|
Zaum
Zaum (russian: зáумь) are the linguistic experiments in sound symbolism and language creation of Russian Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Zaum is a non-referential phonetic entity with its own ontology. The language consists of neologisms that mean nothing. Zaum is a language organized through phonetic analogy and rhythm. Zaum literature cannot contain any onomatopoeia or psychopathological states. Usage Aleksei Kruchenykh created Zaum in order to show that language was indefinite and indeterminate. Kruchenykh stated that when creating Zaum, he decided to forgo grammar and syntax rules. He wanted to convey the disorder of life by introducing disorder into the language. Kruchenykh considered Zaum to be the manifestation of a spontaneous non-codified language. Khelinbov believed that the purpose of Zaum was to find the essential meaning of word roots in consonantal sounds. He believed such knowledge could help create a new universal lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleksei Kruchenykh
Aleksei Yeliseyevich Kruchyonykh (russian: Алексе́й Елисе́евич Кручёных; 9 February 1886 – 17 June 1968) was a Russian poet, artist, and theorist, perhaps one of the most radical poets of Russian Futurism, a movement that included Vladimir Mayakovsky, David Burliuk and others. Born in 1886, he lived in the time of the Russian Silver Age of literature, and together with Velimir Khlebnikov, another Russian Futurist, Kruchenykh is considered the inventor of ''zaum'', a poetry style utilising nonsense words. Kruchonykh wrote the libretto for the Futurist opera ''Victory Over the Sun'', with sets provided by Kazimir Malevich. In 1912, he wrote the poem ''Dyr bul shchyl''; four years later, in 1916, he created his most famous book, ''Universal War''. He is also known for his ''Declaration of the Word as Such'' (1913): "The worn-out, violated word "lily" is devoid of all expression. Therefore I call the lily ''éuy'' – and original purity is res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dyr Bul Shchyl
Dyr bul shchyl (russian: Дыр бул щыл, ) is the earliest and most famous zaum/transrational poem by Aleksei Kruchenykh, written using the Zaum language, which, according to the author, is "more Russian national, than in all of Pushkin's poetry". The poem was written in December 1912. This date the author then called "the time of occurrence of the phenomenon of Zaum language (i.e. the language that has no utility value), in which are written the whole independent works, and not just parts thereof (as the chorus, sound decoration, etc.)". Initiator of the creation of the work of the "unknown words" was David Burliuk. "Dyr bul shchyl" was published in January 1913 in a series of "three poems" in Kruchenykh's book "Pomada" ( en, Pomade Pomade (; French ''pommade'') or pomatum is a greasy, waxy, or water-based substance that is used to style hair. Pomade generally gives the user's hair a shiny and slick appearance. It lasts longer than most hair-care products, and oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Velimir Khlebnikov
Viktor Vladimirovich Khlebnikov, better known by the pen name Velimir Khlebnikov ( rus, Велими́р Хле́бников, p=vʲɪlʲɪˈmʲir ˈxlʲɛbnʲɪkəf; – 28 June 1922) was a Russian poet and playwright, a central part of the Russian Futurist movement, but his work and influence stretch far beyond it. Influential linguist Roman Jakobson hailed Khlebnikov as "the greatest world poet of our century". Biography Viktor Vladimirovich Khlebnikov was born in 1885 in Malye Derbety, Astrakhan Governorate, Russian Empire (in present-day Kalmykia). He was of Russian, Armenian and Zaporozhian Cossack descent.James R. Russell, "The Black Dervish of Armenian Futurism," ''Journal of Armenian Studies'', 10 His younger sister, Vera Khlebnikova, was an artist. He moved to Kazan, where he attended school. He then attended school in Saint Petersburg. He eventually quit school to become a full-time writer. His earliest works are from 1908. In 1909-10, he met the to-be Russi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Futurism
Russian Futurism is the broad term for a movement of Russian poets and artists who adopted the principles of Filippo Marinetti's "Manifesto of Futurism," which espoused the rejection of the past, and a celebration of speed, machinery, violence, youth, industry, destruction of academies, museums, and urbanism; it also advocated the modernization and cultural rejuvenation. Russian Futurism began roughly in the early 1910s; in 1912, a year after Ego-Futurism began, the literary group "Hylea" - also spelt "Guilée" and "Gylea" – issued the manifesto ''A Slap in the Face of Public Taste''. The 1912 movement was originally called Cubo-Futurism, but this term is now used to refer to the style of art produced. Russian Futurism ended shortly after the Russian Revolution of 1917, after which former Russian Futurists either left the country, or participated in the new art movements. Notable Russian Futurists included Natalia Goncharova, Mikhail Larionov, David Burliuk, Kazimir Malevic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Mysticism
National mysticism (German ''Nationalmystik'') or mystical nationalism is a form of nationalism which raises the nation to the status of numen or divinity. Its best known instance is Germanic mysticism, which gave rise to occultism under the Third Reich. The idea of the nation as a divine entity was presented by Johann Gottlieb Fichte. National mysticism is closely related to Romantic nationalism, but goes beyond the expounding of romantic sentiment, to a mystical veneration of the nation as a transcendent truth. It often intersects with ethnic nationalism by pseudohistorical assertions about the origins of a given ethnicity. National mysticism is encountered in many nationalisms other than Germanic or Nazi mysticism and expresses itself in the use of occult, pseudoscientific, or pseudohistorical beliefs to back up nationalistic claims, often involving unrealistic notions of the antiquity of a nation (antiquity frenzy) or any national myth defended as "true" by pseudo-scholarly m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Language Of The Birds
In Abrahamic and European mythology, medieval literature and occultism, the language of the birds is postulated as a mystical, perfect divine language, Adamic language, Enochian, angelic language or a mythical or magical language used by birds to communicate with the initiated. History In Indo-European religion, the behavior of birds has long been used for the purposes of divination by augurs. According to a suggestion by Walter Burkert, these customs may have their roots in the Paleolithic when, during the Ice Age, early humans looked for carrion by observing scavenging birds. There are also examples of contemporary bird-human communication and symbiosis. In North America, ravens have been known to lead wolves (and native hunters) to prey they otherwise would be unable to consume. In Africa, the greater honeyguide is known to guide humans to beehives in the hope that the hive will be incapacitated and opened for them. Dating to the Renaissance, birdsong was the inspiration fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Language Of The Gods
Divine language, the language of the gods, or, in monotheism, the language of God (or angels), is the concept of a mystical or divine proto-language, which predates and supersedes human speech. Abrahamic traditions In Judaism and Christianity, it is unclear whether the language used by God to address Adam was the language of Adam, who as name-giver (Genesis 2:19) used it to name all living things, or if it was a different divine language. In Islam, Arabic is the language God revealed the final revelation. Some Christians see the languages written on the INRI cross (Syriac, Greek and Latin) as God's languages. Indic traditions In Vedic religion, "speech" Vāc, i.e. the language of liturgy, now known as Vedic Sanskrit, is considered the language of the gods. Later Hindu scholarship, in particular the Mīmāṃsā school of Vedic hermeneutics, distinguished ''Vāc'' from ''Śábda'', a distinction comparable to the Saussurian langue and parole. The concept of Sphoṭa was int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dadaism
Dada () or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (in 1916). New York Dada began c. 1915, and after 1920 Dada flourished in Paris. Dadaist activities lasted until the mid 1920s. Developed in reaction to World War I, the Dada movement consisted of artists who rejected the logic, reason, and aestheticism of modern capitalist society, instead expressing nonsense, irrationality, and anti-bourgeois protest in their works. The art of the movement spanned visual, literary, and sound media, including collage, sound poetry, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism, and maintained political affinities with radical left-wing and far-left politics. There is no consensus on the origin of the movement's name; a common story is that the German artist Richard Huelsenbeck slid a paper knife (letter-opener) at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glottogony
The origin of language (spoken and signed, as well as language-related technological systems such as writing), its relationship with human evolution, and its consequences have been subjects of study for centuries. Scholars wishing to study the origins of language must draw inferences from evidence such as the human evolution, fossil record, archaeological evidence, contemporary language diversity, studies of language acquisition, and comparisons between human language and systems of communication existing Animal communication, among animals (particularly Great ape language, other primates). Many argue that the origins of language probably relate closely to the origins of behavioral modernity, modern human behavior, but there is little agreement about the facts and implications of this connection. The shortage of direct, empirical evidence has caused many scholars to regard the entire topic as unsuitable for serious study; in 1866, the Linguistic Society of Paris banned any exi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serge Segay
Serge Segay (real name Sergey Vsevolodovich Sigov russian: Сергей Всеволодович Сигов, 19 March 1947 - 21 September 2014), also known as Sergej Sigej, was a Russian artist, poet, writer as well as specialist in Russian Futurism. Many of his artworks are in private and public collections throughout the world. He was an important figure in Transfurism movement as an artist, poet, writer, as well as a prominent figure in Mail art history. He was also key member of "Uktuss School" and "Anarfut" art movements. Early life Segay was born in Murmansk, Russia on 19 March 1947. His father was a dean of Taganrog university and communist "aparatchik". After school he got a place in Taganrog university, studying Russian literature, with multiple private tutors being paid by his father. Arrangement did not last however, as there was a row between Serge Segay and his father about abstract art, which at that point was deemed as contradicting party guidelines. Row was ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mimeograph
A mimeograph machine (often abbreviated to mimeo, sometimes called a stencil duplicator) is a low-cost duplicating machine that works by forcing ink through a stencil onto paper. The process is called mimeography, and a copy made by the process is a mimeograph. Mimeographs, along with spirit duplicators and hectographs, were common technologies for printing small quantities of a document, as in office work, classroom materials, and church bulletins. Early fanzines were printed by mimeograph because the machines and supplies were widely available and inexpensive. Beginning in the late 1960s and continuing into the 1970s, photocopying gradually displaced mimeographs, spirit duplicators, and hectographs. For even smaller quantities, up to about five, a typist would use carbon paper. Origins Use of stencils is an ancient art, butthrough chemistry, papers, and pressestechniques advanced rapidly in the late nineteenth century: Papyrograph A description of the Papyrograph meth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pamphlet
A pamphlet is an unbound book (that is, without a hard cover or binding). Pamphlets may consist of a single sheet of paper that is printed on both sides and folded in half, in thirds, or in fourths, called a ''leaflet'' or it may consist of a few pages that are folded in half and saddle stapled at the crease to make a simple book. For the "International Standardization of Statistics Relating to Book Production and Periodicals", UNESCO defines a pamphlet as "a non-periodical printed publication of at least 5 but not more than 48 pages, exclusive of the cover pages, published in a particular country and made available to the public" and a book as "a non-periodical printed publication of at least 49 pages, exclusive of the cover pages". The UNESCO definitions are, however, only meant to be used for the particular purpose of drawing up their book production statistics. Etymology The word ''pamphlet'' for a small work (''opuscule'') issued by itself without covers came into Middl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Velimir Khlebnikov")
