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Kathasaritsagara
The ''Kathāsaritsāgara'' ("Ocean of the Streams of Stories") (Devanagari: कथासरित्सागर) is a famous 11th-century collection of Indian legends, fairy tales and folk tales as retold in Sanskrit by the Shaivite Somadeva. ''Kathāsaritsāgara'' contains multiple layers of story within a story and is said to have been adopted from Guṇāḍhya's ''Bṛhatkathā'' ("the Great Narrative"), which was written in a poorly-understood language known as Paiśāchī. The ''Bṛhatkathā'' is no longer extant but several later adaptations still exist — the ''Kathāsaritsāgara'', '' Bṛhatkathamanjari'' and ''Bṛhatkathāślokasaṃgraha''. However, none of these recensions necessarily derives directly from Gunadhya, and each may have intermediate versions. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost ''Bṛhatkathā'' in Sanskrit. Presently available are its two Sanskrit recensions, the '' Bṛhatkathamanjar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brihatkatha
''Bṛhatkathā'' (Sanskrit, "the Great Narrative") is an ancient Indian epic, said to have been written by Gunadhya, Guṇāḍhya in a poorly-understood language known as Paiśācī. The work no longer exists but several later adaptations — the ''Kathasaritsagara, Kathāsaritsāgara'' (''कथासरित्सागर''), ''Bṛhatkathāmañjarī'' (''बृहत्कथामंजरी'') and ''Bṛhatkathāślokasaṃgraha'' (''बृहत्कथाश्लोकसंग्रह'') in Sanskrit, as well as the ''Peruṅkatai'' and ''Vasudevahiṃḍi'' in vernaculars — make commentary on the piece. The date of its composition is uncertain. According to testimonials by later Sanskrit poets such as Daṇḍin, Subandhu, and Bāṇabhaṭṭa, Bāṇa, the ''Bṛhatkathā'' existed in the 6th century CE. According to other estimates it predates that period by several more centuries. For example, if the story of Udayana (king), Udayana by poet Bhāsa (and als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vararuchi
Vararuci (also transliterated as Vararuchi) () is a name associated with several literary and scientific texts in Sanskrit and also with various legends in several parts of India. This Vararuci is often identified with Kātyāyana. Kātyāyana is the author of Vārtikās which is an elaboration of certain sūtrās (rules or aphorisms) in Pāṇini's much revered treatise on Sanskrit grammar titled Aṣṭādhyāyī. Kātyāyana is believed to have flourished in the 3rd century BCE. However, this identification of Vararuci with Kātyāyana has not been fully accepted by scholars. Vararuci is believed to be the author of ''Prākrita Prakāśa'', the oldest treatise on the grammar of '' Prākrit'' language. Vararuci's name appears in a verse listing the 'nine gems' (navaratnas) in the court of one Samrat Vikramaditya. Vararuci appears as a prominent character in Kathasaritsagara ("ocean of the streams of stories"), a famous 11th century collection of Indian legends, fairy tales and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunadhya
Guṇāḍhya is the Sanskrit name of the sixth-century Indian author of the ''Bṛhatkathā'', a large collection of tales attested by Daṇḍin, the author of the ''Kavyadarsha'', Subandhu, the author of ''Vasavadatta'', and Bāṇabhaṭṭa, the author of the ''Kadambari''. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost ''Brihatkatha'' in Sanskrit; the loss of this text is one of the greatest losses of Indian literature. Presently available are its two Kashmiri Sanskrit recensions, the ''Brihatkathamanjari'' by Kshemendra and the ''Kathasaritsagara'' by Somadeva. Date Guṇāḍhya could have flourished during the reign of a Satavahana dynasty, Satvahana king of Pratishthana (modern-day Paithan, Maharashtra). According to D. C. Sircar, he probably flourished between the 1st century BCE and 3rd century CE. An alternative account, mentioned in the ''Nepala Mahatmya'' of the Skanda Purana, states that Gunadhya was born i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vidyadhara
Vidyadhara(s) (Sanskrit , literally "wisdom-holders") are a group of supernatural beings in Indian religions who possess magical powers. In Hinduism, they also attend Shiva, who lives in the Himalayas. They are considered ''Upadeva''s, or demi-gods. In Hinduism In Hindu epics In the Hindu epics, Vidyādharas are described as essentially spirits of the air. They are described as doing different activities in the epics like gazing at human prowess with astonishment, strewing flowers watching a combat, rejoicing with music and laughter, crowned with wreaths and fleeing with their wives from danger. They possess great magical powers like the ability to diminish their size. They are endowed with epithets describing them as "doers of good and devoted to joy". They also live in Gandhamandhana mountain and other Himalayan mountains with Kinnaras. They are also described residing on Mount Krauncha, on Citrakuta where Rama saw Vidyadhara women playing, in the hills of Malabar and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Somadeva
Somadeva Bhatta was an 11th century writer from Kashmir, and author of the ''Kathasaritsagara''. Not much is known about him except that his father's name was Rama and he composed his work (probably during the years 1063–1081 CE) for the entertainment of Queen Suryamati, a princess of Jalandhara and wife of King Ananta of Kashmir. The queen was quite distraught as it was a time when the political situation in Kashmir was 'one of discontent, intrigue, bloodshed and despair'. He was a Shaiva Brahmin, and very respectful of Buddhism Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religions, Indian religion or Indian philosophy#Buddhist philosophy, philosophical tradition based on Pre-sectarian Buddhism, teachings attributed to the Buddha. ... and some of the tales in the ''Kathasaritsagara'' show Buddhist influences. It is also known as the encyclopaedia of social life in the 11th century. References * The Katha Sarit Sagara, or Ocean of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guṇāḍhya
Guṇāḍhya is the Sanskrit name of the sixth-century Indian author of the ''Bṛhatkathā'', a large collection of tales attested by Daṇḍin, the author of the ''Kavyadarsha'', Subandhu, the author of ''Vasavadatta'', and Bāṇabhaṭṭa, the author of the '' Kadambari''. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost ''Brihatkatha'' in Sanskrit; the loss of this text is one of the greatest losses of Indian literature. Presently available are its two Kashmiri Sanskrit recensions, the ''Brihatkathamanjari'' by Kshemendra and the ''Kathasaritsagara'' by Somadeva. Date Guṇāḍhya could have flourished during the reign of a Satvahana king of Pratishthana (modern-day Paithan, Maharashtra). According to D. C. Sircar, he probably flourished between the 1st century BCE and 3rd century CE. An alternative account, mentioned in the ''Nepala Mahatmya'' of the Skanda Purana, states that Gunadhya was born in Mathura, and wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paisaci
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, "ghouls". In works of Sanskrit poetics such as Daṇḍin's ''Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Siddha-H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bṛhatkathāślokasaṃgraha
' (Brihat-katha-shloka-sangraha, बृहत्कथाश्लोकसंग्रह), ''"Verse Abridgment of the Great Story"'', is Budhasvāmin's abridgement into Sanskrit verse of the now lost ''Great Story'' ('). It tells the legend of the youthful exploits of prince Naravāhanadatta (Nara-vahana-datta). Story The main story narrates Naravāhanadatta’s progress culminating in his destined enthronement as the emperor of the vidhyādharas, celestial beings with magical abilities, winning twenty-six wives along the way. The surviving manuscripts of the text break off while he is in pursuit of his sixth wife. The narrative is fast-paced and eschews lengthy description. It is also unusually homogeneous and hasn’t suffered the intrusion of interpolation: Budha·svamin’s laconic style remains consistent throughout. ... Occasional allusions show that Budha·svamin had a thorough grounding in the various sciences that made up the traditional brahmin education ... nda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paiśācī
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, "ghouls". In works of Sanskrit poetics such as Daṇḍin's ''Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Siddha-H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parvati
Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi in her complete form. She is also revered in her appearances as Durga and Kali.Suresh Chandra (1998), Encyclopedia of Hindu Gods and Goddesses, , pp 245–246 She is one of the central deities of the goddess-oriented sect called Shaktism, and the chief goddess in Shaivism. Along with Lakshmi and Saraswati, she forms the Tridevi. Parvati is the wife of the Hindu god Shiva. She is the reincarnation of Sati, the first wife of Shiva who immolated herself during a yajna (fire-sacrifice).Edward Balfour, , The Encyclopaedia of India and of Eastern and Southern Asia, pp 153 Parvati is the daughter of the mountain-king Himavan and queen Mena.H.V. Dehejia, Parvati: Goddess of Love, Mapin, , pp 11 Parvati is the mother of the Hindu deities Ganesha and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. Shiva is known as "The Destroyer" within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess ( Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva has many aspects, benevolent as well as fearsome. In benevolent aspects, he is depicted as an omniscient Yogi who lives an ascetic life on Mount Kailash as well as a householder with his wife Parvati and his three children, Ganesha, Kartikeya and A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
