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Kèn đám Ma
The ''kèn đám ma'' (, " funeral oboe") is one of several types of kèn, a double reed wind instrument used in the traditional music of northern Vietnam. It has a conical bore and is similar in construction and sound to the Chinese ''suona'' and the Korean ''taepyeongso'', however, its musical context is most comparable to that of the Pi Mon, as it is typically used to perform music for funeral processions. This instrument may also be called "Kèn Hiếu" in certain contexts. Discography *1999 - ''Viet-Nam: Musique Funéraire Du Nord'' ( Arion) See also *Kèn bầu The ''kèn bầu'' () is one of several types of kèn, a double reed wind instrument used in the traditional music of Vietnam. It is similar in construction and sound to the Chinese ''suona'' and the Korean ''taepyeongso''. It comes in var ... External linksPhoto [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kèn
The ''kèn'' () is an instrument used in traditional Vietnamese music. It has a double reed and a conical wooden body. It produces a powerful and penetrating high-pitched sound, similar to the Chinese ''suona'', the Korean ''taepyeongso'', the Thai ''Pi'', and the Persian/Indian ''shehnai''. Its musical context resembles that of the oboes played by the Tai peoples, who call it the "Pí Lè", and the Muong people The Mường (Mường language: ngài Mõl (Mường Bi), ngài Mường; ) are an ethnic group native to northern Vietnam. The Mường is the country's third largest of 53 minority groups, with an estimated population of 1.45 million (accor ..., who call it the "Bi". The name "Kèn" is also used to informally refer to Gourd mouth organs. The best-known player of the ''kèn'' is the award-winning musician Nguyễn Ngọc Khánh (b. 1956), who is acknowledged as a "national treasure" in Vietnam, where he is known as "Khánh of the kèn." Varieties * Kèn bầu - ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kèn (musical Instrument)
The ''kèn'' () is an instrument used in traditional Vietnamese music. It has a double reed and a conical wooden body. It produces a powerful and penetrating high-pitched sound, similar to the Chinese ''suona'', the Korean ''taepyeongso'', the Thai ''Pi'', and the Persian/Indian ''shehnai''. Its musical context resembles that of the oboes played by the Tai peoples, who call it the "Pí Lè", and the Muong people, who call it the "Bi". The name "Kèn" is also used to informally refer to Gourd mouth organs. The best-known player of the ''kèn'' is the award-winning musician Nguyễn Ngọc Khánh (b. 1956), who is acknowledged as a "national treasure" in Vietnam, where he is known as "Khánh of the kèn." Varieties *Kèn bầu - with a wooden bell carved in a gourd shape; comes in several sizes *Kèn đám ma The ''kèn đám ma'' (, " funeral oboe") is one of several types of kèn, a double reed wind instrument used in the traditional music of northern Vietnam. It has a conical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from 13. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnam
Vietnam or Viet Nam ( vi, Việt Nam, ), officially the Socialist Republic of Vietnam,., group="n" is a country in Southeast Asia, at the eastern edge of mainland Southeast Asia, with an area of and population of 96 million, making it the world's sixteenth-most populous country. Vietnam borders China to the north, and Laos and Cambodia to the west. It shares maritime borders with Thailand through the Gulf of Thailand, and the Philippines, Indonesia, and Malaysia through the South China Sea. Its capital is Hanoi and its largest city is Ho Chi Minh City (commonly known as Saigon). Vietnam was inhabited by the Paleolithic age, with states established in the first millennium BC on the Red River Delta in modern-day northern Vietnam. The Han dynasty annexed Northern and Central Vietnam under Chinese rule from 111 BC, until the first dynasty emerged in 939. Successive monarchical dynasties absorbed Chinese influences through Confucianism and Buddhism, and expanded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suona
''Suona'' (IPA: /swoʊˈnɑː/, ), also called ''dida'' (from Cantonese / '' īdá'), ''laba'' or ''haidi'', is a traditional Chinese music instrument with double-reed horn. The suona's basic design originated in ancient Iran, then called "Surna". Suona appeared in China around the 3rd century. It had a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan, where it has long been used for festival and military purposes. It is still being used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments in weddings and funeral processions. Such wind and percussion ensembles are called ''chuida'' () or ''guchui'' (; this name refers to the ''suona'' itself in Taiwanese Hokkien). Stephen Jones has written extensively on its use in ritual music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taepyeongso
The ''taepyeongso'' (lit. "big peace wind instrument"; also called ''hojok'', ''hojeok'' 호적 號笛/ 胡 笛, ''nallari'', or ''saenap'', 嗩 吶) is a Korean double reed wind instrument in the shawm or oboe family, probably descended from the Persian sorna and closely related to the Chinese suona. It has a conical wooden body made from ''yuja'' (citron), ''daechu'' (jujube), or yellow mulberry wood, with a metal mouthpiece and cup-shaped metal bell. It originated during the Goryeo period (918–1392). The loud and piercing sound it produces has kept it confined mostly to Korean folk music (especially " farmer's band music") and to marching bands, the latter performed for royalty in the genre known as ''daechwita''. It is, however, also used sparingly in other genres, including Confucian, Buddhist and Shamanist ritual musics, neo-traditional/fusion music and kpop, included in works such as "Lalalay" by Sunmi (2019). Writings English Written sources in English are scarce. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pi (instrument)
''Pi'' ( th, ปี่, ) is the generic term for any of a variety of quadruple reed oboes used in the traditional music of Thailand, ''piphat''. It is very similar in construction and playing technique to Burmese Hne and Cambodian ''sralai''. Varieties An entirely different instrument, a bamboo free reed pipe called ''pi chum'' (ปี่จุม), is used by the Lanna of Northern Thailand. Pi nok The ''pi nok'' is smallest among pi nok, klang, and nai. Pi noks have been played since the ancient times. Pi nai The ''pi nai'' (41–42×4.5 cm) is commonly seen in Thai literature such as ''Phra Aphai Mani''. Pi cha nai The ''pi chanai'' is ''pi song thon'' (ปี่สองท่อน, ''pi'' that consists of two parts). The body part is called ''lao pi'' (เลาปี่), the mouthpiece part is called "lamphong" (ลำโพง). Both parts are made from wood or ivory. It is presumed that the Thais obtained this musical influence from India due to its similarity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arion (record Label)
Arion is a French record company and label founded in 1962 by Ariane Segal. The label takes its name from the ancient Greek poet and lyre-player, Arion. In the 1960s and 1970s Arion was seen as one of the most adventurous and innovative independent labels in France with an eclectic catalogue ranging from classical music to ethnic music to jazz. Its strengths were, and remain, rarely performed classical works and ethnic music.'' Gramophone'' (1993). "French independents: A tour d'horizon", Vol. 71, p. 4Roux, Marie-Aude (8 April 2011)"Ariane Ségal, éditrice de musique" ''Le Monde''. Retrieved 28 June 2015 (subscription required for complete article) . History In 1962 Ariane Segal, who had been working as a producer for the French division of Ricordi, left the firm with her entire team, including her sound engineer Claude Morel. She established a new independent label, Arion, serving as its president and managing director, while Morel served as the label's artistic director. By 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kèn Bầu
The ''kèn bầu'' () is one of several types of kèn, a double reed wind instrument used in the traditional music of Vietnam. It is similar in construction and sound to the Chinese ''suona'' and the Korean ''taepyeongso''. It comes in various sizes and is a primary instrument of the music of the former royal court music of Huế. Construction The instrument has a conical hardwood body with seven finger holes. Unlike its Chinese and Korean counterparts, the ''kèn bầu'' has a detachable bell made of jackfruit wood, carved in the shape of a gourd (originally it was probably made out of an actual dried gourd, but wood is more durable). Into the playing end is fitted a small brass tube onto which a small double reed is placed. This type of musical instrument are quite familiar in Asia, the Indian analogy being Shehnai. Playing The instrument's technique involves the use of circular breathing as well as a wide variety of ornamentation including wide vibrato and sliding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vietnamese Musical Instruments
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet () majority as well as the nation's ethnic minorities. Strings Plucked * - monochord zither: often tuned C3, though tuning varies * - long-necked three-stringed lute with trapezoidal body: tuned G3 C4 * (also called , or ) - moon-shaped two-string lute: no fixed tuning; strings are tuned a 4th, 5th, or 7th (minor), derived from the Chinese * - two-string lute derived from the Chinese *'' Đàn tam'' - fretless lute derived from the Chinese with snakeskin-covered body and three strings: tuned F3 C4 F4 * - long zither derived from the Chinese * - pear-shaped lute with four strings derived from the Chinese ; tuned C4 F4 G4 C5 *'' Đàn tứ'' (also called ''đàn đoản''): short-necked round-bodied lute derived from the Chinese ''yueqin'' or, beginning in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
