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Kruchenykh
Aleksei Yeliseyevich Kruchyonykh (russian: Алексе́й Елисе́евич Кручёных; 9 February 1886 – 17 June 1968) was a Russian poet, artist, and theorist, perhaps one of the most radical poets of Russian Futurism, a movement that included Vladimir Mayakovsky, David Burliuk and others. Born in 1886, he lived in the time of the Russian Silver Age of literature, and together with Velimir Khlebnikov, another Russian Futurist, Kruchenykh is considered the inventor of ''zaum'', a poetry style utilising nonsense words. Kruchonykh wrote the libretto for the Futurist opera '' Victory Over the Sun'', with sets provided by Kazimir Malevich. In 1912, he wrote the poem ''Dyr bul shchyl''; four years later, in 1916, he created his most famous book, '' Universal War''. He is also known for his ''Declaration of the Word as Such'' (1913): "The worn-out, violated word "lily" is devoid of all expression. Therefore I call the lily ''éuy'' – and original purity is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Universal War
''Universal War'' (Russian: ВсеЛенская Война Ъ) is an artist's book by Aleksei Kruchenykh published in Petrograd at the beginning of 1916. Despite being produced in an edition of 100 of which only 12 are known to survive, the book has become one of the most famous examples of Russian Futurist book production, and is considered a seminal example of avant-garde art from the beginning of the twentieth century. Published at the height of Russian involvement in World War I (see Gorlice-Tarnów Offensive), the book attempts to echo the chaos and destruction of the war with the chaos and disruption of collage techniques new to the Russian Avant-Garde at the time, and opens with the bleak prophecy "Universal War will take place in 1985". Shortly after the book was published, Kruchenykh left Petrograd to live in a hut in the Caucasus to avoid the draft. "One of the most outstanding merits of the album- a dadaist work in the fullest sense- is its successful realization of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaum
Zaum (russian: зáумь) are the linguistic experiments in sound symbolism and language creation of Russian Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Zaum is a non-referential phonetic entity with its own ontology. The language consists of neologisms that mean nothing. Zaum is a language organized through phonetic analogy and rhythm. Zaum literature cannot contain any onomatopoeia or psychopathological states. Usage Aleksei Kruchenykh created Zaum in order to show that language was indefinite and indeterminate. Kruchenykh stated that when creating Zaum, he decided to forgo grammar and syntax rules. He wanted to convey the disorder of life by introducing disorder into the language. Kruchenykh considered Zaum to be the manifestation of a spontaneous non-codified language. Khelinbov believed that the purpose of Zaum was to find the essential meaning of word roots in consonantal sounds. He believed such knowledge could help create a new universal lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zaum
Zaum (russian: зáумь) are the linguistic experiments in sound symbolism and language creation of Russian Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Zaum is a non-referential phonetic entity with its own ontology. The language consists of neologisms that mean nothing. Zaum is a language organized through phonetic analogy and rhythm. Zaum literature cannot contain any onomatopoeia or psychopathological states. Usage Aleksei Kruchenykh created Zaum in order to show that language was indefinite and indeterminate. Kruchenykh stated that when creating Zaum, he decided to forgo grammar and syntax rules. He wanted to convey the disorder of life by introducing disorder into the language. Kruchenykh considered Zaum to be the manifestation of a spontaneous non-codified language. Khelinbov believed that the purpose of Zaum was to find the essential meaning of word roots in consonantal sounds. He believed such knowledge could help create a new universal lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dyr Bul Shchyl
Dyr bul shchyl (russian: Дыр бул щыл, ) is the earliest and most famous zaum/transrational poem by Aleksei Kruchenykh, written using the Zaum language, which, according to the author, is "more Russian national, than in all of Pushkin's poetry". The poem was written in December 1912. This date the author then called "the time of occurrence of the phenomenon of Zaum language (i.e. the language that has no utility value), in which are written the whole independent works, and not just parts thereof (as the chorus, sound decoration, etc.)". Initiator of the creation of the work of the "unknown words" was David Burliuk. "Dyr bul shchyl" was published in January 1913 in a series of "three poems" in Kruchenykh's book "Pomada" ( en, Pomade Pomade (; French ''pommade'') or pomatum is a greasy, waxy, or water-based substance that is used to style hair. Pomade generally gives the user's hair a shiny and slick appearance. It lasts longer than most hair-care products, and oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Futurism
Russian Futurism is the broad term for a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's "Manifesto of Futurism," which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; it also advocated the modernization and cultural rejuvenation. Russian Futurism began roughly in the early 1910s; in 1912, a year after Ego-Futurism began, the literary group "Hylea" - also spelt "Guilée" and "Gylea" – issued the manifesto ''A Slap in the Face of Public Taste''. The 1912 movement was originally called Cubo-Futurism, but this term is now used to refer to the style of art produced. Russian Futurism ended shortly after the Russian Revolution of 1917, after which former Russian Futurists either left the country, or participated in the new art movements. Notable Russian Futurists included Natalia Goncharova, Mikhail Larionov, David Burliuk, Kazimir Malevic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Rozanova
Olga Vladimirovna Rozanova (also spelled Rosanova, Russian: Ольга Владимировна Розанова) (22 June 1886 – 7 November 1918, Moscow) was a Russian avant-garde artist painting in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism. Biography Early life Olga Rozanova was born in Melenki, a small town near Vladimir. Her father, Vladimir Rozanov, was a district police officer and her mother, Elizaveta Rozanova, was the daughter of an Orthodox priest. She was the family's fifth child; she had two sisters, Anna and Alevtina, and two brothers, Anatolii and Vladimir. Rozanova's father died in 1903, and her mother became the head of the household. She graduated from the Vladimir Women's Gymnasium in 1904. Due to her interest in the avant-garde movement, she moved to Moscow to study painting. Artistic career After arriving in Moscow, she attended the Bolshakov Art School, where she worked under Nikolai Ulyanov and sculptor Andrey Matveev. She aud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cubo-Futurism
Cubo-Futurism (also called Russian Futurism or Kubo-Futurizm) was an art movement that arose in early 20th century Russian Empire, defined by its amalgamation of the artistic elements found in Italian Futurism and French Analytical Cubism. Cubo-Futurism was the main school of painting and sculpture practiced by the Russian Futurists. In 1913, the term ‘Cubo-Futurism’ first came to describe works from members of the poetry group ‘Hylaeans’, as they moved away from poetic Symbolism towards Futurism and ''zaum'', the experimental “visual and sound poetry of Kruchenykh and Khlebninkov”. Later in the same year the concept and style of ‘Cubo-Futurism’ became synonymous with the works of artists within Ukrainian and Russian post-revolutionary avant-garde circles as they interrogated non-representational art through the fragmentation and displacement of traditional forms, lines, viewpoints, colours, and textures within their pieces. The impact of Cubo-Futurism was then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artist's Book
Artists' books (or book arts or book objects) are works of art that utilize the form of the book. They are often published in small editions, though they are sometimes produced as one-of-a-kind objects. Overview Artists' books have employed a wide range of forms, including the traditional Codex form as well as less common forms like scrolls, fold-outs, concertinas or loose items contained in a box. Artists have been active in printing and book production for centuries, but the artist's book is primarily a late 20th-century form. Book forms were also created within earlier movements, such as Dada, Constructivism, Futurism, and Fluxus. Artists' books are made for a variety of reasons. An artist book is generally interactive, portable, movable and easily shared. Some artists books challenge the conventional book format and become sculptural objects. Artists' books may be created in order to make art accessible to people outside of the formal contexts of galleries or museums. Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velimir Khlebnikov
Viktor Vladimirovich Khlebnikov, better known by the pen name Velimir Khlebnikov ( rus, Велими́р Хле́бников, p=vʲɪlʲɪˈmʲir ˈxlʲɛbnʲɪkəf; – 28 June 1922) was a Russian poet and playwright, a central part of the Russian Futurist movement, but his work and influence stretch far beyond it. Influential linguist Roman Jakobson hailed Khlebnikov as "the greatest world poet of our century". Biography Viktor Vladimirovich Khlebnikov was born in 1885 in Malye Derbety, Astrakhan Governorate, Russian Empire (in present-day Kalmykia). He was of Russian, Armenian and Zaporozhian Cossack descent.James R. Russell, "The Black Dervish of Armenian Futurism," ''Journal of Armenian Studies'', 10 His younger sister, Vera Khlebnikova, was an artist. He moved to Kazan, where he attended school. He then attended school in Saint Petersburg. He eventually quit school to become a full-time writer. His earliest works are from 1908. In 1909-10, he met the to-be Russi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Mayakovsky
Vladimir Vladimirovich Mayakovsky (, ; rus, Влади́мир Влади́мирович Маяко́вский, , vlɐˈdʲimʲɪr vlɐˈdʲimʲɪrəvʲɪtɕ məjɪˈkofskʲɪj, Ru-Vladimir Vladimirovich Mayakovsky.ogg, links=y; – 14 April 1930) was a Russian and Soviet poet, playwright, artist, and actor. During his early, pre-Revolution period leading into 1917, Mayakovsky became renowned as a prominent figure of the Russian Futurist movement. He co-signed the Futurist manifesto, ''A Slap in the Face of Public Taste'' (1913), and wrote such poems as "A Cloud in Trousers" (1915) and "Backbone Flute" (1916). Mayakovsky produced a large and diverse body of work during the course of his career: he wrote poems, wrote and directed plays, appeared in films, edited the art journal ''LEF'', and produced agitprop posters in support of the Communist Party during the Russian Civil War of 1917–1922. Though Mayakovsky's work regularly demonstrated ideological and patriotic support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Burliuk
David Davidovich Burliuk (Давид Давидович Бурлюк; 21 July 1882 – 15 January 1967) was a Russian-language poet, artist and publicist associated with the Futurist and Neo-Primitivist movements. Burliuk has been described as "the father of Russian Futurism." Biography Early life David Burliuk was born on 21 July 1882 in the village of Riabushky (near Lebedyn, Ukraine) in the Kharkov Governorate of the Russian Empire. Burliuk's family was artistically inclined; two of his brothers were talented artists as well, Nikolai and Volodimir Burliuk. The Burliuk family partly descended from Ukrainian Cossacks on their father's side, who held premier positions in the Hetmanate. His mother, Ludmyla Mikhnevich, was of ethnic Belarusian descent.Pg. 77, ''Nabokov and his fiction: new perspectives'' by Julian W. Connolly Education, career From 1898 to 1904, he studied at Kazan and Odesa art schools, as well as at the Royal Academy in Munich. His exuberant, extroverted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collage
Collage (, from the french: coller, "to glue" or "to stick together";) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole. (Compare with pastiche, which is a "pasting" together.) A collage may sometimes include magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty. The term ''Papier collé'' was coined by both Georges Braque and Pablo Picasso in the beginning of the 20th century when collage became a distinctive part of modern art. History Early precedents Techniques of collage were first used at the time of the invention of paper in China, around 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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