Kaijumax
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Kaijumax
Kaijumax is a comic series by two time Eisner Award winning creator Zander Cannon published by Oni Press. The comic is centered around an island prison whose inmates are kaiju (monsters) and guards have powers similar to Ultraman ''Ultraman'', also known as the , is the collective name for all media produced by Tsuburaya Productions featuring Ultraman, his many brethren, and the myriad monsters. Debuting with ''Ultra Q'' and then ''Ultraman'' in 1966, the series is one .... Kaijumax was a nominee in the "Best New Series" category of the 2016 Eisner Awards. Kaijumax is published monthly in seasons, with an indeterminate amount of time between seasons. On the inspiration for the series, Cannon has stated: "A lot of people assume that my comic Kaijumax is take on Godzilla, but Ultraman is the real inspiration: deliriously fast paced, utterly unconcerned with continuity, and with beautiful monster designs throughout all its incarnations." References {{comics-stub Oni Press ...
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Zander Cannon
Alexander Cannon (born November 1, 1972) is an American cartoonist, known for his work on books such as '' Top 10'', '' Smax'' and ''Kaijumax''. Career Cannon's first professional comics work was ''The Chainsaw Vigilante'', a spin-off from ''The Tick'', from New England Comics. Beginning in the mid-1990s, he wrote and drew '' The Replacement God'', a fantasy comic book about a former slave named Knute who is pursued across the fictional land of Mun by a tyrannical king and his beatnik Visigoth Death Horde. The first eight issues were published by Slave Labor Graphics, a subsequent five issues were published by Image Comics, and one issue was self-published by Cannon under his Handicraft Guild imprint. Cannon worked as layout artist on '' Top 10'', with writer Alan Moore and finishing artist Gene Ha, and pencilled its spin-off miniseries '' Smax'', with Moore and inker Andrew Currie, for America's Best Comics. Cannon won a joint Eisner for Best Continuing Series in 2001 for his ...
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Oni Press
Oni Press is an American independent comic book and graphic novel publisher based in Portland, Oregon. In 2019, it became an imprint label following the company's merger with Lion Forge Comics. The merged company, Oni–Lion Forge Publishing Group (OLFPG), is owned by Polarity. Oni Press has remained the "predominant name used for publishing comics" by OLFPG. Overview The company name derives from ''oni'', the word for the ogre demons popular in Japanese folklore. Oni Press used the term "real mainstream," coined by Stephen Holland of the UK comic shop Page 45, to suggest that the subject matter it publishes is more in line with the popular genres of other media, such as thrillers, romances and realistic drama. For the most part, Oni Press avoids publishing superhero titles, unless interesting creators approach these concepts from an unusual angle. However, at one point, Rich Johnston of All The Rage reported that Oni Press and Marvel Comics were creating a publishing deal f ...
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Eisner Award
The Will Eisner Comic Industry Awards, commonly shortened to the Eisner Awards, are prizes given for creative achievement in American comic books, sometimes referred to as the comics industry's equivalent of the Academy Awards. They are named in honor of the pioneering writer and artist Will Eisner, who was a regular participant in the award ceremony until his death in 2005."The Will Eisner Comic Industry Awards"
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Kaiju
is a Japanese media genre that focuses on stories involving giant monsters. The word ''kaiju'' can also refer to the giant monsters themselves, which are usually depicted attacking major cities and battling either the military or other monsters. The ''kaiju'' genre is a subgenre of ''tokusatsu'' entertainment. The 1954 film ''Godzilla'' is commonly regarded as the first ''kaiju'' film. ''Kaiju'' characters are often somewhat metaphorical in nature; Godzilla, for example, serves as a metaphor for nuclear weapons, reflecting the fears of post-war Japan following the atomic bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident. Other notable examples of ''kaiju'' characters include Rodan, Mothra, King Ghidorah and Gamera. Etymology The Japanese word ''kaijū'' originally referred to monsters and creatures from ancient Japanese legends; it earlier appeared in the Chinese ''Classic of Mountains and Seas''. After ''sakoku'' had ended and Japan was opened to for ...
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Ultraman
''Ultraman'', also known as the , is the collective name for all media produced by Tsuburaya Productions featuring Ultraman, his many brethren, and the myriad monsters. Debuting with ''Ultra Q'' and then ''Ultraman'' in 1966, the series is one of the most prominent ''tokusatsu'' superhero genre productions from Japan, along with the Toei-produced series '' Kamen Rider'', ''Super Sentai'' and the ''Metal Heroes''. The series is also one of the most well-known examples of the '' kaiju'' genre, along with Toho's ''Godzilla'' series and Daiei Film's ''Gamera'' series. However, the series also falls into the ''Kyodai'' Hero subgenre of ''tokusatsu'', a subgenre it also helped popularise. In Japan, the Ultraman brand generated in merchandising revenue from 1966 to 1987, equivalent to more than adjusted for inflation. Ultraman was the world's third top-selling licensed character in the 1980s, largely due to his popularity in Asia. References to Ultraman are abundant in Japanese po ...
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Oni Press Titles
An is a kind of ''yōkai'', demon, orc, ogre, or troll in Japanese folklore. Oni are mostly known for their fierce and evil nature manifested in their propensity for murder and cannibalism. Notwithstanding their evil reputation, oni possess intriguingly complex aspects that cannot be brushed away simply as evil. They are typically portrayed as hulking figures with one or more horns growing out of their heads."Oni." ''Handbook of Japanese Mythology'', by Michael Ashkenazi, ABC-CLIO, 2003, pp. 230–233. Stereotypically, they are conceived of as red, blue, black, yellow, or white-colored, wearing loincloths of tiger pelt, and carrying iron kanabō clubs. They are creatures which instill fear and feelings of danger due to their grotesque outward appearance, their wild and sometimes strange behavior and their powers. They are popular characters in Japanese art, literature, and theater and appear as stock villains in the well-known fairytales of ''Momotarō'' (''Peach Boy''), '' ...
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