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Kèn (musical Instrument)
The ''kèn'' () is an instrument used in traditional Vietnamese music. It has a double reed and a conical wooden body. It produces a powerful and penetrating high-pitched sound, similar to the Chinese ''suona'', the Korean ''taepyeongso'', the Thai ''Pi'', and the Persian/Indian ''shehnai''. Its musical context resembles that of the oboes played by the Tai peoples, who call it the "Pí Lè", and the Muong people, who call it the "Bi". The name "Kèn" is also used to informally refer to Gourd mouth organs. The best-known player of the ''kèn'' is the award-winning musician Nguyễn Ngọc Khánh (b. 1956), who is acknowledged as a "national treasure" in Vietnam, where he is known as "Khánh of the kèn." Varieties *Kèn bầu - with a wooden bell carved in a gourd shape; comes in several sizes *Kèn đám ma The ''kèn đám ma'' (, " funeral oboe") is one of several types of kèn, a double reed wind instrument used in the traditional music of northern Vietnam. It has a conical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dan Nhi- Ken- Trong
Dan or DAN may refer to: People * Dan (name), including a list of people with the name ** Dan (king), several kings of Denmark * Dan people, an ethnic group located in West Africa **Dan language, a Mande language spoken primarily in Côte d'Ivoire and Liberia * Dan (son of Jacob), one of the 12 sons of Jacob/Israel in the Bible **Tribe of Dan, one of the 12 tribes of Israel descended from Dan * Crown Prince Dan, prince of Yan in ancient China Places * Dan (ancient city), the biblical location also called Dan, and identified with Tel Dan * Dan, Israel, a kibbutz * Dan, subdistrict of Kap Choeng District, Thailand * Dan, West Virginia, an unincorporated community in the United States * Dan River (other) * Danzhou, formerly Dan County, China * Gush Dan, the metropolitan area of Tel Aviv in Israel Organizations *Dan-Air, a defunct airline in the United Kingdom *Dan Bus Company, a public transport company in Israel *Dan Hotels, a hotel chain in Israel * Dan the Tire Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Reed
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from 13. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suona
''Suona'' (IPA: /swoʊˈnɑː/, ), also called ''dida'' (from Cantonese / '' īdá'), ''laba'' or ''haidi'', is a traditional Chinese music instrument with double-reed horn. The suona's basic design originated in ancient Iran, then called "Surna". Suona appeared in China around the 3rd century. It had a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan, where it has long been used for festival and military purposes. It is still being used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments in weddings and funeral processions. Such wind and percussion ensembles are called ''chuida'' () or ''guchui'' (; this name refers to the ''suona'' itself in Taiwanese Hokkien). Stephen Jones has written extensively on its use in ritual music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taepyeongso
The ''taepyeongso'' (lit. "big peace wind instrument"; also called ''hojok'', ''hojeok'' 호적 號笛/ 胡 笛, ''nallari'', or ''saenap'', 嗩 吶) is a Korean double reed wind instrument in the shawm or oboe family, probably descended from the Persian sorna and closely related to the Chinese suona. It has a conical wooden body made from ''yuja'' (citron), ''daechu'' (jujube), or yellow mulberry wood, with a metal mouthpiece and cup-shaped metal bell. It originated during the Goryeo period (918–1392). The loud and piercing sound it produces has kept it confined mostly to Korean folk music (especially " farmer's band music") and to marching bands, the latter performed for royalty in the genre known as ''daechwita''. It is, however, also used sparingly in other genres, including Confucian, Buddhist and Shamanist ritual musics, neo-traditional/fusion music and kpop, included in works such as "Lalalay" by Sunmi (2019). Writings English Written sources in English are scarce. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pi (instrument)
''Pi'' ( th, ปี่, ) is the generic term for any of a variety of quadruple reed oboes used in the traditional music of Thailand, ''piphat''. It is very similar in construction and playing technique to Burmese Hne and Cambodian ''sralai''. Varieties An entirely different instrument, a bamboo free reed pipe called ''pi chum'' (ปี่จุม), is used by the Lanna of Northern Thailand. Pi nok The ''pi nok'' is smallest among pi nok, klang, and nai. Pi noks have been played since the ancient times. Pi nai The ''pi nai'' (41–42×4.5 cm) is commonly seen in Thai literature such as ''Phra Aphai Mani''. Pi cha nai The ''pi chanai'' is ''pi song thon'' (ปี่สองท่อน, ''pi'' that consists of two parts). The body part is called ''lao pi'' (เลาปี่), the mouthpiece part is called "lamphong" (ลำโพง). Both parts are made from wood or ivory. It is presumed that the Thais obtained this musical influence from India due to its similarity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shehnai
The ''shehnai'' is a musical instrument, originating from the Indian subcontinent. It is made of wood, with a double reed at one end and a metal or wooden flared bell at the other end.Shehnai Britannica.com. Its sound is thought to create and maintain a sense of auspiciousness and sanctity and as a result, is widely used during s, and in s although it is also played in |
Tai Peoples
Tai peoples are the populations who speak (or formerly spoke) the Tai languages. There are a total of about 93 million people of Tai ancestry worldwide, with the largest ethnic groups being Dai, Thais, Isan, Tai Yai (Shan), Lao, Tai Ahom, and Northern Thai peoples. The Tai are scattered through much of South China and Mainland Southeast Asia, with some (''e.g.'' Tai Ahom, Tai Khamti, Tai Phake, Tai Aiton) inhabiting parts of Northeast India. Tai peoples are both culturally and genetically very similar and therefore primarily identified through their language. Names Speakers of the many languages in the Tai branch of the Tai–Kadai language family are spread over many countries in Southern China, Indochina and Northeast India. Unsurprisingly, there are many terms used to describe the distinct Tai peoples of these regions. According to Michel Ferlus, the ethnonyms Tai/Thai (or Tay/Thay) would have evolved from the etymon *k(ə)ri: 'human being' through the following cha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muong People
The Mường (Mường language: ngài Mõl (Mường Bi), ngài Mường; ) are an ethnic group native to northern Vietnam. The Mường is the country's third largest of 53 minority groups, with an estimated population of 1.45 million (according to the 2019 census). The Mường people inhabit a mountainous region of northern Vietnam centered in Hòa Bình Province where they are a majority and some districts of Phú Thọ province and Thanh Hóa Province. They speak a Vietic language related to the Vietnamese language and share an ancient ethnic roots with the Vietnamese (Kinh) people. Etymology The word Mường in Vietnamese is etymologically related to the word mueang from the Tai languages, meaning "cultivated land" or "community", and referred to pre-modern semi-independent city-states or principalities in mainland Southeast Asia. This comes from their close association with the Tai peoples. The Mường call the Tai as ɲew, Nyo or Âu; while referring to themselv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gourd Mouth Organ
The gourd mouth organ is a free reed mouth organ played across East and Southeast Asia. It consists of a gourd wind chest with several bamboo or bronze pipes inserted on top of it, the numbers of pipes differing from region to region.Sachs, C. (2012). The history of musical instruments. Courier Corporation. The gourd mouth organ is closely associated with cultural minorities in Asian countries; thus, its styles are diverse, and different counterparts can be seen across different cultures.Uchida, R., & Catlin, A. (2008). Music of upland minorities in Burma, Laos, and Thailand. The Garland Handbook of Southeast Asian Music, 303-316. In southern China, the generic name of the gourd mouth organ is ''Hulu Sheng'' Thrasher, A. R. (2015). Hulu sheng. In New Grove Dictionary of Music and Musicians. Oxford University Press. Retrieved from https://doi.org/10.1093/gmo/9781561592630.article.L2281219 ( 葫芦 笙; pinyin: húlúshēng; literally "gourd sheng"). The accompaniment of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kèn Bầu
The ''kèn bầu'' () is one of several types of kèn, a double reed wind instrument used in the traditional music of Vietnam. It is similar in construction and sound to the Chinese ''suona'' and the Korean ''taepyeongso''. It comes in various sizes and is a primary instrument of the music of the former royal court music of Huế. Construction The instrument has a conical hardwood body with seven finger holes. Unlike its Chinese and Korean counterparts, the ''kèn bầu'' has a detachable bell made of jackfruit wood, carved in the shape of a gourd (originally it was probably made out of an actual dried gourd, but wood is more durable). Into the playing end is fitted a small brass tube onto which a small double reed is placed. This type of musical instrument are quite familiar in Asia, the Indian analogy being Shehnai. Playing The instrument's technique involves the use of circular breathing as well as a wide variety of ornamentation including wide vibrato and sliding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kèn đám Ma
The ''kèn đám ma'' (, " funeral oboe") is one of several types of kèn, a double reed wind instrument used in the traditional music of northern Vietnam. It has a conical bore and is similar in construction and sound to the Chinese ''suona'' and the Korean ''taepyeongso'', however, its musical context is most comparable to that of the Pi Mon, as it is typically used to perform music for funeral processions. This instrument may also be called "Kèn Hiếu" in certain contexts. Discography *1999 - ''Viet-Nam: Musique Funéraire Du Nord'' ( Arion) See also *Kèn bầu The ''kèn bầu'' () is one of several types of kèn, a double reed wind instrument used in the traditional music of Vietnam. It is similar in construction and sound to the Chinese ''suona'' and the Korean ''taepyeongso''. It comes in var ... External linksPhoto [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double-reed Instruments
A double reed is a type of reed used to produce sound in various wind instruments. In contrast with a single reed instrument, where the instrument is played by channeling air against one piece of cane which vibrates against the mouthpiece and creates a sound, a double reed features two pieces of cane vibrating against each other. This means, for instruments with the double reed fully exposed, that the air flow can be controlled by the embouchure from the top, bottom and sides of the reed. The term ''double reeds'' can also refer collectively to the class of instruments which use double reeds. Structure and dimensions The size and shape of the reed depend on the type of double-reed instrument which is of two groups, conical and cylindrical. Even within families of instruments, for example, the oboe family, the reed for the oboe is quite different from that for the cor anglais (English horn). Oboe reeds are usually 7 mm (0.3 in) in width, while bassoon reeds are wider, from 13.5 t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
