Kanō Michinobu
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Kanō Michinobu
Kanō Michinobu (, 20 December 1730 – 24 September 1790) was a Japanese painter of the Kanō school of painting. He was the first appointed "inner painter" to the '' shōgun'', to whom he remained close. Michinobu also used the art names Eisen (), Eisen'in (), and Hakugyokusai (). Life and career Michinobu was born with the given name Shōzaburō () on the 11th day of the 11th month of the year Kyōhō (20 December 1730) in Edo (modern Tokyo). He was the first son of the Kanō school painter Eisen Hisanobu (, or Kanō Furonobu 1698–1731), who had taken over as head of the school from Kanō Tsunenobu in 1728 and who died in 1731, the year after Michinobu's birth. Jusen Harunobu () was adopted into the family to carry on the line but also fell sick and died in 1731 at age 17. Michinobu was thus officially named to carry on the line. As he was an infant, he did not have an audience with the ''shōgun'' whom he was to serve until 1741. Michinobu was prolific and ambiti ...
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Kanō Michinobu (18th Century) Daikoku-zu
Kanō Michinobu (, 20 December 1730 – 24 September 1790) was a Japanese painter of the Kanō school of painting. He was the first appointed "inner painter" to the '' shōgun'', to whom he remained close. Michinobu also used the art names Eisen (), Eisen'in (), and Hakugyokusai (). Life and career Michinobu was born with the given name Shōzaburō () on the 11th day of the 11th month of the year Kyōhō (20 December 1730) in Edo (modern Tokyo). He was the first son of the Kanō school painter Eisen Hisanobu (, or Kanō Furonobu 1698–1731), who had taken over as head of the school from Kanō Tsunenobu in 1728 and who died in 1731, the year after Michinobu's birth. Jusen Harunobu () was adopted into the family to carry on the line but also fell sick and died in 1731 at age 17. Michinobu was thus officially named to carry on the line. As he was an infant, he did not have an audience with the ''shōgun'' whom he was to serve until 1741. Michinobu was prolific and ambiti ...
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Rōjū
The , usually translated as '' Elder'', was one of the highest-ranking government posts under the Tokugawa shogunate of Edo period Japan. The term refers either to individual Elders, or to the Council of Elders as a whole; under the first two ''shōguns'', there were only two ''Rōjū''. The number was then increased to five, and later reduced to four. The ''Rōjū'' were appointed from the ranks of the ''fudai daimyōs'' with domains of between 25,000 and 50,000 ''koku''. Duties The ''Rōjū'' had a number of responsibilities, most clearly delineated in the 1634 ordinance that reorganized the government and created a number of new posts: :#Relations with the Emperor, the Court, and the Prince-Abbots. :#Supervision of those ''daimyō'' who controlled lands worth at least 10,000 ''koku''. :#Managing the forms taken by official documents in official communications. :#Supervision of the internal affairs of the Shogun's domains. :#Coinage, public works, and enfiefment. :#Governmental ...
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1790 Deaths
Year 179 ( CLXXIX) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Veru (or, less frequently, year 932 ''Ab urbe condita''). The denomination 179 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman empire * The Roman fort Castra Regina ("fortress by the Regen river") is built at Regensburg, on the right bank of the Danube in Germany. * Roman legionaries of Legio II ''Adiutrix'' engrave on the rock of the Trenčín Castle (Slovakia) the name of the town ''Laugaritio'', marking the northernmost point of Roman presence in that part of Europe. * Marcus Aurelius drives the Marcomanni over the Danube and reinforces the border. To repopulate and rebuild a devastated Pannonia, Rome allows the first German colonists to enter territory con ...
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1730 Births
Year 173 ( CLXXIII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Pompeianus (or, less frequently, year 926 ''Ab urbe condita''). The denomination 173 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Gnaeus Claudius Severus and Tiberius Claudius Pompeianus become Roman Consuls. * Given control of the Eastern Empire, Avidius Cassius, the governor of Syria, crushes an insurrection of shepherds known as the Boukoloi. Births * Maximinus Thrax ("the Thracian"), Roman emperor (d. 238) * Mi Heng, Chinese writer and musician (d. 198) Deaths * Donatus of Muenstereifel, Roman soldier and martyr (b. AD 140 Year 140 ( CXL) was a leap year starting on Thursday (link will display the full calendar) of the Julian cal ...
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Heibonsha
Heibonsha (平凡社) is a Japanese publishing company based in Tokyo, which publishes Encyclopedia, encyclopedias, dictionaries and books in the fields of science and philosophy. Since 1945 it has also published books on art and literature."Heibonsha, Ltd, Publishers" (entry)
in: ''Japan: An Illustrated Encyclopedia'', Tokyo and New York, N.Y.: Kodansha, 1993, vol. 1, p. 521. Retrieved 28 June 2022.
Similarly to the Iwanami Shoten and the Chikuma Shobō publishing houses, its publishing program is directed primarily at an academic audience and features well-illustrated publications.Yasuko Makino, "Heibonsha" (entry),

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Eishi
was a Japanese ukiyo-e artist. His last name was Hosoda (細田). His first name was Tokitomi (時富). His common name was Taminosuke (民之丞) and later Yasaburo (弥三郎). Pupil of Kano Eisen'in Michinobu (狩野 栄川院 典信). Born as the first son of direct vassal of the Shogunate, a well-off samurai family that was part of the Fujiwara clan. Eishi was a vassal of the Shogunate with a generous stipend of 500 'koku' (90,000 litres) of rice. Eishi left his employ with the Shōgun Ieharu to pursue art. His early works were prints, mostly '' Bijin-ga'' portraits of tall, thin, graceful beauties in the original style established by himself akin to Kiyonaga and Utamaro. He established his own school and was a rival to Utamaro. He was a prolific painter, and from 1801 gave up print designing to devote himself to painting. Life and career Eishi was born Hosoda Tokitomi () in 1756 to a well-provided samurai family that was part of the prestigious Fujiwara clan. Hi ...
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Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ...
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Ueda Akinari
Ueda Akinari or Ueda Shūsei (, July 25, 1734 in Osaka – August 8, 1809 in Kyoto) was a Japanese author, scholar and ''waka'' poet, and a prominent literary figure in 18th-century Japan. He was an early writer in the ''yomihon'' genre and his two masterpieces, ''Ugetsu Monogatari'' ("Tales of Rain and the Moon") and ''Harusame Monogatari'' ("Tales of Spring Rain"), are central to the canon of Japanese literature. Biography Born to an Osaka prostitute and an unknown father, Ueda was adopted in his fourth year by a wealthy merchant who reared him in comfort and provided him with a good education. As a child he became gravely ill with smallpox, and although he survived, he was left with deformed fingers on both hands. During his illness, his parents prayed to the god of the Kashima Inari Shrine, and Ueda felt that this deity had intervened and saved his life. Throughout his life he remained a strong believer in the supernatural, and this belief seems to inform important el ...
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Kanō Tan'yū
was a Japanese painter of the Kanō school. One of the foremost Kanō painters, many of the best known Kanō works today are by Tan'yū. Biography His original given name was Morinobu; he was the eldest son of Kanō Takanobu and grandson of Kanō Eitoku. In 1617, Tan'yū was appointed by the Tokugawa shogunate to become the shogunate's first official painter. Over the following years, he was given many highly prestigious commissions. Over the 1620s and 1630s, he created a number of large-scale works for Edo Castle, Nijō Castle, Osaka Castle, Nagoya Castle, and Nikkō Tōshō-gū. Prolific in a variety of painting styles, Tan'yū's most famous works are probably those he produced for these large-scale commissions. They are screens and panels, prime examples of the Momoyama style, depicting natural subjects such as tigers, birds and plants, in bright colors and with extensive use of gold leaf. The gold, often used to represent clouds, water, or other background elements ...
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Matsudaira Sadanobu
was a Japanese ''daimyō'' of the mid-Edo period, famous for his financial reforms which saved the Shirakawa Domain, and the similar reforms he undertook during his tenure as chief of the Tokugawa shogunate, from 1787 to 1793. Early life Matsudaira Sadanobu was the seventh son of Tokugawa Munetake, of the Tayasu branch of the Tokugawa clan. The Tayasu was one of the ''gosankyō'', the senior-most of the lesser cadet branches of the Shōgun's family, and was thus the grandson of the reform-minded eighth shōgun Tokugawa Yoshimune. The Tayasu house stood apart from the other cadet branches resident in Edo Castle, living a more austere lifestyle, following the example set by Yoshimune—in Munetake's words, the praise of manly spirit (''masuraoburi'') as opposed to feminine spirit (''taoyameburi''). It also set itself apart from the other branches due to its history of thwarted political ambition—the founder, Munetake, had hoped to become his father's heir but was passed over f ...
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Tokugawa Ienari
Tokugawa Ienari ( ja, 徳川 家斉, November 18, 1773 – March 22, 1841) was the eleventh and longest-serving ''shōgun'' of the Tokugawa shogunate of Japan who held office from 1787 to 1837.Hall, John Whitney ''et al.'' (1991) ''Early Modern Japan'', p. 21./ref> He was a great-grandson of the eighth shōgun Tokugawa Yoshimune through his son Munetada (1721–1764), head of the Hitotsubashi branch of the family, and his grandson Harusada (1751–1827). Ienari died in 1841 and was given the Buddhist name Bunkyouin and buried at Kan'ei-ji. Events of Ienari's ''bakufu'' * 1787 (''Tenmei 7''): Ienari becomes the 11th ''shōgun'' of the bakufu government. * 1788 (''Tenmei 7''): Riots in rice shops in Edo and Osaka. * March 6 – 11, 1788 (''Tenmei 8, 29th day of the 1st month – 4th day of the second month''): Great Fire of Kyoto. A fire in the city, which begins at 3 o'clock in the morning of March 6 burns uncontrolled until the 1st day of the second month (March 8); and embers ...
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Kanō School
The is one of the most famous schools of Japanese painting. The Kanō school of painting was the dominant style of painting from the late 15th century until the Meiji period which began in 1868, by which time the school had divided into many different branches. The Kanō family itself produced a string of major artists over several generations, to which large numbers of unrelated artists trained in workshops of the school can be added. Some artists married into the family and changed their names, and others were adopted. According to the historian of Japanese art Robert Treat Paine, "another family which in direct blood line produced so many men of genius ... would be hard to find". The school began by reflecting a renewed influence from Chinese painting, but developed a brightly coloured and firmly outlined style for large panels decorating the castles of the nobility which reflected distinctively Japanese traditions, while continuing to produce monochrome brush paintin ...
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