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Kanbun Master
The Kanbun Master ( ja, 寛文大師; fl. ) was a Japanese woodblock print artist and mentor to Hishikawa Moronobu, who is generally considered to have founded the genre known as ''ukiyo-e''. As no signed works by the Kanbun Master are known to survive (or to have ever been made), he remains anonymous and known only by the pseudonym assigned him by scholar Richard Lane on account of his having flourished during the Kanbun era (1661–1673) on the Japanese Imperial calendar. The precise relationship between the Master and Moronobu is unclear, and there are a number of works attributed to each which may have actually been created by the other, or yet another artist. As so little is known about the Master, is it not even clear whether or not he had any direct relationship with Moronobu at all, or if the latter was simply influenced by the Master's work. In fact, scholars are not even sure whether the works attributed to the Kanbun Master were even by a single hand, or if they w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing In Japan
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text (''Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from Japan. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hishikawa Moronobu
Hishikawa Moronobu ( ja, 菱川 師宣; 1618 – 25 July 1694) was a Japanese artist known for popularizing the ukiyo-e genre of woodblock prints and paintings in the late 17th century. He consolidated the works of scattered Japanese art styles and forged the early development of ukiyo-e. Early life Born in Hoda at the distant end of Edo Bay, Moronobu was the son of a well-respected embroiderer of rich tapestries who produced it for the use of temples and wealthy patrons. After moving to Edo in the 1660s, Moronobu, who had likely learned skills from his father's craft, and studied both Tosa and Kanō-style painting. He thus had a solid grounding in both decorative crafts and academic painting, which served him well when he then turned to ukiyo-e, which he studied with his mentor, the Kanbun Master. Work The earliest known illustration of Moronobu that can be dated comes from his work titled ''One Hundred Warrior Poets'' from 1672, although earlier works are yet possibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American scholar, author, collector, and dealer of Japanese art. He lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu Museum of Art from 1957 to 1971, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanbun (era)
was a after '' Manji'' and before ''Enpō.'' This period spanned the years from April 1661 to September 1673. The reigning emperors were and . Change of era * 1661 : The new era name of ''Kanbun'' (meaning "Generous Art") was created to mark a number of disasters including a great fire at the Imperial Palace. The previous era ended and a new one commenced in ''Manji'' 4. Events of the ''Kanbun'' era * March 20, 1662 (''Kanbun 2, 1st day of the 2nd month''): There was a violent earthquake in Heian-kyō which destroyed the tomb of Toyotomi Hideyoshi .Titsingh p. 413./ref> * 1662 (''Kanbun 2''): Emperor Gosai ordered Tosa Hiromichi (土佐広通, 1599–1670), a Tosa-school disciple, to adopt the name Sumiyoshi (probably in reference to a 13th-century painter, Sumiyoshi Keinin 住吉慶忍), upon assuming a position as official painter for the Sumiyoshi Taisha 住吉大社. * March 5, 1663 (''Kanbun 3, 26th day of the 1st month''): Go-sai abdicated in favor of his younger b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nengō
The , also known as , is the first of the two elements that identify years in the Japanese era calendar scheme. The second element is a number which indicates the year number within the era (with the first year being ""), followed by the literal "" meaning "year". Era names originated in 140 BCE in China, during the reign of the Emperor Wu of Han. As elsewhere in East Asia, the use of era names was originally derived from Chinese imperial practice, although the Japanese system is independent of the Chinese, Korean, and Vietnamese era-naming systems. Unlike these other similar systems, Japanese era names are still in use. Government offices usually require era names and years for official papers. The five era names used since the end of the Edo period in 1868 can be abbreviated by taking the first letter of their romanized names. For example, S55 means Shōwa 55 (i.e. 1980), and H22 stands for Heisei 22 (2010). At 62 years and 2 weeks, Shōwa is the longest era to date. The cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honolulu Museum Of Art
The Honolulu Museum of Art (formerly the Honolulu Academy of Arts) is an art museum in Honolulu, Hawaii. The museum is the largest of its kind in the state, and was founded in 1922 by Anna Rice Cooke. The museum has one of the largest single collections of Asian and Pan-Pacific art in the United States, and since its official opening on April 8, 1927, its collections have grown to more than 55,000 works of art. Description The Honolulu Museum of Art was called “the finest small museum in the United Statesˮ by J. Carter Brown, director of the National Gallery of Art from 1969 to 1992. In addition to an internationally renowned permanent collection, the museum houses innovative exhibitions, an art school, an independent art house theatre, a café and a museum shop. In 2011, The Contemporary Museum gifted its assets and collection to the Honolulu Academy of Arts; in 2012, the combined museum changed its name to the Honolulu Museum of Art. The museum is accredited by the America ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Print
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is created by carving a wooden block to leave only some areas and lines at the original level; it is these that are inked and show in the print, in a relief printing process. Carving the blocks is skilled and laborious work, but a large number of impressions can then be printed. As a method of printing on cloth, the earliest surviving examples from China date to before 220 AD. Woodblock printing existed in Tang China by the 7th century AD and remained the most common East Asian method of printing books and other texts, as well as images, until the 19th century. ''Ukiyo-e'' is the best-known type of Japanese woodblock art print. Most European uses of the technique for printing images on paper are covered by the art term woodcut, except for the bl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chūban
This is a list of terms frequently encountered in the description of -style Japanese woodblock prints and paintings. For a list of print sizes, see below. * ; "blue picture" * ; "red picture" * ; "examined" character found in many censor seals * ; a tool used to rub the back of a sheet of paper to pick up ink from the block * ; primitive ukiyo-e style prints, usually printed in pink * ; primitive ukiyo-e style prints, usually printed in pink and green * ; pictures of beautiful women * ; technique of applying a gradation of ink to a moistened block to vary lightness and darkness (value) of a single colour * Censor seal; from 1790 until 1876 all woodblock prints had to be examined by official censors, and marked with their seals * ; a print size about * ; a print size about * ; dating from 1603 to 1868, the period when Japanese society was under the rule of the Tokugawa shogunate * ; "picture book" * ; colouring with a paintbrush * ; powdered minerals or metals sprinkled onto a prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shunga (art)
is a type of Japanese erotic art typically executed as a kind of ukiyo-e, often in woodblock print format. While rare, there are also extant erotic painted handscrolls which predate ukiyo-e. Translated literally, the Japanese word ''shunga'' means ''picture of spring''; "spring" is a common euphemism for sex. Shunga, as a subset of ukiyo-e, was enjoyed by all social groups in the Edo period, despite being out of favor with the shogunate. The ukiyo-e movement sought to idealize contemporary urban living and appeal to the new chōnin class. Shunga followed the aesthetics of everyday life and widely varied in its depictions of sexuality. Most ukiyo-e artists made shunga at some point in their careers. History Shunga was heavily influenced by illustrations in Chinese medicine manuals beginning in the Muromachi era (1336 to 1573). Zhou Fang, a notable Tang-dynasty Chinese painter, is also thought to have been influential. He, like many artists of his time, tended to draw gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
