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Katakana Origine
is a Japanese syllabary, one component of the Japanese writing system along with hiragana, kanji and in some cases the Latin script (known as rōmaji). The word ''katakana'' means "fragmentary kana", as the katakana characters are derived from components or fragments of more complex kanji. Katakana and hiragana are both kana systems. With one or two minor exceptions, each syllable (strictly mora) in the Japanese language is represented by one character or ''kana'' in each system. Each kana represents either a vowel such as "''a''" (katakana ア); a consonant followed by a vowel such as "''ka''" (katakana カ); or "''n''" (katakana ン), a nasal sonorant which, depending on the context, sounds either like English ''m'', ''n'' or ''ng'' () or like the nasal vowels of Portuguese language, Portuguese or Galician language, Galician. In contrast to the hiragana syllabary, which is used for Japanese words not covered by kanji and for grammatical inflections, the katakana syllabary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syllabary
In the linguistic study of written languages, a syllabary is a set of written symbols that represent the syllables or (more frequently) moras which make up words. A symbol in a syllabary, called a syllabogram, typically represents an (optional) consonant sound (simple onset) followed by a vowel sound (nucleus)—that is, a CV or V syllable—but other phonographic mappings, such as CVC, CV- tone, and C (normally nasals at the end of syllables), are also found in syllabaries. Types A writing system using a syllabary is ''complete'' when it covers all syllables in the corresponding spoken language without requiring complex orthographic / graphemic rules, like implicit codas ( ⇒ /C1VC2/) silent vowels ( ⇒ /C1V1C2/) or echo vowels ( ⇒ /C1V1C2/). This loosely corresponds to ''shallow'' orthographies in alphabetic writing systems. ''True'' syllabograms are those that encompass all parts of a syllable, i.e. initial onset, medial nucleus and final coda, but since onset and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiragana
is a Japanese syllabary, part of the Japanese writing system, along with ''katakana'' as well as ''kanji''. It is a phonetic lettering system. The word ''hiragana'' literally means "flowing" or "simple" kana ("simple" originally as contrasted with kanji). Hiragana and katakana are both kana systems. With few exceptions, each mora in the Japanese language is represented by one character (or one digraph) in each system. This may be either a vowel such as ''"a"'' (hiragana あ); a consonant followed by a vowel such as ''"ka"'' (か); or ''"n"'' (ん), a nasal sonorant which, depending on the context, sounds either like English ''m'', ''n'' or ''ng'' () when syllable-final or like the nasal vowels of French, Portuguese or Polish. Because the characters of the kana do not represent single consonants (except in the case of ん "n"), the kana are referred to as syllabic symbols and not alphabetic letters. Hiragana is used to write ''okurigana'' (kana suffixes following a kanji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transcription Into Japanese
In contemporary Japanese writing, foreign-language loanwords and foreign names are normally written in the katakana script, which is one component of the Japanese writing system. As far as possible, sounds in the source language are matched to the nearest sounds in the Japanese language, and the result is transcribed using standard katakana characters, each of which represents one syllable (strictly mora). For example, ''America'' is written アメリカ (''A-me-ri-ka''). To accommodate various foreign-language sounds not present in Japanese, a system of extended katakana has also developed to augment standard katakana. Katakana, like hiragana, has a one-to-one correspondence between sounds and characters. Therefore, once the "Japanese sound" of a word is established, there is no ambiguity in its katakana spelling (unlike spelling in English, for example). A much less common form of transcription, Ateji, uses kanji characters for their phonetic values. Practicalities of tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transcription Into Japanese
In contemporary Japanese writing, foreign-language loanwords and foreign names are normally written in the katakana script, which is one component of the Japanese writing system. As far as possible, sounds in the source language are matched to the nearest sounds in the Japanese language, and the result is transcribed using standard katakana characters, each of which represents one syllable (strictly mora). For example, ''America'' is written アメリカ (''A-me-ri-ka''). To accommodate various foreign-language sounds not present in Japanese, a system of extended katakana has also developed to augment standard katakana. Katakana, like hiragana, has a one-to-one correspondence between sounds and characters. Therefore, once the "Japanese sound" of a word is established, there is no ambiguity in its katakana spelling (unlike spelling in English, for example). A much less common form of transcription, Ateji, uses kanji characters for their phonetic values. Practicalities of tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italics
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Owing to the influence from calligraphy, italics normally slant slightly to the right. Italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of English usage described italics as "the print equivalent of underlining"; in other words, underscore in a manuscript directs a typesetter to use italic. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. Along with blackletter and Roman type, it served as one of the major typefaces in the history of Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
