Bakasura
Bakasura ( sa, बकासुर, ), also rendered Baka or kuaishwa, is a rakshasa featured in the Hindu epic Mahabharata. The rakshasa lives in a forest near the town of Ekachakrapura. In exchange for protecting the kingdom from invaders, he terrorises its citizens, eating them at will. The weak king is rendered helpless. The people come to an arrangement with their tormentor: They would send him large provisions of food every week, which he would consume, along with the cart-driver who delivered them. In order to save the life of their Brahmin host when it is his turn to deliver the cartload, Bhima is eventually sent out to kill Bakasura, under the direction of his mother, Kunti. The slaying of Bakasura by Bhima is commemorated on the occasion of Bhimana Amavasya. Legend The Pandavas and Kunti travelled to Ekachakrapura after Bhima's wedding to Hidimbi Hiḍimbī (Sanskrit: , IAST: ''Hiḍimbī''), or Hiḍimbā, is the rakshasi wife of the Pandava Bhima and the moth ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bhima
In Hindu epic Mahabharata, Bhima ( sa, भीम, ) is the second among the five Pandavas. The ''Mahabharata'' relates many events that portray the might of Bhima. Bhima was born when Vayu, the wind god, granted a son to Kunti and Pandu. After the death of Pandu and Madri, Kunti with her sons stayed in Hastinapura. From his childhood, Bhima had a rivalry with his cousins Kauravas, especially Duryodhana. Duryodhana and his uncle, Shakuni, tried to kill Bhima multiple times. One was by poisoning and throwing Bhima into a river. Bhima was rescued by Nāgas and was given a drink which made him very strong and immune to all venom. After the event of Lakshagriha, the Pandavas and their mother decided to hide from Hastinapura. During this period Bhima slew many Rakshasa including Bakasura and Hidimba. Bhima had three wives Hidimbi, the Rakshasi sister of Hidimba, Draupadi, who was married to five Pandavas because of Kunti's misunderstanding, and Valandhara, a princess of Kash ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Characters In The Mahabharata
The ''Mahabharata'' is one of the two major Sanskrit epics of ancient India; it was composed by the sage Vyasa. The most important characters of ''Mahabharata'' can be said to include: Krishna; the Pandavas Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva, along with their wife Draupadi; and the Kauravas (who were a hundred brothers), led by the eldest brother, Duryodhana. The most important other characters include Bhishma, Karna, Dronacharya, Shakuni, Dhritrashtra, Gandhari and Kunti. Some pivotal additional characters include Balarama, Subhadra, Vidura, Abhimanyu, Kripacharya, Pandu, Satyavati, Ashwatthama, and Amba. Deities who play a significant role in the epic include Vishnu, Brahma, Shiva, Ganga, Indra, Surya and Yama. This list mentions notable characters and may also contain characters appearing in regional stories and folklores related to ''Mahabharata''. A Abhimanyu Abhimanyu was the son of third Pandava prince Arjuna and Yadava princess S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rakshasa
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rakshasa
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rakshasa In The Mahabharata
Rakshasas ( sa, राक्षस, IAST: : Pali: ''rakkhaso'') lit. 'preservers' are a race of usually malevolent demigods prominently featured in Hindu mythology. According to the Brahmanda Purana, the rakshasas were created by Brahma when he assumed a body of ''tamas'' (darkness), the beings springing forth and promising to protect the waters of creation. They are often depicted to be man-eaters (''nri-chakshas'', ''kravyads''), acting as embodiments of the powers of evil in the Vedic scriptures. They are offered a distinction from yakshas, their cousins who are depicted to be forces of destruction. The term is also used to describe asuras, a class of power-seeking beings that oppose the benevolent devas. They are often depicted as antagonists in Hindu scriptures, as well as in Buddhism and Jainism. The female form of rakshasa is rakshasi. Hinduism In Vedas The Hymn 87 of the tenth mandala of the ''Rigveda'' mentions about Rakshasas. They are classified amongst the ''Y ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bhimana Amavasya
Bhimana Amavasya () is a Hindu occasion that is observed in South India, mostly in the state of Karnataka, as well as parts of Andhra Pradesh and Tamil Nadu. It is celebrated on the new moon day (''amavasya'') of the ''Ashadha'' month of the Hindu calendar. Significance The amavasya, as well as the fortnight containing the new-moon, is considered auspicious by Hindus. They believe that during this period, their offerings reach their forefathers, and in return, offerors are blessed. It signifies the beginning of auspicious period, and many pujas are performed towards various Hindu deities, seeking their blessings. The observance is primarily associated with Bhima, one of the five protagonists of the Mahabharata. The Bhimana Amavasya is regarded to be Bhima's birthday, as well as the day he slew the wicked Bakasura, thereby saving his Brahmin hosts from being eaten by the rakshasa. In Karnataka, the last day of Ashadha is marked as the Bhimana Amavasya. The Shaivas of this r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kunti
Kunti ( sa, कुन्ती, ), named at birth as Pritha ( sa, पृथा, ), is one of the prominent characters of the Hindu epic ''Mahabharata''. She is best known as the mother of the Pandavas and Karna, the main protagonists of the epic. She is described to be beautiful, intelligent, and shrewd. Born to the Yadava chief Shurasena, Pritha was adopted by her childless uncle, Kuntibhoja, and was renamed Kunti. During her teenage years, she impressed sage Durvasa and was blessed with the knowledge of a divine ''mantra''. Out of curiosity, she used the mantra to invoke the sun god Surya, and was blessed with a son named Karna. As he had been born out of wedlock, Kunti had to abandon him to save herself from dishonor. After reaching adulthood, she chose Pandu, the king of Kuru, as her husband, but her married life was disturbed when Madri, princess of Madra, became Pandu's second wife. One day, Pandu was cursed that he would perish instantly if he tried to touch any of his ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kirmira
Kirmira ( sa, किर्मीर, ) was a monstrous Rakshasa featured in the Mahabharata. He was the younger brother of the demon Bakāsura, the elder brother of the demon Alambhusha, and a good friend of Hiḍimbā. He lived in the Kāmyaka Forest and hunted men at night for his food. He opposed the Pandavas entering the forest and threatened to eat Bhima, by whom he was slain in a furious combat. Encounter with the Pandavas One night during their travels, the exiled Pandavas reached the deserted forest where Kirmira lived. The hour had passed midnight, so Kirmira had come out. With his prominent teeth and blazing hair, he took on an appearance akin to thunderclouds. He started "to spread the illusion proper to his species." He obstructed the Pandavas and frightened Draupadi, who was escorted and supported by the five Pandavas. After his illusion was destroyed by the priest Dhaumya, Yudhishthira, as the eldest Pandava, spoke with Kirmira. Thus Kirmira learned that before ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hindu Epic
Mahākāvya (lit. great kāvya, court epic), also known as ''sargabandha'', is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of scenery, love, battles and so on — in short, everything that tests a poet's skill at description. Typical examples of ''mahākāvya'' are the ''Kumarasambhava'' and the '' Kiratarjuniya.'' It is considered the most prestigious form in the Sanskrit literature. The genre evolved from the earlier epics, the Mahabharata and the Ramayana. Despite the length of ''mahākāvya''s (15-30 cantos, a total of about 1500-3000 verses), they are still much shorter than the Ramayana (500 cantos, 24000 verses) and the Mahabharata (about 100000 verses). Classical examples The Buddhist poet and philosopher Aśvaghoṣa (c. 80 – c. 150 CE) is one of the earliest Sanskrit poets with surviving Kāvya literature. His ''Buddhacarita'' (''Acts of the Buddha'') calls itself a ''mahākāvya'' and wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests (purohit, pandit, or pujari) and religious teachers (guru or acharya). The other three varnas are the Kshatriya, Vaishya and Shudra. The traditional occupation of Brahmins is that of priesthood at the Hindu temples or at socio-religious ceremonies, and rite of passage rituals such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, the Brahmins are accorded the highest ritual status of the four social classes. Their livelihood is prescribed to be one of strict austerity and voluntary poverty ("A Brahmin should acquire what just suffices for the time, what he earns he should spend all that the same day"). In practice, Indian texts suggest that some Brahmins historicall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pandava
The Pandavas (Sanskrit: पाण्डव, IAST: Pāṇḍava) refers to the five legendary brothers— Yudhishthira, Bhima, Arjuna, Nakula and Sahadeva—who are the central characters of the Hindu epic ''Mahabharata''. They are acknowledged as the sons of Pandu, the King of Kuru, but were fathered by different ''Devas'' (gods) due to Pandu's inability to naturally conceive children. In the epic, the Pandavas married Draupadi, the princess of Panchala, and founded the city of Indraprastha after the Kuru Kingdom was split to avoid succession disputes. After their paternal cousins the Kauravas—led by Duryodhana—tricked them into surrendering their kingdom and refused to return it, the Pandavas waged a civil war against their extended family, and this conflict was known as the Kurukshetra War. With the help of the god Krishna, the Pandavas eventually won the war with the death of the Kauravas, albeit at great cost. Etymology The word ''Pandava'' ( sa, पाण्डव ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |