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Brihatkatha
''Bṛhatkathā'' (Sanskrit, "the Great Narrative") is an ancient Indian epic, said to have been written by Gunadhya, Guṇāḍhya in a poorly-understood language known as Paiśācī. The work no longer exists but several later adaptations — the ''Kathasaritsagara, Kathāsaritsāgara'' (''कथासरित्सागर''), ''Bṛhatkathāmañjarī'' (''बृहत्कथामंजरी'') and ''Bṛhatkathāślokasaṃgraha'' (''बृहत्कथाश्लोकसंग्रह'') in Sanskrit, as well as the ''Peruṅkatai'' and ''Vasudevahiṃḍi'' in vernaculars — make commentary on the piece. The date of its composition is uncertain. According to testimonials by later Sanskrit poets such as Daṇḍin, Subandhu, and Bāṇabhaṭṭa, Bāṇa, the ''Bṛhatkathā'' existed in the 6th century CE. According to other estimates it predates that period by several more centuries. For example, if the story of Udayana (king), Udayana by poet Bhāsa (and als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunadhya
Guṇāḍhya is the Sanskrit name of the sixth-century Indian author of the ''Bṛhatkathā'', a large collection of tales attested by Daṇḍin, the author of the ''Kavyadarsha'', Subandhu, the author of ''Vasavadatta'', and Bāṇabhaṭṭa, the author of the ''Kadambari''. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost ''Brihatkatha'' in Sanskrit; the loss of this text is one of the greatest losses of Indian literature. Presently available are its two Kashmiri Sanskrit recensions, the ''Brihatkathamanjari'' by Kshemendra and the ''Kathasaritsagara'' by Somadeva. Date Guṇāḍhya could have flourished during the reign of a Satavahana dynasty, Satvahana king of Pratishthana (modern-day Paithan, Maharashtra). According to D. C. Sircar, he probably flourished between the 1st century BCE and 3rd century CE. An alternative account, mentioned in the ''Nepala Mahatmya'' of the Skanda Purana, states that Gunadhya was born i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gunadhya Legend
Guṇāḍhya is the Sanskrit name of the sixth-century Indian author of the ''Bṛhatkathā'', a large collection of tales attested by Daṇḍin, the author of the ''Kavyadarsha'', Subandhu, the author of ''Vasavadatta'', and Bāṇabhaṭṭa, the author of the '' Kadambari''. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost ''Brihatkatha'' in Sanskrit; the loss of this text is one of the greatest losses of Indian literature. Presently available are its two Kashmiri Sanskrit recensions, the ''Brihatkathamanjari'' by Kshemendra and the ''Kathasaritsagara'' by Somadeva. Date Guṇāḍhya could have flourished during the reign of a Satvahana king of Pratishthana (modern-day Paithan, Maharashtra). According to D. C. Sircar, he probably flourished between the 1st century BCE and 3rd century CE. An alternative account, mentioned in the ''Nepala Mahatmya'' of the Skanda Purana, states that Gunadhya was born in Mathura, and wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathasaritsagara
The ''Kathāsaritsāgara'' ("Ocean of the Streams of Stories") (Devanagari: कथासरित्सागर) is a famous 11th-century collection of Indian legends, fairy tales and folk tales as retold in Sanskrit by the Shaivite Somadeva. ''Kathāsaritsāgara'' contains multiple layers of story within a story and is said to have been adopted from Guṇāḍhya's ''Bṛhatkathā'' ("the Great Narrative"), which was written in a poorly-understood language known as Paiśāchī. The ''Bṛhatkathā'' is no longer extant but several later adaptations still exist — the ''Kathāsaritsāgara'', '' Bṛhatkathamanjari'' and ''Bṛhatkathāślokasaṃgraha''. However, none of these recensions necessarily derives directly from Gunadhya, and each may have intermediate versions. Scholars compare Guṇāḍhya with Vyasa and Valmiki even though he did not write the now long-lost ''Bṛhatkathā'' in Sanskrit. Presently available are its two Sanskrit recensions, the '' Bṛhatkathamanjar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bṛhatkathāślokasaṃgraha
' (Brihat-katha-shloka-sangraha, बृहत्कथाश्लोकसंग्रह), ''"Verse Abridgment of the Great Story"'', is Budhasvāmin's abridgement into Sanskrit verse of the now lost ''Great Story'' ('). It tells the legend of the youthful exploits of prince Naravāhanadatta (Nara-vahana-datta). Story The main story narrates Naravāhanadatta’s progress culminating in his destined enthronement as the emperor of the vidhyādharas, celestial beings with magical abilities, winning twenty-six wives along the way. The surviving manuscripts of the text break off while he is in pursuit of his sixth wife. The narrative is fast-paced and eschews lengthy description. It is also unusually homogeneous and hasn’t suffered the intrusion of interpolation: Budha·svamin’s laconic style remains consistent throughout. ... Occasional allusions show that Budha·svamin had a thorough grounding in the various sciences that made up the traditional brahmin education ... nda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ratnavali
''Ratnavali'' (Precious Garland) is a Sanskrit drama about a beautiful princess named Ratnavali, and a great king named Udayana. It is attributed to the Indian emperor Harsha (606–648). It is a Natika in four acts. One of the first textual references to the celebration of Holi, the festival of Colours have been found in this text.Origins of Holi ''''. ''Ratnāvalī'' subtitled (''rajaparikatha'') is also the title of a 3rd-century (?) Buddhist philosophical work by , a discourse addressed to an Indian king (possibly a |
Paisachi Literature
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, "ghouls". In works of Sanskrit poetics such as Daṇḍin's ''Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Siddha-H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paisaci
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, "ghouls". In works of Sanskrit poetics such as Daṇḍin's ''Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Siddha-H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paiśācī
Paishachi or Paisaci () is a largely unattested literary language of the middle kingdoms of India mentioned in Prakrit and Sanskrit grammars of antiquity. It is generally grouped with the Prakrits, with which it shares some linguistic similarities, but is still not considered a spoken Prakrit by the grammarians because it was purely a literary language, and because of its archaicism. Identity The etymology of the name suggests that it is spoken by piśācas, "ghouls". In works of Sanskrit poetics such as Daṇḍin's ''Kavyadarsha'', it is also known by the name of , an epithet which can be interpreted either as a "dead language" (i.e. with no surviving speakers), or as "a language spoken by the dead" (i.e. ghouls or ghosts), the former interpretation being more realistic and the latter being the more fanciful. Evidence which lends support to the former interpretation is that literature in Paiśācī is fragmentary and extremely rare but may have been once common. The Siddha-H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dashakumaracharita
''Dashakumaracharita'' (''The narrative of ten young men'', IAST: ''Daśa-kumāra-Carita'', Devanagari: दशकुमारचरित) is a prose romance in Sanskrit, attributed to Dandin (दण्डी), believed to have flourished in the seventh to eighth centuries CE. However, there is some obscurity surrounding its textual tradition, the identity of the author and the date of composition. It describes the adventures of ten young men, the ''Kumaras'', all of whom are either princes or sons of royal ministers, as narrated by the men themselves (however, there are irregularities in the text). These narratives are replete with accounts of demigods, ghosts, prostitutes, gamblers, intrigues with voluptuous women, astonishing coincidences, cockfights, anthropophagy, sorcery, robberies, murders and wars. The reader is treated to some very striking passages; for instance, a seductive young girl (all of whose anatomical features are very frankly described) deftly prepares a fragra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhoot (ghost)
A ''bhoot'' or ''bhuta'' ( sa, भूत, ''bhūta'') is a supernatural creature, usually the ghost of a deceased person, in the popular culture, literature and some ancient texts of the Indian subcontinent. Interpretations of how bhoots come into existence vary by region and community, but they are usually considered to be perturbed and restless due to some factor that prevents them from moving on (to transmigration, non-being, nirvana, or swarga or naraka, depending on tradition). This could be a violent death, unsettled matters in their lives, or simply the failure of their survivors to perform proper funerals. Belief in ghosts has been deeply ingrained in the minds of the people of the subcontinent for generations. There are many allegedly haunted places in the subcontinent, such as cremation grounds, dilapidated buildings, royal mansions, forts, forest bungalows, burning ghats, etc. Ghosts also occupy a significant place in the Bengali culture. Ghosts and various superna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kubera
Kubera ( sa, कुबेर, translit=Kuberā) also known as Kuvera, Kuber and Kuberan, is the god of wealth, and the god-king of the semi-divine yakshas in Hinduism. He is regarded as Guardians of the directions, the regent of the north (''Dikpala''), and a protector of the world (''Lokapala''). His many epithets extol him as the overlord of numerous semi-divine species, and the owner of the treasures of the world. Kubera is often depicted with a plump body, adorned with jewels, and carrying a money-pot and a club. Originally described as the chief of evil spirits in Veda, Vedic-era texts, Kubera acquired the status of a ''Deva (Hinduism), deva'' (god) only in the Puranas, ''Purana''s and the Hindu epics. The scriptures describe that Kubera once ruled Lanka, but was overthrown by his half-brother Ravana, later settling in the city of Alaka in the Himalayas. Descriptions of the "glory" and "splendour" of Kubera's city are found in many scriptures. Kubera has also been assim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kosambi
Kosambi (Pali) or Kaushambi (Sanskrit) was an important city in ancient India. It was the capital of the Vatsa kingdom, one of the sixteen mahajanapadas. It was located on the Yamuna River about southwest of its confluence with the Ganges at Prayaga (modern Prayagraj). History During 2nd millennium BCE Ochre Coloured Pottery culture spread in the region. Kosambi was one of the greatest cities in India from the late Vedic period until the end of Maurya Empire with occupation continuing until the Gupta Empire. As a small town, it was established in the late Vedic period, by the rulers of Kuru Kingdom as their new capital. The initial Kuru capital Hastinapur was destroyed by floods, and the Kuru King transferred his entire capital with the subjects to a new capital that he built near the Ganga-Jamuma confluence, which was 56 km away from the southernmost part of the Kuru Kingdom now as Prayagraj previously called Allahabad.During the period prior the Maurya Empire, Kosambi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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