre in the 17th century. The earliest of the ''aattakatha''s is believed to be a cycle of eight ''Ramayana'' stories (collectively known as ''Ramanattam''), composed by Kottarakkara Tampuran and about whose date there is an ongoing controversy. Next in importance are the wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalyanasaugandhikam
{{Use Indian English, date=December 2019 Kalyanasaugandhikam is a Kathakali play ( ''aattakatha'') attributed to Kottayathu Thampuran. Based on the Mahabharatha, the play narrates an episode from the life of the Pandava princes in exile. Bheema sets out to the forest, searching for the '' kalyāṇasaugandhikam'' flower to please Panchali (Draupadi), and finds his spirit-brother Hanuman in the forest while doing so. Together with Thampuran's Kirmeeravadham, Bakavadham and Kalakeyavadham Kalakeyavadham (The Slaying of Kalakeya) is a Kathakali play ( Aattakatha) written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam.Based on the Mahabharatha, the play describes the events surrounding the Pandava prince Arju ..., this play is considered a hallmark in Kathakali repertoire; it is remarked for its fusion of conventional structure (''ciṭṭa'') and the possibility for improvisation (''manōdharma''). References Kathakali Indian plays Malayalam-language lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bakavadham
{{More citations needed, date=March 2023 Bakavadham (The Slaying of Baka) is a Kathakali play( Aattakatha) written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam.Based on the Mahabharatha, the play narrates the events surrounding the escape of the Pandavas from the house of Lac which was built by the Kauravas as a trap. They escape to a forest where Bhima meets and marries Hidumbi. Following this, the Pandavas move to a village named Ekachakra, where they live in disguise. While in Ekachakra, Bhima slays Baka, a demon who has been terrorizing the countryside. The four plays of Kottayam Thampuran, namely, Kirmeeravadham, Bakavadham, Kalyanasaugandhikam and Kalakeyavadham Kalakeyavadham (The Slaying of Kalakeya) is a Kathakali play ( Aattakatha) written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam.Based on the Mahabharatha, the play describes the events surrounding the Pandava prince Arju ..., are considered very important in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kalakeyavadham
Kalakeyavadham (The Slaying of Kalakeya) is a Kathakali play ( Aattakatha) written by Kottayam Thampuran (also known as Kottayathu Thampuran) in Malayalam.Based on the Mahabharatha, the play describes the events surrounding the Pandava prince Arjuna's visit to his father Indra's abode, paradise. The role of Arjuna is considered a challenge for any Kathakali actor. The four plays of Kottayam Thampuran, namely, Kirmeeravadham, Bakavadham, Kalyanasaugandhikam {{Use Indian English, date=December 2019 Kalyanasaugandhikam is a Kathakali play ( ''aattakatha'') attributed to Kottayathu Thampuran. Based on the Mahabharatha, the play narrates an episode from the life of the Pandava princes in exile. Bheema set ... and Kalakeyavadham, are considered very important in the Kathakali repertoire and are a combination of conventional structure ('chitta') with intermittent possibilities for improvisation ('manodharma'). References {{reflist Kathakali Indian plays Malayalam-language literature< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
Kathakali ( ml, കഥകളി) is a major form of classical Indian dance. It is a "story play" genre of art, but one distinguished by the elaborately colourful make-up and costumes of the traditional male actor-dancers. It is native to the Malayalam-speaking southwestern region of Kerala and is almost entirely practiced and appreciated by Malayali people. Kathakali's roots are unclear. The fully developed style of Kathakali originated around the 17th century, but its roots are in the temple and folk arts (such as Krishnanattam and religious drama of the kingdom of the Zamorin of Calicut) southwestern Indian peninsula), which are traceable to at least the 1st millennium CE. A Kathakali performance, like all classical dance arts of India, synthesizes music, vocal performers, choreography and hand and facial gestures together to express ideas. However, Kathakali differs in that it also incorporates movements from ancient Indian martial arts and athletic traditions of South Ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durvasa
In Hindu scriptures, Durvasa ( sa, दुर्वासा, ) also known as Durvasas (Sanskrit: दुर्वासस्), is a legendary rishi (sage). He is the son of Anasuya and Atri. According to some Puranas, Durvasa is a partial avatar of Shiva, known for his short temper. Wherever he goes, he is received with great reverence by humans and devas alike. Curses and boons The rishi Durvasa, being short-tempered, is said to have both cursed and gifted boons to several notable deities and people in the Hindu scriptures. Some of them include: Curses # Indra, whom he cursed to lose all his powers, after Indra's elephant Airavata threw down a rather fragrant garland given by Durvasa to Indra. # Saraswati, whom he cursed to be born as a human because she laughed at his incorrect recitation of the Vedas. # Rukmini, whom he cursed to be separated from her husband, Krishna, because she drank water without seeking Durvasa's permission. # Shakuntala, who avoided Durvasa while at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hidimba
Hidimba ( sa, हिडिम्ब, ) was a powerful demon king who is mentioned in the epic Mahābhārata. He was killed by Bhima and this is recounted in the 9th sub-parva (Hidimba-vadha Parva) of the Adi Parva. Death The demon Hidimba lived in a forest along with his sister Hidimbi. While travelling, the Pandavas stopped in that forest to rest while Bhima stood on guard. Hidimba ate human flesh and became eager to devour them. He sent Hidimbi to kill the Pandavas and to bring them back to him. Hidimbi went on his instructions, but her mind changed on seeing Bhima. She assumed the form of a beautiful woman and told about her brother to Bhima. She proposed him to become his husband. Hidimba got furious at his sister and rushed towards her to kill her. Bhima interjected Hidimba and challenged him to fight him instead. The sleeping Pandavas woke up on hearing the sounds of them fighting and offered to help Bhima in killing Hidimba but Bhima asked them to watch the duel as spec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bakasura
Bakasura ( sa, बकासुर, ), also rendered Baka or kuaishwa, is a rakshasa featured in the Hindu epic Mahabharata. The rakshasa lives in a forest near the town of Ekachakrapura. In exchange for protecting the kingdom from invaders, he terrorises its citizens, eating them at will. The weak king is rendered helpless. The people come to an arrangement with their tormentor: They would send him large provisions of food every week, which he would consume, along with the cart-driver who delivered them. In order to save the life of their Brahmin host when it is his turn to deliver the cartload, Bhima is eventually sent out to kill Bakasura, under the direction of his mother, Kunti. The slaying of Bakasura by Bhima is commemorated on the occasion of Bhimana Amavasya. Legend The Pandavas and Kunti travelled to Ekachakrapura after Bhima's wedding to Hidimbi Hiḍimbī (Sanskrit: , IAST: ''Hiḍimbī''), or Hiḍimbā, is the rakshasi wife of the Pandava Bhima and the moth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirmira
Kirmira ( sa, किर्मीर, ) was a monstrous Rakshasa featured in the Mahabharata. He was the younger brother of the demon Bakāsura, the elder brother of the demon Alambhusha, and a good friend of Hiḍimbā. He lived in the Kāmyaka Forest and hunted men at night for his food. He opposed the Pandavas entering the forest and threatened to eat Bhima, by whom he was slain in a furious combat. Encounter with the Pandavas One night during their travels, the exiled Pandavas reached the deserted forest where Kirmira lived. The hour had passed midnight, so Kirmira had come out. With his prominent teeth and blazing hair, he took on an appearance akin to thunderclouds. He started "to spread the illusion proper to his species." He obstructed the Pandavas and frightened Draupadi, who was escorted and supported by the five Pandavas. After his illusion was destroyed by the priest Dhaumya, Yudhishthira, as the eldest Pandava, spoke with Kirmira. Thus Kirmira learned that before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhima
In Hindu epic Mahabharata, Bhima ( sa, भीम, ) is the second among the five Pandavas. The ''Mahabharata'' relates many events that portray the might of Bhima. Bhima was born when Vayu, the wind god, granted a son to Kunti and Pandu. After the death of Pandu and Madri, Kunti with her sons stayed in Hastinapura. From his childhood, Bhima had a rivalry with his cousins Kauravas, especially Duryodhana. Duryodhana and his uncle, Shakuni, tried to kill Bhima multiple times. One was by poisoning and throwing Bhima into a river. Bhima was rescued by Nāgas and was given a drink which made him very strong and immune to all venom. After the event of Lakshagriha, the Pandavas and their mother decided to hide from Hastinapura. During this period Bhima slew many Rakshasa including Bakasura and Hidimba. Bhima had three wives Hidimbi, the Rakshasi sister of Hidimba, Draupadi, who was married to five Pandavas because of Kunti's misunderstanding, and Valandhara, a princess of Kash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sahadeva
Sahadeva (Sanskrit: सहदेव) was the youngest of the Pandava brothers, the five principal protagonists of the epic ''Mahabharata''. He and his twin brother, Nakula, were blessed to King Pandu and Queen Madri by invoking the twin gods Ashvins. Sahadeva is described to be skilled in swordsmanship and astrology. During the Kurukshetra War, he slew many warriors including Shakuni. Etymology The word sahadeva is derived from two Sanskrit words ''saha'' (सह) and ''deva'' (देव). ''Saha'' means ''with'' and ''deva'' is a Hindu term used for ''deity''. So literally, Sahadeva means ''with Gods''. Another meaning is ''thousand Gods''. Sahadeva and his brother Nakula, are both called as ''Ashvineya'' (आश्विनेय), as they were born from Ashvins. Birth and early years Due to Pandu's inability to bear children (because of the curse of Rishi Kindama), Madri had to use the boon given to Kunti Devi by Sage Durvasa to give birth, who invoked the Ashwini Kumaras t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Durga
Durga ( sa, दुर्गा, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars. Durga's legend centres around combating evils and demonic forces that threaten peace, prosperity, and dharma, representing the power of good over evil. Durga is believed to unleash her divine wrath against the wicked for the liberation of the oppressed, and entails destruction to empower creation. Durga is seen as a motherly figure and often depicted as a beautiful woman, riding a lion or tiger, with many arms each carrying a weapon and often defeating demons. She is widely worshipped by the followers of the goddess-centric sect, Shaktism, and has importance in other denominations like Shaivism and Vaishnavism. The most important texts of Shaktism, Devi Mahatmya, and Devi Bhagavata Purana, revere Devi (the Goddess) as the primordial creator of the universe and the Brah ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
